Furs, Feathers And Finding The Fabulous With 'Priscilla's' Bernadette : Monkey See Drag queens! Cupcakes! Shiny things! NPR's Jeff Lunden brings us a feature about the Broadway musical Priscilla Queen of the Desert, complete with a few costumes, costume sketches, and interview extras for your amusement.
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Furs, Feathers And Finding The Fabulous With 'Priscilla's' Bernadette

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Furs, Feathers And Finding The Fabulous With 'Priscilla's' Bernadette

: Jeff Lunden is our tour guide to the fabulous.


JEFF LUNDEN: Five years ago, Simon Philips, the artistic director of the Melbourne Theatre Company, got a call, asking him if he wanted to turn "The Adventures of Priscilla, Queen of the Desert" into a musical. And he thought it was a pretty terrific idea.

SIMON PHILLIPS: I always thought it was kind of born to be a musical. That film, there's not actually a lot of music in it but, you know, it's the nature of it. And also, born to be a jukebox musical, 'cause drag is, you know, it's the original jukebox musical, really.

LUNDEN: The drag performers in the movie lip-sync to popular disco hits. In the stage version, three female singers identified only as the Divas fly in from above, to sing them live.


ANASTACIA MCCLESKEY: (as Divas) (Singing) It's raining men, hallelujah. It's raining men, amen. I'm going to go out. I'm going to let myself get absolutely soaking wet...

LUNDEN: Simon Philips says he and his collaborators combed through the screenplay, to identify where music would underline the emotional beats in the story.

PHILLIPS: The big production numbers kind of replace those big desert pans of the film, you know? And the ballads are the close-ups.

LUNDEN: For instance, when Tick, one of the drag artists, sings about wanting to see his son, who lives in far-away Alice Springs, the song is a Burt Bacharach/Hal David ballad.


: (as Tick/Mitzi) (Singing) The moment I wake up, before I put on my makeup, I say a little prayer for you.

LUNDEN: But director Simon Philips says, not every song in the show is used purely to advance the plot.

PHILLIPS: We always did go with a kind of a drag-like ethos for the show; that if we felt like doing a production number, we were damn well going to do one, you know? (


PHILLIPS: And don't ask why.

LUNDEN: One of the loopiest moments in "Priscilla" is "MacArthur Park," after two characters sleep outside of the bus and leave a cake out in the rain.


TONY SHELDON: (Singing) Someone left the cake out in the rain. I don't think that I can take it, 'cause it took so long to bake it and I'll never have that recipe again. Oh, no.

LUNDEN: Before long, the entire chorus appears in cupcake costumes, says Tony Sheldon, an award-winning Australian actor who plays Bernadette, the transgender performer.

SHELDON: It's the first time I have laughed out loud at seeing costume designs on paper.

LUNDEN: The outrageous and witty costumes are designed by Tim Chappel and Lizzy Gardiner, who won an Academy Award for their work on the original movie. Gardiner, who famously wore a dress made entirely of American Express Gold Cards to the Oscars, says the pair had only $15,000 to design and make all the outfits in the film.

LIZZY GARDINER: Some of those costumes, it was just hilarious. They would last for two takes of the film and then, they would just like, fall to pieces.

MCCLESKEY: (as The Divas) (Singing) 'Cause it took so long to bake it and I'll never have that recipe again. Oh, no.

LUNDEN: For the musical, Chappel and Gardiner have a $1.5 million budget. There are 380 costumes, made by 150 people all over the world, and an army of dressers backstage. Gardiner says it's allowed them to dream big, like their designs for the act one finale "I Will Survive." It features multi-colored jumpsuits, big headdresses and impossibly high platform shoes. Gardiner calls them Gumbies, after the old claymation series.

GARDINER: They're a riotously fantastic costume. And it's a great moment when the three of them come out onstage. And then, when the chorus comes out, it's just like I can hear the audience just audibly going: Oh, my God.


MCCLESKEY: (as The Divas) (Singing) So now you're back from outer space. I just walked in to find you here with that damn look upon your face. I should've changed that stupid lock. I should've made you leave the key, if I'd known for just one second you'd be back to bother me. Go on now, go. Walk out the door. Just turn around now, 'cause you're not welcome anymore. Weren't you the one who tried to hurt me with goodbye? You think I'd crumble? You think I'd lay down and die? Oh no, not I. I will survive. Oh, as long as...

LUNDEN: Tony Sheldon has played the transsexual Bernadette in Sydney, Auckland, London, Toronto and now New York. He says the show wins over all kinds of audiences not just because of its high energy and exotic over-the-top designs. They end up identifying with the characters.

SHELDON: There's sort of not a lot that the audience has in common with them when the show begins. But as the show goes on, you realize they're perfectly ordinary people, who just want to get through the outback without any mishap.

LUNDEN: For NPR News, I'm Jeff Lunden in New York.

MCCLESKEY: (as The Divas) (Singing) I know I'll stay alive...

: To see a slide show of Gumbies, cupcakes and many more of the musical's costumes, go to NPR.org

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