'The Passage' Teems With Viral Vampires

Justin Cronin i i

hide captionOriginally from New England, Cronin now teaches English at Rice University and lives in Houston, Texas.

Gasper Tringale
Justin Cronin

Originally from New England, Cronin now teaches English at Rice University and lives in Houston, Texas.

Gasper Tringale

Justin Cronin achieved a respectable level of success with his literary novels, Mary and O'Neil and The Summer Guest. But then he penned the great American vampire story, and his novel The Passage became a phenomenon.

It's 2016, and terrorists are striking across America with increasing frequency. The U.S. government is creating a top-secret army of death row inmates to root out the terrorists — until it all goes wrong.

These days, vampires seem less like the creepy undead, and more like teenage heartthrobs. But Cronin has created a world of cold-blooded bloodsuckers who are neither romantic nor seductive.

"These are not your teenage daughter's vampires," Cronin tells host Neal Conan. "They do not sparkle; they do not look like underwear models. These are the real vampires."

Excerpt: 'The Passage'

Cover of 'The Passage'
The Passage
By Justin Cronin
Hardcover, 784 pages
Ballantine Books
List price: $27

LANGUAGE ADVISORY: This excerpt contains language some might find offensive.

Wolgast had been to the Compound only once, the previous summer, to meet with Colonel Sykes. Not a job interview, exactly; it had been made clear to Wolgast that the assignment was his if he wanted it. A pair of soldiers drove him in a van with blacked out windows, but Wolgast could tell they were taking him west from Denver, into the mountains. The drive took six hours, and by the time they pulled into the Compound, he'd actually managed to fall asleep. He stepped from the van into the bright sunshine of a summer afternoon. He stretched and looked around. From the topography, he'd have guessed he was somewhere around Telluride. It could have been further north. The air felt thin and clean in his lungs; he felt the dull throb of a high-altitude headache at the top of his skull.

He was met in the parking lot by a civilian, a compact man dressed in jeans and a khaki shirt rolled at the sleeves, a pair of old-fashioned aviators perched on his wide, faintly bulbous nose. This was Richards.

"Hope the ride wasn't too bad," Richards said as they shook hands. Up close Wolgast saw that Richards' cheeks were pockmarked with old acne scars. "We're pretty high up here. If you're not used to it, you'll want to take it easy."

Richards escorted Wolgast across the parking area to a building he called the Chalet, which was exactly what it sounded like: a large Tudor structure, three stories tall, with the exposed timbers of an old-fashioned sportsman's lodge. The mountains had once been full of these places, Wolgast knew, hulking relics from an era before time-share condos and modern resorts. The building faced an open lawn, and beyond, at a hundred yards or so, a cluster of more workaday structures: cinderblock barracks, a half-dozen military inflatables, a low-slung building that resembled a roadside motel. Military vehicles, Humvees and smaller jeeps and five ton trucks, were moving up and down the drive; in the center of the lawn, a group of men with broad chests and trim haircuts, naked to the waist, were sunning themselves on lawn chairs.

Stepping into the Chalet, Wolgast had the disorienting sensation of peeking behind a movie set; the place had been gutted to the studs, its original architecture replaced by the neutral textures of a modern office building: gray carpeting, institutional lighting, acoustic tile drop ceilings. He might have been in a dentist's office, or the high-rise off the freeway where he met his accountant once a year to do his taxes. They stopped at the front desk, where Richards asked him to turn over his handheld and his weapon, which he passed to the guard, a kid in cammos, who tagged them. There was an elevator, but Richards walked past it and led Wolgast down a narrow hallway to a heavy metal door that opened on a flight of stairs. They ascended to the second floor, and made their way down another non-descript hallway to Sykes' office.

Sykes rose from behind his desk as they entered: a tall, well-built man in uniform, his chest spangled with the various bars and little bits of color that Wolgast had never understood. His office was neat as a pin, its arrangement of objects, right down to the framed photos on his desk, giving the impression of having been placed for maximum efficiency. Resting in the center of the desk was a single manila folder, fat with folded paper. Wolgast knew it was almost certainly his personnel file, or some version of it.

They shook hands and Sykes offered him coffee, which Wolgast accepted. He wasn't drowsy but the caffeine, he knew, would help the headache.

"Sorry about the bullshit with the van," Sykes said, and waved him to a chair. "That's just how we do things."

A soldier brought in the coffee, a plastic carafe and two china cups on a tray. Richards remained standing behind Sykes' desk, his back to the broad windows that looked out on the woodlands that ringed the Compound. Sykes explained what he wanted Wolgast to do. It was all quite straight forward, he said, and by now Wolgast knew the basics. The Army needed between ten and twenty death-row inmates to serve in the third-stage trials of an experimental drug therapy, codenamed Project Noah. In exchange for their consent, these men would have their sentences commuted to life without parole. It would be Wolgast's job to obtain the signatures of these men, nothing more. Everything had been legally vetted, but because the project was a matter of national security, all of these men would be declared legally dead. Thereafter, they would spend the rest of their lives in the care of the federal penal system, a white-collar prison camp, under assumed identities. The men would be chosen based upon a number of factors, but all would be men between the ages of twenty and thirty-five with no living first-degree relatives. Wolgast would report directly to Sykes; he'd have no other contact, though he'd remain, technically, in the employment of the Bureau.

"Do I have to pick them?" Wolgast asked.

Sykes shook his head. "That's our job. You'll get your orders from me. All you have to do is get their consent. Once they're signed on, the Army will take it from there. They'll be moved to the nearest federal lock-up, then we'll transport them here."

Wolgast thought a moment. "Colonel, I have to ask —"

"What we're doing?" He seemed, at that moment, to permit himself an almost human-looking smile.

Wolgast nodded. "I understand I can't be very specific. But I'm going to be asking them to sign over their whole lives. I have to tell them something."

Sykes exchanged a look with Richards, who shrugged. "I'll leave you now," Richards said, and nodded at Wolgast. "Agent."

Excerpted from The Passage by Justin Cronin Copyright 2010 by Justin Cronin. Excerpted by permission of Ballantine Group, a division of Random House Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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