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Alvin Ailey's Dance Troupe at 45

New Generation of Stars Shine for Seminal Performing Company

Alvin Ailey American Dance Theater dancers perform choreographer Robert Battle's 'Juba'
Nanette Melville/Alvin Ailey American Dance Theater

Alvin Ailey American Dance Theater dancers perform choreographer Robert Battle's Juba.

From Alvin Ailey's 'Revelations'

Hear samples from the soundtrack to the dance company's most recent production:

Listen 'I Wanna Be Ready'

Listen 'Rocka My Soul in the Bosom of Abraham'

Listen 'Didn't My Lord Deliver Daniel?'
Cover for the soundtrack to 'Revelations'

Cover for the soundtrack to Revelations (V2 1999)

Available Online
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May 27, 2004

Next week, the Alvin Ailey American Dance Theater will hold a gala celebration to recognize a $1-million grant from the Oprah Winfrey Foundation. The money will fund scholarships for the company's next generation of stars.

The Alvin Ailey troupe is considered one of the country's premier modern dance companies, and it has a unique place in American culture. NPR's Karen Grigsby Bates profiles the dance company on its 45th anniversary.

Ailey founded the troupe in 1958, envisioning dance as a way to celebrate and honor black culture. Judith Jamison -- once Ailey's star dancer and muse -- took over as the company's artistic director when Ailey died in 1989 at age 58.

In many ways, Jamison says, Ailey dancers are like all dancers -- but with an extra mandate. "You have to realize that you're stepping on sacred ground when you're a dancer," she says. "It's a spiritual space."

The movements of Ailey dancers are characterized as smooth, controlled and deliberate, and their productions are often flavored with dances from the African Diaspora. In her prime, Jamison was known by dance aficionados for the liquid perfection of her movement -- but she says she's amazed by the abilities of the latest Ailey's dancers.

Jamison says her dancers have what Ailey would have called "blood memories" -- deep-rooted cultural impulses that have been transmitted, unspoken, through generations. Ailey saw dance as a way to retain the collective blood memories of the African-American community. His rise to prominence in dance dovetailed with the rise of the Black Arts movement.

Productions such as the signature Ailey work Revelations pay homage to how faith sustained black Americans through difficult times. "It set a tone for what is human in all of us, no matter where you come from," Jamison says of Revelations. We've done that piece all over the world, and everyone understands exactly what it's about -- it's humanity, it's triumph, and what it is to be human."

 
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