Copyright ©2007 NPR. For personal, noncommercial use only. See Terms of Use. For other uses, prior permission required.

ROBERT SIEGEL, host:

From NPR News, this is ALL THINGS CONSIDERED. I'm Robert Siegel.

MICHELE NORRIS, host:

And I'm Michele Norris.

The tale of Frankenstein has enthralled people for almost 200 years. It's read as a cautionary tale of science running amok. But some scholars see something else. An example of what even a short temporary change in the weather can mean for literature and culture.

Today, as part of our Climate Connection series with National Geographic, we explore how a change in climate helped create a famous monster.

Here's NPR's Nell Greenfieldboyce.

NELL GREENFIELDBOYCE: Ask people if there's a connection between storms and literature, and chances are they might think of one thing.

(Soundbite of audiobook of "Frankenstein")

Unidentified Reader: (As Dr. Henry Frankenstein) It's alive! It's alive! It's alive!

GREENFIELDBOYCE: In this classic film version of "Frankenstein," the scientist jump-starts his creation with a bolt of lightning. But Bill Phillips says you won't find that scene in the book.

Professor BILL PHILLIPS (Literature, University of Barcelona): There's no lightning or anything. It's not as spectacular as it is in the films.

GREENFIELDBOYCE: Phillips teaches literature at the University of Barcelona in Spain. He says it's funny, though, because the movies do kind of get the right idea in a larger sense. Phillips thinks extreme weather was involved in the birth of the creature. Just not like we usually think.

Mary Shelley started writing the book in 1816. She was just a teenager. She'd run off with a married poet, Percy Shelley. They went to Switzerland for a summer vacation.

Prof. PHILLIPS: I think the plan would have been to be tourists and go climbing mountains and things like that. And they couldn't, because of the weather.

GREENFIELDBOYCE: Phillips says the weather was beyond bad. It was unbelievable.

Prof. PHILLIPS: And we know why it was bad weather. It was because of this volcano.

GREENFIELDBOYCE: A volcano named Mount Tambora. It erupted in Indonesia, sending vast plumes of dust into the atmosphere. Starting in the spring of 1816, people in Europe and North America saw skies that were strange, even alarming.

Prof. PHILLIPS: It actually really was dark for days, if not weeks, on end. The harvest failed for three years. It was one of the coldest periods in modern history, so it was extremely serious. There were many people dying from starvation because of the loss of harvest.

GREENFIELDBOYCE: In the midst of this chaos, Mary Shelley was hanging out at a villa reading ghost stories with her friends, including Lord Byron.

Prof. PHILLIPS: And then I think it was Byron who came up with the idea that they should actually write a ghost story themselves.

GREENFIELDBOYCE: Shelley started work on "Frankenstein" and the weather seemed to show up on almost every page.

Take page 68. Victor Frankenstein is out walking in the rain at night. He's just about to catch a glimpse of the monster.

(Soundbite of audiobook of "Frankenstein")

Unidentified Reader: (As Victor Moritz) Vivid flashes of lightning dazzled my eyes, illuminating the lake, making it appear like a vast sheet of fire.

(Soundbite of thunder)

Unidentified Reader: (As Victor Moritz) A flash of lightning illuminated the object; its gigantic stature and the deformity of its aspect, more hideous than belongs to humanity.

GREENFIELDBOYCE: Storms like this one seem to have come almost word for word from letters she wrote about the weather in Switzerland. Here's the letter to her sister.

Unidentified Woman: (Reading) One night, we enjoyed a fine storm than I'd ever before beheld. The lake was lit up. The pines on Jura made visible, and all the scene illuminated for an instant, when a pitchy blackness succeeded, and the thunder came in frightful bursts over our heads amid the darkness.

GREENFIELDBOYCE: the creature in "Frankenstein" is strongly associated with these storms. And Bill Phillips says, all through the novel he's also linked to cold.

Prof. PHILLIPS: He invariably meets his creator at the tops of mountains, in icy caves. And then at the end of the novel, they go into the Arctic Ocean. We're led to believe that they die as they drift off on an ice floe.

GREENFIELDBOYCE: Now, maybe Mary Shelley would have sent her creature to the Arctic no matter what kind of weather was outside. But John Clubbe doesn't think so. He taught literature at the University of Kentucky and he points out, in 1816, it was snowing in July.

Professor JOHN CLUBBE (English, University of Kentucky): Seeing this world of ice and snow at close hand, when you should be seeing green fields and trees in bloom, this is so unusual. It has to affect the way you feel and want to write.

GREENFIELDBOYCE: He thinks when people look at art, they should think more about weather and climate. And "Frankenstein" shows that if our climate changes, our literature and our poetry might change, too. Plus, John Clubbe says, if you're talking about climate, "Frankenstein" is just a weirdly appropriate cautionary tale about unintended consequences.

Prof. CLUBBE: All the improvements to make life easier and better and so forth, they resulted in this oncoming crisis called global warming, which is a potentially monstrous scenario that looms ahead for all of us.

GREENFIELDBOYCE: Clubbe says if we just ignore this problem, like Victor Frankenstein neglected his creation, the weather might start to feel as strange as it was in 1816.

Nell Greenfieldboyce, NPR News.

NORRIS: And you can read about other stories inspired by dramatic weather at npr.org/climateconnection.

Copyright © 2007 NPR. All rights reserved. No quotes from the materials contained herein may be used in any media without attribution to NPR. This transcript is provided for personal, noncommercial use only, pursuant to our Terms of Use. Any other use requires NPR's prior permission. Visit our permissions page for further information.

NPR transcripts are created on a rush deadline by a contractor for NPR, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of NPR's programming is the audio.

Comments

 

Please keep your community civil. All comments must follow the NPR.org Community rules and terms of use, and will be moderated prior to posting. NPR reserves the right to use the comments we receive, in whole or in part, and to use the commenter's name and location, in any medium. See also the Terms of Use, Privacy Policy and Community FAQ.

Support comes from: