Copyright ©2012 NPR. For personal, noncommercial use only. See Terms of Use. For other uses, prior permission required.



And if you're just tuning in, this is WEEKENDS on ALL THINGS CONSIDERED, from NPR News. I'm Guy Raz. And it's time now for music.


RAZ: This is a band called Dirty Projectors. It's a track from their new album, "Swing Lo Magellan." Now, the band's been considered one of the most innovative acts in indie rock in the past few years, known for its soaring choral and orchestral arrangements. But try to explain the sound of Dirty Projectors, and it gets a little complicated. So I asked the band's founder, Dave Longstreth.

It's really hard to describe your sound, so let me see if you can sort of put your finger on it. How...

DAVE LONGSTRETH: Oh, don't make me do it.


DIRTY PROJECTORS: (Singing) Where would I ever be without you? How could I hope to seize the tablet of values and redact it...

LONGSTRETH: One of the ideas with Dirty Projectors is just to look a little bit more widely, and see if there's a through-line between, you know, the music of Hildegard...


LONGSTRETH: ...and the music of the Beach Boys.


RAZ: From a 12th century choral composer, to the sweet harmonies of the 1960s - we'll examine that through-line in a moment. But first, let's look at where the band came from. Dirty Projectors started as a dorm room experiment of Dave Longstreth while he was a freshman at Yale.

LONGSTRETH: I guess you could say I was classically trained because I studied music at Yale. But I actually didn't really enjoy my time at Yale a whole lot, and I left for a while.

RAZ: He left to go on tour, and to immerse himself in the experimental music scene in Brooklyn. And eventually, he'd move to Portland, Oregon, to focus on honing the Dirty Projectors' sound. And it all came together with the 2009 album "Bitte Orca."


RAZ: That album landed on critics' best-of lists that year, and the Billboard charts. Dirty Projectors have just released their follow-up album, "Swing Lo Magellan," and NPR Music's Bob Boilen calls it one of his favorite albums of the year so far.


PROJECTORS: (Singing) There is an answer. I haven't found it. But I will keep dancing till I do, ooh, ooh, ooh, oh.

RAZ: Now, here's the thing. Dirty Projectors is not easy listening. It takes concentration. The band asks a lot of its listeners. So I asked Bob to help us unpack this album a bit - a topic he wrote about on his blog this past week.

BOB BOILEN, BYLINE: If, in music, what you want is a challenge, this is a brilliant record. It's like, when I listen to the early Talking Heads records, and people listen to another David - David Byrne - singing, they said: This guy's weird; it's off-kilter; it - you know - it barely makes sense. And yet, it became enormously popular. But it didn't become enormously popular until you put a dance groove to it. And I think with Dirty Projectors, their rhythms change every 15 seconds. It's like watching a movie cut. You know, that's difficult for people.


PROJECTORS: (Singing) Mornings I wake up hung over...

BOILEN: I think of music as head music, heart music, hip music and feet music - music that's thoughtful, music that is of the heart, music that makes you sexual if you're going around the hip area, music that makes you dance if you go in the feet area. This music is all up in the head, and a little bit of heart.


PROJECTORS: (Singing) Lonely unforgotten in the frozen world...

RAZ: Talk to me about the song "Offspring Are Blank," the first track on the record.

BOILEN: What a weird, weird song. And it's really indicative of the sort of music they do, which is that there's about three or four or five different songs within the song. And if you just - if you start it, it starts like a doo-wop song.


RAZ: It's weird.

BOILEN: It's weird, but it also sounds...

RAZ: You have to hear it. You have to listen to it, right? You're forced to listen to it.

BOILEN: Yeah. Absolutely.


BOILEN: But right there - I feel like, all of a sudden, there's where the heart is in this music, I think.


RAZ: You turned on this song for the first time, and you immediately thought, this is doo-wop. That's what you thought?

BOILEN: I heard the spirit of doo-wop.


UNIDENTIFIED BAND: (Singing) I am yours, my love...

BOILEN: Doo-wop swings more than Dirty Projectors swing, and I wish Dirty Projectors would swing a little more. Again, head and heart in Dirty Projectors, a little less hip and feet. I'm just saying, when I listen to it, that's what I felt.


BOILEN: There's nothing more direct than when beautiful singers sing. And I think that's the part of Dirty Projectors' music, that anyone who may find this music difficult - because it is; it shifts, it turns, it makes right-hand turns - but the voice is the thread that can hold it together.

RAZ: That's NPR Music's Bob Boilen, talking about "Swing Lo Magellan," the new album from the Dirty Projectors. You can hear a few tracks at our website,

Copyright © 2012 NPR. All rights reserved. No quotes from the materials contained herein may be used in any media without attribution to NPR. This transcript is provided for personal, noncommercial use only, pursuant to our Terms of Use. Any other use requires NPR's prior permission. Visit our permissions page for further information.

NPR transcripts are created on a rush deadline by a contractor for NPR, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of NPR's programming is the audio.



Please keep your community civil. All comments must follow the Community rules and Terms of Use. NPR reserves the right to use the comments we receive, in whole or in part, and to use the commenter's name and location, in any medium. See also the Terms of Use, Privacy Policy and Community FAQ.