Copyright ©2007 NPR. For personal, noncommercial use only. See Terms of Use. For other uses, prior permission required.

(Soundbite of song, "I'm Walkin'")

Mr. FATS DOMINO (Singer): (Singing) I'm walkin', yes, indeed and I'm talkin' 'bout you and me I'm hopin' that you'll come back to me, yeah.

JOHN YDSTIE, host:

Legendary rock-and-roll singer and songwriter Fats Domino made a rare and suspense-filled appearance in his hometown, New Orleans, last Saturday. Accompanied by his band, he sat down at the piano at Tipitina's nightclub and played some of his greatest hits to a sold-out audience. He opened with "I'm Walkin'," although what we're hearing right now is a 1957 recording.

(Soundbite of song, "I'm Walkin'")

Mr. DOMINO: (Singing) Whatcha gonna do when the well runs dry? Are you gonna sit right down and cry. Whatcha gonna do when I say bye bye? All you're gonna do is dry your eye. I'm walkin'.

YDSTIE: Keith Spera, the music writer for the New Orleans Times-Picayune, was in the audience for the show and he joins us from member station WWNO. Thanks for being with us, Mr. Spera.

Mr. KEITH SPERA (Music Writer, New Orleans Times-Picayune): My pleasure.

YDSTIE: 0Must have been quite a thrill.

Mr. SPERA: You know, the drama of a Fats Domino performance these days is not about the quality of the performance itself. You know, that's going to be good. The drama is whether or not there's going to be a performance at all.

YDSTIE: Right. He's got stage fright, right?

Mr. SPERA: Yeah, and it seems to have grown more acute since the trauma of Hurricane Katrina, you know? He was supposed to close out the 2006 New Orleans Jazz and Heritage Festival. There's a big build up to his grand finale performance, he was featured on the souvenir poster that year. And on the morning of the performance, he didn't feel up to performing. And then at 79 years old, I mean, he just doesn't want to perform all that much anymore.

YDSTIE: So describe what happened on Saturday night. What was it like?

Mr. SPERA: Well, in incredible build up to this night because, you know, first performance since Katrina, so it was a sold out-crowd. People had bought $200 VIP tickets, fans had flown in from New York and Washington, D.C., and Texas, a huge amount of anticipation, but up until the very last minute - and I'm talking after his band was already on stage - no one really knew if he was going to get up on that stage.

YDSTIE: And the promoters didn't as well, right?

Mr. SPERA: Exactly. And the funny thing about that is he was the one who actually came up with the idea of performing at Tipitina's. So he did make it to the club, but then backstage, he said infamously, this is news to me. I'm supposed to perform? I didn't know.

YDSTIE: And how was it?

Mr. SPERA: Well, fabulous. You know, as soon as the man is on stage, decades dropped away. His voice is as sunny as it's ever been. His touch in the piano is strong. People are just completely eating it up. He did "Ain't That a Shame," "Shake, Rattle and Roll," "Valley of Tears," "Jambalaya." I mean, just moving through all these songs almost nonstop with five horns backing him. He had Herb Hardesty on tenor sax, the guy that's played with him since the '40s, so it sounded just like a classic Fats Domino show.

YDSTIE: Keith Spera is a music writer for the Times-Picayune newspaper in New Orleans. Thanks, Mr. Spera.

Mr. SPERA: My pleasure.

YDSTIE: And we'll go out on a 1956 recording of Fats Domino's hit, "Blueberry Hill." Did he play that last Saturday night?

Mr. SPERA: He did indeed, and it sounded almost exactly like the record.

(Soundbite of song, "Blueberry Hill")

Mr. DOMINO: (Singing) I found my thrill on blueberry hill. On blueberry hill when I found you. The moon stood still on blueberry hill and it lingered until my dreams came true. The wind in the willow played love sweet melody.

YDSTIE: You're listening to WEEKEND EDITION from NPR News.

Copyright © 2007 NPR. All rights reserved. No quotes from the materials contained herein may be used in any media without attribution to NPR. This transcript is provided for personal, noncommercial use only, pursuant to our Terms of Use. Any other use requires NPR's prior permission. Visit our permissions page for further information.

NPR transcripts are created on a rush deadline by a contractor for NPR, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of NPR's programming is the audio.

Comments

 

Please keep your community civil. All comments must follow the NPR.org Community rules and Terms of Use. NPR reserves the right to use the comments we receive, in whole or in part, and to use the commenter's name and location, in any medium. See also the Terms of Use, Privacy Policy and Community FAQ.