Legendary R&B Hitmaker Willie Mitchell Dead At 81

Tell Me More remembers musician and producer Willie Mitchell, who died Tuesday in Memphis, Tennessee at age 81. Mitchell recorded many well known musicians over the years, helping to shape their sound, including the legendary Al Green and Rod Stewart.

Copyright © 2010 NPR. For personal, noncommercial use only. See Terms of Use. For other uses, prior permission required.


And now for some sad news on the passing of one the greats in the music world, musician and producer Willie Mitchell died yesterday at the age of 81. He began his love affair with music at the age of eight when he first picked up a trumpet. As an adult, he signed on to Memphis's Hi Records both as a recording artist and as a producer.

While at Hi Records, Mitchell made a chance acquaintance one night while sharing a bill with a young Al Green. The two would collaborate on many of Green's hits including "Let's Stay Together." Its smooth and silk sound belies the labor of love that went into its recording, according to Willie Mitchell.

Mr. WILLIE MITCHELL (Musician and Producer): It took us a hundred and some hours to put the song on tape because Al, he kept saying what do you want, man? I said well, I want you.

MARTIN: Al Green recalls that Mitchell gave him the advice to back off a bit.

Mr. AL GREEN (Musician): He said don't try to handle the song, Al. Just let the song happen. Just let it happen. Just let it ooze out and let it, that's right.

MARTIN: Again, Willie Mitchell.

Mr. MITCHELL: I wanted his golden voice on it and he kept giving me somebody else's voice and then that's why we just kept going over and over and over and over again. Yeah. When he nailed it I said that's the one.

MARTIN: Musician and producer Willie Mitchell died yesterday at age 81 in Memphis. And we're going to leave you today with that wonderful collaboration between Willie Mitchell and Al Green. Let's listen to "Let's Stay Together."

(Soundbite of song, "Let's Stay Together")

Mr. GREEN: (Singing) I'm, I'm so in love with you. Whatever you want to do is alright with me.

MARTIN: And that's our program for today. I'm Michel Martin and this is TELL ME MORE from NPR News. Let's talk more tomorrow.

Mr. GREEN: (Singing) 'Cause you make me feel, so brand new. And I want to spend my life with you. Me sayin' since, baby, since we've been together. Ooo, loving you forever is what I need. Let me, be the one you come running to. I'll never be untrue. Ooo baby, let's, let's stay together. Loving you whether, whether times are good or bad, happy or sad. Oooo oooo ooo ooo, yeah. Whether times are good or bad, happy or sad. Why somebody, why people break up, oh, and turn around and make up. I just can't see. You'd never do that to me, would you baby? 'Cause being around you is all I...

Copyright © 2010 NPR. All rights reserved. No quotes from the materials contained herein may be used in any media without attribution to NPR. This transcript is provided for personal, noncommercial use only, pursuant to our Terms of Use. Any other use requires NPR's prior permission. Visit our permissions page for further information.

NPR transcripts are created on a rush deadline by a contractor for NPR, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of NPR's programming is the audio.

'Let's Stay Together'

Al Green, from the cover of his Greatest Hits album, first released in 1975. i

Al Green, from the cover of his Greatest Hits album, first released in 1975. Courtesy of the artist hide caption

itoggle caption Courtesy of the artist
Al Green, from the cover of his Greatest Hits album, first released in 1975.

Al Green, from the cover of his Greatest Hits album, first released in 1975.

Courtesy of the artist

The Album

Willie Mitchell, architect of the legendary Memphis soul sound, died Tuesday at the age of 81. We remember him with a song that he produced.

In 2000, NPR's listeners voted Al Green's 1971 hit "Let's Stay Together" one of the 100 best songs of the 20th century. With its plea for two people to hang in there, whether times are good or bad, it quickly became an anthem for lovers. As NPR's Elizabeth Blair reports, Al Green is a singer who does more with a whisper than a scream.

