Finally, this hour, a home video recommendation from our movie critic, Bob Mondello. This week, he's looking back a half century to a groundbreaking musical that won 10 Oscars, "West Side Story."

BOB MONDELLO, BYLINE: Clean cut delinquents and pressed jeans. Giggle all you want. You know the moves.


MONDELLO: Finger snaps, switchblades, Romeo and Juliet as a gang war pictured in colors that wouldn't be out of place in Bollywood. The streetscape's real, the acting and lip-syncing unbelievably artificial. In 1961, it was thought shattering. Today, the "Glee" version looks tough by comparison, but this is the one that broke the mold - first on Broadway, then at the movies, where the trick was to make it feel real and still let it sing.

Watch how Jerome Robbins eases dance moves into the movie's start. A bunch of hoods walking down the street, snapping fingers like they might in any movie. Then you notice a shoulder roll, two guys turning their heads at the same time, an arm stretching and a leg and, before you know it, they're all soaring.


MONDELLO: Believe it or not, after two years on Broadway, everyone was claiming Leonard Bernstein's music was unhummable, Stephen Sondheim's lyrics too tricky. But just weeks after the movie came out, the songs were all standards.


RICHARD BEYMER: (as Tony, Singing) Maria. I just met a girl named Maria and suddenly that name will never be the same to me.

MONDELLO: Among the four disc set's blu-ray extras, Stephen Sondheim knocking his own lyrics.

STEPHEN SONDHEIM: In "Tonight," I like to quote - today, the world was just an address, a place for me to live in. That's such a writer's line. You can't believe the guy, particularly an ex-leader of a gang, is saying - is singing that. You know, that's very writerly.

MONDELLO: Also, a documentary focusing on the film's legacy, everything from a solo harmonica version of the score to the spoof, "West Bank Story," which turns Anglos and Puerto Ricans into Arabs and Israelis. And a few people recall seeing "Punk Side Story."

UNIDENTIFIED MAN: You hear "One Hand, One Heart" at warp speed. Make it one hand, one hand, make it one heart, one heart. It's pretty incredible.

MONDELLO: Not to mention "Glee," spending most of the season so far in a multi-show buildup to a high school production of "West Side Story" cleverly timed to peak just as this 50th anniversary DVD is released, an unsubtle, but impressive bit of product placement for Fox Home Entertainment on Fox TV.

I'm Bob Mondello.


BEYMER: (as Tony, Singing) Play it cool, boy, real cool.

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