Former Sex Pistols Manager Malcolm McLaren Dies

One of the seminal figures of the punk era has passed away. Malcolm McLaren was a British artist, promoter, fashion designer and musician. He also gave the influential band the "Sex Pistols" their name. He died of cancer at the age of 64.

Copyright © 2010 NPR. For personal, noncommercial use only. See Terms of Use. For other uses, prior permission required.

RENEE MONTAGNE, host:

For all its call to anarchy, the British punk movement had an outside international impact, in large part due to a classic impresario. His name was Malcolm McLaren, an artist, a fashion designer, a musician, and above all, a promoter. McLaren was 64 when he died yesterday. He will be remembered for what he did as an outrageous youth.

In the early 1970s, McLaren was running a trendy London boutique called SEX when he founded one of the eras most explosive musical acts.

(Soundbite of song, "Anarchy In The UK")

MONTAGNE: Malcolm McLaren gave the Sex Pistols their name and encouraged their angry, nihilistic image and sound.

(Soundbite of song, "Anarchy In The UK")

Mr. JOHNNY ROTTEN (Singer, The Sex Pistols): (Singing) I am an anti-Christ, I am an anarchist. Don't know what I want but I know how to get it. I wanna destroy...

MONTAGNE: From McLaren, the Sex Pistols were never really about the music. He was more interested in the band as a kind of performance art. Here he is talking with WHYY's FRESH AIR in 1988.

Mr. MALCOLM MCLAREN (Late Artist, Fashion Designer, Musician, Promoter): Most of the work that I've ever tried to initiate has always been through the nature of provocation. Make the ideas and exact the opposite feeling to what ordinary people would normally feel when they listen to a pop record. I'd rather have them jump out of their chair and destroy the radio that they listen to.

MONTAGNE: The Sex Pistols may have had that effect on some - maybe not everyone - but still they were hugely influential. Malcolm McLaren said that if the band was considered good that was just frosting on the cake.

(Soundbite of song, "Anarchy In The UK")

MONTAGNE: We're listening to "Anarchy In The UK" and you can find more on Malcolm McLaren, including videos, at NPR.org.

Copyright © 2010 NPR. All rights reserved. No quotes from the materials contained herein may be used in any media without attribution to NPR. This transcript is provided for personal, noncommercial use only, pursuant to our Terms of Use. Any other use requires NPR's prior permission. Visit our permissions page for further information.

NPR transcripts are created on a rush deadline by a contractor for NPR, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of NPR's programming is the audio.

Subversive Punk Icon Malcolm McLaren Dead At 64

Malcolm McLaren i i

Malcolm McLaren managed iconic acts such as The Sex Pistols, Adam and the Ants, Bow Wow Wow and New York Dolls. John Minihan/Hulton Archive hide caption

itoggle caption John Minihan/Hulton Archive
Malcolm McLaren

Malcolm McLaren managed iconic acts such as The Sex Pistols, Adam and the Ants, Bow Wow Wow and New York Dolls.

John Minihan/Hulton Archive

He was known as the British Andy Warhol, the P.T. Barnum of punk and Dick Clark from hell. Malcolm McLaren died Thursday in a Swiss sanitarium after a long struggle with cancer. He was 64.

It's not easy to be the most hated man in punk rock, but for years, McLaren somehow managed. In 1977, he was running a shop that sold fetish gear with his then-girlfriend, Vivienne Westwood, who'd go on to become a famous designer. Two young tough guys used their shop as a fence to sell stolen music equipment, and McLaren thought they'd be perfect for a band: The Sex Pistols.

McLaren was less a student of rock 'n' roll than of the twin mechanics of promotion and provocation.

"It really was about swindling your way to the top of the record industry hype and sensational advertising," McLaren told WHYY's Fresh Air in 1988. "It was swindling by deciding not to be played on radio. Didn't matter that you couldn't hear it — it was an attitude."

While The Sex Pistols actually became an influential group, that attitude — the look, the pose — was most important to McLaren. He thought the rock groups he managed, like Bow Wow Wow and Adam and the Ants, should be mythical. His first stab at rock management came with the band New York Dolls, which he loved for its trashy transvestite image.

Like so many other British music conceptualists, McLaren sprang from art school with a finely honed sense of subversion. He loved the French situationists and their slogans like, "What are the politics of boredom?" And he saw the potential of manipulating the media.

"The idea of painting in an attic seemed the wrong process, and I decided to use people the way sculptors use clay," McLaren said.

'A Diff Kettle Of Fish'

"There was something oddly cold about Malcolm, frankly," says music writer Chris Salewicz, who's covered the punk scene from the beginning. "His view of life as art didn't seem to have heart in it, one always felt.

"We're all a bit shocked, seriously," Salewicz says. "We've just been talking here about this, and he was a diff kettle of fish. But we said we wouldn't be here without him, you know?"

Still, Salewicz says McLaren's reputation as an exploitative Svengali is not entirely undeserved. Take Sid Vicious, the embodiment of the punk scene's excesses. The Sex Pistols' iconic bassist died of a drug overdose in 1979, a few months after the violent death of his girlfriend, Nancy Spungen.

"Sid Vicious need not have declined," Salewicz says. "Malcolm almost encouraged this as part of the whole scam of The Sex Pistols."

Still, somehow, McLaren seemed to anticipate trends, from world music and hip-hop to opera as popular culture.

McLaren left a big messy tag that runs through the last 30-plus years. His greatest legacy was a do-it-yourself ethos; a perverse determination for people to follow their most unconventional dreams.

Comments

 

Please keep your community civil. All comments must follow the NPR.org Community rules and Terms of Use. NPR reserves the right to use the comments we receive, in whole or in part, and to use the commenter's name and location, in any medium. See also the Terms of Use, Privacy Policy and Community FAQ.