By China Mieville
Hardcover, 528 pages
List price: $26
They passed another guard: a big, truculent man, all shaved head and muscular fatness. He was some years older than Billy, named Dane Something, from what Billy had overheard. Billy nodded and tried to meet his eye, as he always did. Dane Whatever, as he always did, ignored the little greeting, to Billy's disproportionate resentment.
As the door swung shut, though, Billy saw Dane acknowledge someone else. The guard nodded momentarily at the intense young man with the lapel pin, the obsessive whose eyes flickered in the briefest response. Billy saw that, in surprise — and just before the door closed between them — Dane looking at him.
Dane's acquaintance did not meet his eyes. "You feel it get cool?" Billy said, shaking his head. He sped them through time-release doors. "To stop evaporation. We have to be careful about fire. Because, you know, there's a fair old bit of alcohol in here, so . . ." With his hands he made a soft explosion.
The visitors stopped still. They were in a specimen maze. Ranked intricacies. Kilometres of shelves and jars. In each was a motionless floating animal. Even sound sounded bottled suddenly, as if something had put a lid on it all.
The specimens mindlessly concentrated, some posing with their own colourless guts. Flatfish in browning tanks. Jars of huddled mice gone sepia, grotesque mouthfuls like pickled onions. There were sports with excess limbs, foetuses in arcane shapes. They were as carefully shelved as books. "See?" Billy said.
One more door and they would be with what they were there to see. Billy knew from repeated experience how this would go.
When they entered the tank room, the chamber at the heart of the Darwin Centre, he would give the visitors a moment without prattle. The big room was walled with more shelves. There were hundreds more bottles, from those chest-high down to those the size of a glass of water. All of them contained lugubrious animal faces. It was a Linnaean décor; species clined into each other. There were steel bins, pulleys that hung like vines. No one would notice. Everyone would be staring at the great tank in the centre of the room.
This was what they came for, that pinkly enormous thing. For all its immobility; the wounds of its slow-motion decay, the scabbing that clouded its solution; despite its eyes being shrivelled and lost; its sick colour; despite the twist in its skein of limbs, as if it were being wrung out. For all that, it was what they were there for.
It would hang, an absurdly massive tentacled sepia event. Architeuthis dux. The giant squid.
It's 8.62 metres long," Billy would say at last. "Not the largest we've ever seen, but no tiddler either." The visitors would circle the glass. "They found it in 2004, off the Falkland Islands.
"It's in a saline-Formalin mix. That tank was made by the same people that do the ones for Damian Hirst. You know, the one he put the shark in?" Any children would be leaning in to the squid, as close as they could get.
"Its eyes would have been twenty-three or twenty-four centimetres across," Billy would say. People would measure with their fingers, and children opened their own eyes mimicry-wide. "Yeah, like plates. Like dinner plates." He said it every time, every time thinking of Hans Christian Andersen's dog. "But it's very hard to keep eyes fresh, so they're gone. We injected it with the same stuff that's in the tank to stop it rotting from the inside.
"It was alive when it was caught."
That would mean gasps all over again. Visions of an army of coils, twenty thousand leagues, an axe-fight against a blasphemy from the deep below. A predatory meat cylinder, rope limbs unrolling, finding a ship's rail with ghastly prehensility.
It had been nothing like that. A giant squid at the surface was a weak, disoriented, moribund thing. Horrified by air, crushed by its own self, it had probably just wheezed through its siphon and palsied, a gel mass of dying. That did not matter. Its breach was hardly reducible to however it had actually been.
The squid would stare with its handspan empty sockets and Billy would answer familiar questions — "It's name is Archie." "Because of Architeuthis. Get it?" "Yes, even though we think it's a girl."
When it had come, wrapped in ice and preservative cloth, Billy had helped unswaddle it. It was he who had massaged its dead flesh, kneading the tissue to feel where preservatives had spread. He had been so busy on it it was as if he had not noticed it, quite, somehow. It was only when they were done and finished, and it was tanked, that it had hit him, had really got him. He had watched refraction make it shift as he approached or moved away, a magic motionless motion.
It wasn't a type-specimen, one of those bottled Platonic essences that define everything like them. Still, the squid was complete, and it would never be cut.
Other specimens in the room would eventually snare a bit of visitor attention. A ribbon-folded oarfish, an echidna, bottles of monkeys. And there at the end of the room was a glass-fronted cabinet containing thirteen small jars.
"Anyone know what these are?" Billy would say. "Let me show you."
They were distinguished by the browning ink and antique angularity of the hand that had labelled them. "These were collected by someone quite special," Billy would say to any children. "Can you read that word? Anyone know what that means? 'The Beagle'?"
Some people got it. If they did they would gape at the subcollection that sat there unbelievably on an everyday shelf. Little animals collected, euthanized, preserved and catalogued on a journey to the South American seas, two centuries before, by the young naturalist Charles Darwin.
"That's his writing," Billy would say. "He was young, he hadn't sorted out his really big notions when he found these. These are part of what gave him the whole idea. They're not finches, but these are what got the whole thing started. It's the anniversary of his trip soon."
Very rarely, someone would try to argue with him over Darwin's insight. Billy would not have that debate.
Even those thirteen glass eggs of evolutionary theory, and all the centuries'-worth of tea-coloured crocodiles and deep-sea absurdities, evinced only a little interest next to the squid. Billy knew the importance of that Darwin stuff, whether visitors did or not. No matter. Enter that room and you breached a Schwarzschild radius of something not canny, and that cephalopod corpse was the singularity.
That, Billy knew, was how it would go. But this time when he opened the door he stopped, and stared for several seconds. The visitors came in behind him, stumbling past his immobility. They waited, unsure of what they were being shown.
The centre of the room was empty. All the jars looked over the scene of a crime. The nine-metre tank, the thousands of gallons of brine-Formalin, the dead giant squid itself were gone.
Excerpted from Kraken by China Mieville. Copyright 2010 by China Mieville. Reprinted by permission of Del Rey. All rights reserved.