In his autobiography, Al Green admits that there's more than one Al Green. There's the Rev. Al Green, who's been preaching every Sunday at the Full Gospel Tabernacle in Memphis for more than 20 years. There's the regular Al Green, known only to his close friends and family. And, of course, there's the artist Al Green.

The Soul Mates

Green was born in Jacknash, Ark., and grew up in Grand Rapids, Mich. By the time he was 20, Green had already sung with his family in a gospel group; gotten kicked out of his parents' house for listening to crooner Jackie Wilson; moved in with his first girlfriend, a prostitute; and formed his own group, the Soul Mates, who scored a minor hit in 1967 with "Back Up Train."

Even though the Soul Mates caused a sensation singing the song at the Apollo Theater in Harlem, Green grew to hate the song, and the group soon dissolved.

Willie Mitchell

Green struck out on his own, but wherever he went, "Back Up Train" was all people wanted to hear him sing. Some marquees even called him Al "Back Up Train" Green. His career began to stall. Then, one night in Midland, Tex., he found himself on a bill with Willie Mitchell.

Mitchell was a kind of jack-of-all-trades on the Memphis music scene — trumpeter, bandleader, songwriter and head of Hi Records, a friendly rival to the better-known Stax label. In 1968, Mitchell had a minor hit with the instrumental number "Soul Serenade."

On the night that Willie Mitchell and Al Green first met, Green took to the stage and sang "Back Up Train" for all it was worth to impress the headliner. Mitchell didn't care much for the song, but heard something irresistible in Green and agreed to become his producer.

"He said, 'How long before you think a hit record?' " Mitchell remembers. "I said, 'About 18 months.' He said, 'I ain't got that long.' But he was very young then."

Young, impatient and broke, Al Green wanted to go places, but didn't have too many options. He and Mitchell started working together, and 18 months later released their first hit.

The Golden Voice

"Tired of Being Alone" was the first in a series of hits for the team, and it wasn't long before they released a new chart-climber, "Let's Stay Together." Mitchell sketched out some chords, and he says it took Green just 15 minutes to write the words. But Mitchell says the time it took to record the song was an eternity.

"It took us a hundred and some hours to put the song on tape," Mitchell says, "because Al was saying, 'What do you want, man?' I said, 'Well, I want you.' "

"I'm in here trying to blow the studio top off," Green says, "and Willie kept saying, 'No, just say it.' I'm going, like, 'I think I need to just muscle up and sing it.' He said, 'Don't try to handle the song, Al. Just let the song happen. Just let it happen. Just let it ooze out and let it — that's right.' "

"I wanted this golden voice on it, and he kept giving me somebody else's voice," Mitchell says. "And that's why we just kept going over and over and over and over again. Yeah. When he nailed it, I said, 'That's the one.' "

Al Green and Willie Mitchell turned soul music in a new direction with "Let's Stay Together," says Davin Seay, co-author of Green's autobiography.

"Prior to that time in the '60s, you know, the golden age of soul music, it was very much about this sort of shouting, paint-peeling, floor-stomping R&B style personified by guys like Otis Redding, who, even when he did a ballad, kind of gave it everything he had," Seay says. "It was kind of pushed to the limit."

For the next two years, Green recorded seven singles with Mitchell at Hi Studios in Memphis. Each sold more than a million copies. Mitchell was a gifted arranger, while the Hi Records house band included some of the best musicians in the South. He wanted to create a sound that melded the gritty Memphis horns with the tenderness of Green's voice. Besides horns, he used strings and a rock-steady rhythm section on Green's albums. It was Mitchell who taught Green to let loose his vulnerable side when a song called for it.

Click the audio link above to hear more about "Let's Stay Together."



Please keep your community civil. All comments must follow the NPR.org Community rules and terms of use, and will be moderated prior to posting. NPR reserves the right to use the comments we receive, in whole or in part, and to use the commenter's name and location, in any medium. See also the Terms of Use, Privacy Policy and Community FAQ.