Birth of a Meaty New Taste
LUKE BURBANK, host:
MATT MARTINEZ: Hello. How are you?
BURBANK: Fresh here from the Drug Enforcement Agency.
MARTINEZ: Yes, yes.
BURBANK: So don't do drugs. What have you got?
MARTINEZ: Hey, well, I'm just trying to spread the message. I have the number one story at npr.org. It's been number one for three days now ever since it aired on Monday on MORNING EDITION.
It's a piece by Robert Krulwich, our colleague, who's just over the wall here. He did a piece on a new - well, it's actually really not new - it's something that people have said existed, it's the fifth sense of - the fifth taste. You know, they say we can taste sweet, sour, salty, bitter. They say there's a fifth one. It's called umami, and the piece is brilliant, and we usually play little snippets of pieces on The Most, but actually we're going to play the entire piece explaining exactly what umami is and here's NPR's Robert Krulwich.
(Soundbite of archived NPR recording)
ROBERT KRULWICH: Twenty-four hundred years ago, the Greek philosopher Democritus asked himself why do some things taste sweet and some things salty. And he decided maybe it has to do with shape. So when you eat, say, in our case…
(Soundbite of chewing)
KRULWICH: …a salty potato chips, and you chew and it breaks down into very teeny bits in your mouth, some of those bits, Democritus imagined, might be shaped like isosceles triangles.
(Soundbite of swallowing)
KRULWICH: So that's what salty is, he thought, little triangles on your tongue. Sweet is round bits on your tongue. And then there's another shape for bitter; another for sour. So there are four shapes, said Democritus, and four tastes.
JONAH LEHRER: Yes, there were four basic tastes.
KRULWICH: Again, that's sweet and salt.
LEHRER: Let's see: sour, salty, sweet, bitter.
KRULWICH: Uh-huh. Sour, salty, sweet and bitter. And, says science writer Jonah Lehrer, that became the orthodox view.
LEHRER: This wasn't even the orthodox's view. This was the view.
KRULWICH: Plato said, I agree the tongue has four tastes. Then Aristotle said, me, too. And then everybody said, yep. And ever since, even modern scientists have stuck with that formula.
So for more than 2,000 years, the scientific establishment says if it isn't sweet or sour or bitter or salty, you can't taste it. It ain't there.
And then along came Auguste Escoffier.
(Soundbite of music)
LEHRER: He was a French chef who worked in the Hotel Ritz.
KRULWICH: Oh. The hotel. So we're going to go to Paris in the 18-, what, something…
LEHRER: Late 18th century, early 20th century?
KRULWICH: Oh, a very sort of Moulin Rouge kind of thing.
LEHRER: Yes. Yes, exactly.
KRULWICH: And when Chef Escoffier opened the most famous restaurant ever in France, he created a taste that was not SSS or B - sour, salty, sweet or bitter.
Okay. So now through the magic of radio, you and I, Jonah, we are going to create Escoffier's recipe for veal stock. So if you follow me here into my imaginary kitchen, I'm going to fry - what am I going to fry?
LEHRER: You put on a little pork rind, a little carrot, some meat scraps.
KRULWICH: Okay. Wait, wait. Pork rind…
(Soundbite of frying)
LEHRER: And we fry the meat. Let it burn a little bit.
LEHRER: You're going to get the sizzle. You can hear the crust forming underneath.
KRULWICH: Now, the recipe says you wait for a crackle. Is that right?
LEHRER: Yes. Yes. Listen for the sound of crackling.
(Soundbite of crackling)
KRULWICH: Perfect crackle. So now, I'm going to take some - and add cold water. No?
LEHRER: Exactly, exactly.
KRULWICH: And I'm going to take some veal bones I've been roasting in the oven. I pop them in.
LEHRER: And you boil, boil, boil.
LEHRER: Simmer, simmer, simmer.
KRULWICH: How long do I simmer for, would you say?
LEHRER: About 12 hours.
KRULWICH: Twelve hours.
(Soundbite of laughter)
KRULWICH: And I was supposed to do this again. It says, more bones and more simmer until, finally, I get this rich, concentrated sauce.
LEHRER: But it smells like the essence of veal. You know, it's got 20 hours of meat juice in it.
KRULWICH: So now, after, what, 24 hours probably, now we're ready to have - to begin cooking.
LEHRER: It's been a long day, yes. Now you're ready to start cooking.
KRULWICH: So now, someone in the restaurant is going to order.
Unidentified Man #1: (French spoken)
Unidentified Man #2: Tres bien.
