Eugene Onegin in the late 1870s, inspired by his own troublesome love life, as well as a passionate story by Pushkin.
Peter Tchaikovsky wrote
- Fabio M. Capitanucci .... Onegin
- Svetla Vassileva .......... Tatyana
- Marina Pardo ............... Olga
- Dmitri Korchak ............. Lensky
- Askar Abdrazakov ....... Gremin
- Tiziana Tramonti ........ Larina
- Mario Bolognesi .......... Triquet
- Teatro Carlo Felice Orchestra and Chorus
- Juanjo Mena, conductor
Patrizia Lanna/Teatro Carlo Felice
Svetla Vassileva and Fabio Maria Capitanucci as Tatyana and Onegin, in the Genoa production of Tchaikovsky's opera.
ACT ONE begins at a country home. Tatyana and her sister Olga are singing a duet, while their mother and the maid are reminiscing about courtship and marriage. Farm workers celebrate the harvest with a chorus and a dance, and the neighbor Lensky shows up with a friend named Eugene Onegin. Onegin is immediately struck by Tatyana's great beauty. He doesn't understand why his friend Lensky has fallen for the much less interesting sister, Olga.
Onegin's charm quickly wins Tatyana over, and she thinks her wait for Mr. Right has just ended. The two couples pair off. Lensky sings of his love for Olga, while Onegin quizzes Tatyana about the limitations of her life in the country.
Later that night, Tatyana is in her room with the maid Filipyevna. She admits that she's consumed by her love for Onegin. She asks for pen and paper, and to be alone to compose a letter to Onegin, confessing her love. Her long solo scene is a tour de force for a soprano, with a strong lyric voice and a keen sense of drama.
A few days later, Onegin arrives at the house with his reply. The news is bad. In the garden, he tells Tatyana that he's touched by her love letter, but he can only love her like a brother; he's not cut out for marriage. And besides, she should learn to control her feelings a little better. As it happens, these are some of the very same things Tchaikovsky told a young admirer when she first confessed her love to him. Tatyana is humiliated.
ACT TWO begins in Tatyana's house, where a party is being thrown for her. Onegin and Lensky are both there, along with a few military men and other guests. Onegin is bored. For fun, or maybe just because he's a jerk, he flirts with Tatyana's sister, Olga — Lensky's girlfriend. Triquet, a Frenchman, sings a few verses he's composed in honor of Tatyana, as Onegin continues dancing with Olga.
Not surprisingly, Lensky is unhappy with Onegin's attention to Olga. As he watches the two together, growing more and more jealous by the minute, he suddenly loses it. Lensky goes to Olga and says an ominous goodbye. Then he denounces Onegin and, to everyone's surprise, challenges him to a duel. Onegin agrees. It'll be pistols at dawn, by the river.
The next day, just after sunrise, Lensky is ready — standing in the bitter cold, by the water mill. He's waiting with his assistant Zaretsky for Onegin, who is late. Tchaikovsky writes a gorgeous aria for Lensky here — full of resignation, longing for the good old days and his love for Olga.
Onegin finally shows up, and the paces are marked off. A pistol shot rings out, and Lensky drops dead. Until now, the callous Onegin hasn't been taking things seriously. Now, as he watches Lensky bleed to death in the snow, Onegin can't believe what he has actually done.
ACT FOUR is set in St. Petersburg, five years after the fateful duel. Onegin has been drifting, disillusioned with his life and haunted by Lensky's death. He finds himself at a black-tie gala. When the arrival of a princess is announced, Onegin notices that she looks awfully familiar. It's Tatyana — the country girl he snubbed years ago. She's obviously done well for herself, making her appearance in a fancy gown with a nobleman on her arm.
Her husband, Prince Gremin, introduces his wife to Onegin by singing of his devotion to her. Tatyana and Gremin retire as Onegin realizes that he's now fallen in love with the very woman he once rejected.
The opera ends with a powerful scene between Tatyana and Onegin. He's come to her home. This time, he confesses his love. She says he's only interested in her now because she's wealthy. He denies it. She recounts how they were so close to happiness. Then, finally, she admits she does still love him. They embrace, but she pulls back. Her fate has been decided, she says. She's married now, and Onegin must leave. He begs Tatyana to stay with him, but she calmly walks out of the room, leaving Onegin alone with his misery.