Financial Journalist Louis Rukeyser Dies at 73
JOHN YDSTIE, host:
A witty and dapper commentator on the business world, Louis Rukeyser, died yesterday. He was 73.
For more than three decades as the host of PBS's Wall Street Week, Rukeyser thrived at the intersection of economics and pop culture, a symbol of intelligent, no-nonsense business analysis.
Even singer Tom Chapin paid tribute to him in a song.
Mr. TOM CHAPIN (Musician): (Singing) Then the bluebird of happiness is a harbinger of doom, and when that bluebird finally lets it fly it always lands right on the little guy. And even Louis Rukeyser don't have a reason why. Econo-me, econo-you...
YDSTIE: Rukeyser was at ABC News before becoming the host of Wall Street Week, the program that would define his career.
In a 1988 interview on NPR's Fresh Air, Rukeyser revealed his three simple rules for explaining economics to average Americans.
First, speak English.
(Soundbite of 1988 Interview with Louis Rukeyser)
Mr. LOUIS RUKEYSER: Second, having spoken in English, there's a high probability that many people will understand what you said. Therefore, it's helpful if you have some knowledge of what you're talking about. We have now, with those two rules, eliminated virtually everything on the air.
You go to number three, which is you've got to do it with a little bit of flair.
YDSTIE: And flair and dry wit is what millions of Americans came to expect from Rukeyser.
Mr. RUKEYSER: I have a respect for money, don't misunderstand me, but I don't think that money is everything. And I think to know about money equates with being obsessed with money. I think the best way to keep money in perspective is to have some, manage it intelligently, and then go on to the next thing.
YDSTIE: Louis Rukeyser died yesterday at his Greenwich, Connecticut home. He was 73 years old.
NPR transcripts are created on a rush deadline by a contractor for NPR, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of NPR’s programming is the audio.