
Enlarge University of Illinois PressA promotional poster for recordings by George W. Johnson -- "the original whistling coon and laughing darkey."
University of Illinois PressA promotional poster for recordings by George W. Johnson -- "the original whistling coon and laughing darkey."
Hear three rare tracks sung by George W. Johnson from 'Lost Sounds: Blacks and the Birth of the Recording Industry, 1891-1922' © 2005 Archeophone Records

Library of CongressThis untitled photograph is believed to be a picture of Johnson recording a song.
February 21, 2006 - George W. Johnson may not be a household name, but he has a singular place in music history -- the former slave and New York City street performer is, according to most accounts, the very first African-American recording artist.
The phonograph, or "talking machine," had been invented by Thomas Edison only few years before Johnson tracked a rendition of "The Whistling Coon," a racist minstrel song. That recording helped give birth to what we now know as the record industry.
At the time, there was no electronic amplification of a singer's voice -- artists all but shouted into a cone-shaped device, and the sound waves moved a needle etching a rotating drum of hard wax.
Johnson's story is featured in Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919, a new book and companion CD compiled by archivist Tim Brooks. Brooks doesn't believe Johnson resisted singing the racist tune.
"No, I think George Johnson had to march to the beat of the drum -- that was very much in the hands of white America at that time," Brooks says.
Comments
Discussions for this story are now closed. Please see the Community FAQ for more information.