KRULWICH: All right. Now, Escoffier can cook a steak and then he adds this rich, tasty sauce, plus some butter. Voila.
So now, the question - here's the mystery to me is nothing that you've just described is specifically sweet.
KRULWICH: Nothing is particularly sour. Nothing is determinately bitter.
KRULWICH: Or especially salty. So well, so - but on the other hand, you knew it tasted good.
LEHRER: Yes. But it didn't just taste good. This was an epiphany. This was the best food you ever tasted in your life.
KRULWICH: Wait. Wait. Wait.
KRULWICH: But what are we tasting if it's not one of the four classic tastes?
LEHRER: So that's the mystery.
KRULWICH: And now, the mystery deepens. We go halfway around the world to Japan where there's an obscure chemist at the very same time. His name - how do you pronounce it? It's Kikunae Ikeda.
LEHRER: I think so.
(Soundbite of laughter)
LEHRER: He's eating a bowl of dashi, which is a Japanese soup.
KRULWICH: And he's thinking as he tastes it, that…
LEHRER: It didn't taste like a little bit sour and a little bit salty.
LEHRER: It tasted like a completely separate taste sensation. But it sure is delicious.
KRULWICH: Same puzzle then.
LEHRER: Yes. It's the Escoffier puzzle.
KRULWICH: How can I be enjoying a taste that scientists say is not there? And by the way, he's a scientist.
LEHRER: He's a chemist.
KRULWICH: So he did a little chemistry.
LEHRER: He spent years trying to distill…
LEHRER: Years trying to distill, trying to figure out what part of this seaweed broth tasted so delicious.
KRULWICH: And he discovered that what he'd been tasting was…
KRULWICH: Glutamate. It's found in most living things, but when they die, when organic matter breaks down - in an aging parmesan cheese or prosciutto; any fermented products - soy sauce, ketchup, Worcestershire sauce; in ripe things - a ripe tomato - all are rich with a form of glutamate called L-glutamate.
LEHRER: And when you cook meat in that pan the way Escoffier did, what you're essentially doing is releasing lots of glutamate.
KRULWICH: Is glutamate bitter?
KRULWICH: Is glutamate sour?
KRULWICH: Is glutamate salty?
KRULWICH: Is glutamate sweet?
LEHRER: No. But when you put it in your tongue, you know, it just fills your mouth with this full, rounded flavor, which is - it's like a low resonant chord played on a cello, you know, that, oh.
KRULWICH: And in 1907, Kikunae Ikeda decided to name that oh(ph).
LEHRER: He calls it umami.
LEHRER: Umami. And he says it's…
KRULWICH: What does that mean?
KRULWICH: But when he publishes his findings in a chemistry journal and he says Aristotle is wrong. I'm now announcing a fifth taste.
LEHRER: No one believes him. All the great foods of the world seemed to revolve around the taste sensation of umami and yet it doesn't exist.
KRULWICH: And then almost a hundred years after that, however, in 2000 and again in 2002, a new generation of scientists with new tools discover that, indeed, on our tongues, we do have receptors for glutamate.
LEHRER: Not just one type of glutamate receptor, but two types of glutamate receptors.
LEHRER: They were there all the time.
KRULWICH: …for the scene. And it was the chef and the soup-loving chemist who trusted their tongues over books and who insisted on a truth that they felt.
LEHRER: Yes, why did this taste so good. And even though it shouldn't exist, even though the scientists say it shouldn't exist, it does exist.
KRULWICH: Chefs, after all, are artists. They know taste. Not in a break-it-down-into-proteins kind of way, but in I know I can taste this kind of way. And because artists can feel so deeply and so explicitly and so intuitively, sometimes, they lead the scientists.
LEHRER: Yeah, I think - I think it's strange for us. We think of, yeah, what can you possibly learn from a chef? What can you learn about the anatomy of the tongue from a chef?
KRULWICH: Well, scientists now concede there are five tastes, not four, it's in the textbooks, they've named the fifth, umami. So more than we realize this, Jonah Lehrer, in his new book, "Proust was a Neuroscientist," artists, poets, novelists, composers and chefs figure out two things about the natural world often before scientists do.
LEHRER: You know, I think one interesting thing about all these arts as I talked about in the book is that they took their art very seriously. They thought they were discovering real truths.
KRULWICH: And in this case with the fifth taste, it was the chef who was right.
LEHRER: Yes. The chef was very right.
(Soundbite of music)
BURBANK: Talk about tasty listening. NPR's Robert Krulwich with his amazing piece, still I think number one e-mail on NPR.
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