In Brazil, samba isn't just the music of Carnival. With throngs headed to the country for this summer's World Cup and the 2016 Summer Olympics, samba de rota has become an act of cultural resistance.
Listeners connect with music in countless ways. Essays and interviews about why we love the music we love and questions about what our choices as fans mean.
When even the biggest stars in the world are relying on extramusical gimmicks to hype new albums, what's an unknown rapper supposed to do to get noticed? Maybe fake a profile in the paper of record?
The super-sized leading light of the new dance mainstream thrives at throwing the kind of one-off party that even a well-dressed, friendly audience in a regular-sized club can enjoy.
Even as they reached the Top 10 in Britain, appeared on TV and had young women swooning by the thousands across the pond, their first singles in the U.S. were released on tiny independent labels and went nowhere. What went wrong, and finally right, in the leadup to the night of Feb. 7, 1964.
What began as little more than a glorified metronome has worked its way into bedroom studios and state-of-the-art recording facilities alike. A new book chronicles the history and influence of the drum machine in all its wood- and plastic-paneled glory.
At the end of a year in which Sheryl Sandberg released Lean In, Miley Cyrus and Diane Martel provoked everybody, #solidarityisforwhitewomen was born, and British singer Lily Allen put her foot in it, Beyonce's album has reignited conversations about the boundaries of feminism today.
Follow the jibber jabber on the music internet and it sounds like emo — the broadly defined, male-dominated, compositionally complicated, often pained offshoot of American punk rock — is back. But what kind of emo has returned, exactly? And is it the beloved or the maligned parts?
Underground dance music is retreating from the EDM juggernaut by moving toward tastefulness. But in dance music, as in life, the line between polite and tedious is perilously thin.
It's almost as if, on The Marshall Mathers LP 2, he's trying everything to be accepted and unacceptable, all at once. Yet his ability to be lyrically captivating through it all is astounding.
In these days of dusty, overbooked festivals run rampant, a smooth-sounding, tight bill with the promise of a good-looking, down to party hometown crowd makes that cash register sing.