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Analog Players Society: A Party Cooked Up In A Studio
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Analog Players Society: A Party Cooked Up In A Studio

Music Reviews


Music critic Milo Miles has a review of the new album, "Hurricane Season in Brooklyn." It's what happened when a group of studio musicians assembled to perform the music of a fellow session player and producer at The Hook Studios in Brooklyn.


MILO MILES, BYLINE: Albums made by collections of professional studio players once had a bad reputation with the traditional rock audience. Such works were supposedly arid and chilly, more like the results of a board meeting than a recorded adventure of an organic group of fabulous friends.

There may be some music fans who still feel that way, but they are few. Nowadays, a tight knit gaggle of session musicians like the Analog Players Society gets points from traditionalists simply because the music is being made by flesh and blood. The Analog Players Society was put together by a producer and percussionist in his mid-30s who calls himself Amon.

The title of the album, "Hurricane Season in Brooklyn," shows that he knows that humor is a fine antidote to worries about arid and chilly. Much of the album is, indeed, jaunty, even rollicking.


MILES: Another aspect of "Hurricane Season in Brooklyn" that might make purists suspicious is that the album works both as a party soundtrack and as a quick-changing jam that's delightful while you sit in a chair. I would argue that this is a strength of successful studio pro workouts. The sass and variety of Amon's arrangements and music writing tickle the body, while the smarts and deafness of the plain captivate the mind.

Amon's most audacious stroke is reworking three rather cheesy dance rock hits from the '80s into the most successful reggae style tracks in years. The standout is "I Can't Wait," originally by Nu Shooz. Singer Cecelia Stalin can't do much with the drab lyrics, but her scatting is the real statement, anyway.



MILES: "Hurricane Season in Brooklyn" is a bit brief by CD standards, nine tracks at just under 40 minutes, but that would make a healthy LP and there's not a minute of padding. The Analog Players Society is some of the best evidence since the rise of Vampire Weekend, formerly exotic international music, particularly African rhythms and accents, has become an everyday part of the ever richer mix of sources for modern popular tunes. Yet more styles the studio pros have to master. May they all wear their learning as lightly as the Analog Players Society.

GROSS: Milo Miles lives in Boston. He reviewed "Hurricane Season in Brooklyn" on the Studio Brooklyn label.

Coming up, Maureen Corrigan reviews the new memoir, "My Husband and My Wives: A Gay Man's Odyssey," by Charles Rowan Beye. This is FRESH AIR.


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