NPR logo So Your Tiny Black Heart Is Broken

So Your Tiny Black Heart Is Broken

art from the cover of Lisa Germano's 'In the Maybe World'

Valentine's Day has always been a cruel holiday: For those in love, it applies pressure to perform — to prove one's devotion through a series of insipid gestures. For those in the tentative early stages of courtship, it litters the emotional terrain with landmines, forcing new couples to state feelings they might not be ready to express. And, for those beset by heartbreak or loneliness, Valentine's Day provides a crass, cruel reminder.

These five songs — all great, all released in the past five years — are for those wishing to wallow in the holiday's sheer, soul-wrecking brutality. Each is carefully selected to provide a vivid soundtrack for those moments when alcohol isn't even necessary, so drunk is the listener on his or her own misery. Enjoy!

So Your Tiny Black Heart Is Broken

Cover for Tallahassee

No Children

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No Children

  • from Tallahassee
  • by The Mountain Goats

Perhaps The Mountain Goats' greatest song -- and certainly the one most likely to induce fevered sing-alongs at the band's shows -- "No Children" captures the twisted, co-dependent, narcissistic sado-masochism of a relationship perpetuated by its own poisonousness and little else. In the process, John Darnielle mixes the poetic ("Our friends say it's darkest before the sun rises / We're pretty sure they're all wrong") and the visceral ("I hope you die / I hope we both die").

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Song
Tallahassee
Album
Tallahassee
Artist
The Mountain Goats
Label
4AD
Released
2002

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Cover for In the Maybe World

Too Much Space

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Too Much Space

  • from In the Maybe World
  • by Lisa Germano

A song so sad it seems to suck the oxygen out of the room, Lisa Germano's "Too Much Space" pulsates with the ache of unwelcome solitude. As Germano takes stock of an eerily quiet home that's lost the telltale comforts of companionship, the music keeps getting more unsettling, as a lone piano and gentle strings give way to whirring effects that whiz by like satellites. As Germano closes the song with repetition of the words "One of us," it's hard to take solace in joining the company of her misery.

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Song
In the Maybe World
Album
In the Maybe World
Artist
Lisa Germano
Label
Young God
Released
2006

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Cover for Swell Season

Leave

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Leave

  • from Swell Season
  • by Glen Hansard & Marketa Irglova

The Frames' Glen Hansard has become a media darling in recent months for his performance in the indie musical Once, which has popularized some of his most bittersweet, hopeful material. But the soundtrack also contains a version of the remarkable "Leave" -- a visceral, white-knuckle hellride through the emotionally gory moment when a troubled relationship hits its ugly, implosive breaking point. "I hope you feel better, now that it's out," he seethes. "What took you so long?"

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Song
Swell Season
Album
Swell Season
Artist
Glen Hansard & Marketa Irglova
Label
Epitaph
Released
2006

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Jason Molina art

Get out Get out Get Out

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Get out Get out Get Out

  • from Let Me Go, Let Me Go, Let Me Go
  • by Jason Molina

Crushing sadness is Jason Molina's first language, and English is second. The singer-songwriter behind Songs:Ohia and Magnolia Electric Co, Molina writes low-tech, raw-boned odes to suffering that practically bleed self-pity. "Get Out Get Out Get Out" may be all bleakness and sorrow ("I lived low enough so the moon wouldn't waste its light on me"), but it also exudes clear-eyed beauty, thanks in large part to a gutty, gorgeous vocal.

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Song
Let Me Go, Let Me Go, Let Me Go
Album
Let Me Go, Let Me Go, Let Me Go
Artist
Jason Molina
Label
Secretly Canadian
Released
2006

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The Late Cord

My Most Meaningful Relationships Are with Dead People

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My Most Meaningful Relationships Are with Dead People

  • from Lights from the Wheelhouse
  • by The Late Cord

At seven funereal minutes, The Late Cord's "My Most Meaningful Relationships Are with Dead People" feels about as uplifting as its title would indicate. Amid a moody, molasses-slow arrangement that would do Angelo Badalamenti proud, great young singer Micah P. Hinson applies his prematurely world-weary croak to an oppressively sad dirge. "Is it too far gone," he asks, "to be saved?" Yeah, probably.

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Song
Lights from the Wheelhouse
Album
Lights from the Wheelhouse
Artist
The Late Cord
Label
4AD
Released
2006

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