Copyright ©2012 NPR. For personal, noncommercial use only. See Terms of Use. For other uses, prior permission required.

STEVE INSKEEP, HOST:

Now, any Syrian who speaks out against the regime of President Bashar al-Assad risks harassment, detention, or worse. A cartoonist who'd lampooned Assad was pulled out of his car last summer and had his hands broken. Even a small and critically acclaimed group of Syrian painters is not immune from this kind of treatment, but that might be attacking buyers outside Syria to their work. Rima Marrouch reports.

RIMA MARROUCH, BYLINE: When the Syrian uprising began last spring, Hiba Akkad stopped painting. She was appalled by the fact that Syrian troops were shooting protesters in the streets.

HIBA AKKAD: (Through translator) I didn't want to paint anymore. I cared about what was happening around me, so I went to be with the people. Whatever the people were doing, I wanted to be with them.

MARROUCH: Hiba started protesting in her neighborhood in Syria's capital, Damascus. Men would hoist her on their shoulders as she shouted anti-government slogans. This in a conservative neighborhood that had at one time shunned her for deciding not to wear a hijab.

The protests lasted for months. Then came the intimidation.

AKKAD: (Through translator) It was a lot of pressure. It was difficult to go out to protests.

MARROUCH: Syria's dreaded security forces started asking about Hiba in the neighborhood. At one point, pro-government thugs tried to break into her house and chased her down the street. So she stopped protesting and spent more time at home.

AKKAD: (Through translator) This was when I started to miss painting. But I had doubts if I was still able to paint after all those months.

MARROUCH: This gallery in Beirut recently showed paintings by Hiba and other Syrian artists. Director Marc Mouarkech said Hiba's work was among his favorites.

MARC MOUARKECH: She likes to use rags, drawings and papers and she mixes everything. She tried to create here a sort of scenery where a girl is really afraid from what's happening around her. You can see people are getting killed, but it's colorful. She always try to use colorful stuff just to add this kind of hope to her painting.

MARROUCH: Mouarkech says these artists are basically forbidden from showing such work back in Syria. Most exhibits in Syria nowadays are pro-government. No one is buying work, and small galleries are closing. So this gallery took a risk and told the artists they could show their work in Beirut, just an hour's drive from the Syrian border.

MOUARKECH: The artwork was brought here in three different parts and they were, let's just say, smuggled. So basically they arrived here just three days before the opening on the low profile.

MARROUCH: Mouarkech says he had no idea what would be in the boxes. Once he opened them, he found not only Hiba's work but paintings, photography and sculpture from 15 other Syrian artists. After a few weeks in the gallery, nearly all of the work had sold.

Critics and artists agree that Syrian art is some of the strongest is the region. But interest in Syrian art is also inspired by news of a protest movement that appears to be turning into an armed conflict.

Another gallery in Beirut is also showing Syrian paintings. The work here depicts crowds of faces that look like mass protests, portraits of warriors, and men who appear to have their hands tied behind their backs.

Attorney Faris Abi Younes is about to buy one of these Syrian paintings. He says he only recently got into collecting art - that he responds most strongly to work about the Arab uprisings.

FARIS ABI YOUNES: You have the feeling that it expressed something really factual, really related to our reality.

MARROUCH: For Syrian artist Hiba Akkad, it was all about living that reality before she could paint it.

AKKAD: (Through translator) My painting before the revolution was very individual. I would only care about personal things. Now I care about what is happening in the country and my experience in the revolution. If I hadn't lived that experience with the people on the street, I wouldn't be able to paint.

MARROUCH: Hiba now lives in exile. She says Syrians who are still inside the country and still protesting have it way worse than she does. All she wants, she says, is to go back to a country where the violence has ended and she can make art again.

For NPR News, I'm Rima Marrouch.

Copyright © 2012 NPR. All rights reserved. No quotes from the materials contained herein may be used in any media without attribution to NPR. This transcript is provided for personal, noncommercial use only, pursuant to our Terms of Use. Any other use requires NPR's prior permission. Visit our permissions page for further information.

NPR transcripts are created on a rush deadline by a contractor for NPR, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of NPR's programming is the audio.

Comments

 

Please keep your community civil. All comments must follow the NPR.org Community rules and Terms of Use. NPR reserves the right to use the comments we receive, in whole or in part, and to use the commenter's name and location, in any medium. See also the Terms of Use, Privacy Policy and Community FAQ.