RENEE MONTAGNE, HOST:
And now to India and commentator Sandip Roy, who brings us the true story of a famous dancer, the convicts she befriended and the film they inspired.
SANDIP ROY, BYLINE: Alokananda Roy, no relation to me, walked into a prison on International Women's Day, 2007. The Indian classical dancer had been invited to watch women inmates perform. But it was the men who caught her eye.
ALOKANANDA ROY: They shook me. Their body language was as though they had no future, nothing to look forward to - kind of their past trapped in their present.
ROY: Almost on a whim she offered to teach them. Some of the convicts scoffed, like Nigel Akkara, who had been running with gangs since he was in school - coincidentally, my old school in Calcutta. Caught by the police while still in college, he was in jail for kidnapping, extortion and being an accessory to murder.
NIGEL AKKARA: Now my first reaction seeing her was that I thought that, you know, maybe this woman has, you know, she's gone off her head. Because otherwise, you know, why she's coming to the prison to teach, you know, 50 prisoners who are, you know, either rapists or murderers, but all of them are convicts.
ROY: But he kept watching from the sidelines and decided to give it a shot. He got more than a dance teacher.
AKKARA: In the beginning she was just madam. But after eight months she became mother to everybody. She became mom.
ROY: When I saw them I just felt any one of them could have been my son. All I did was I accepted them. The love came later.
ROY: She taught the prisoners folk dances, how to jump and kick in unison, brandishing swords and twirling scarves.
(SOUNDBITE OF MUSIC)
ROY: When the troupe gave its first performance outside the jail, four guards accompanied Nigel. He remembers walking out onto the stage.
AKKARA: So I looked around and, you know, I felt that - do I deserve this? And I started crying. And from that day there was no looking back.
(SOUNDBITE OF MUSIC AND SINGING)
ROY: Since then they've performed a dance drama from 1881, "Valmiki Pratibha," all over the country. It was written by Nobel Laureate Rabindranath Tagore about a fierce bandit in the forests of ancient India. A young girl his gang captures for a human sacrifice melts his heart. She reveals herself to be the goddess of learning.
(SOUNDBITE OF MUSIC)
UNIDENTIFIED WOMAN #1: (Foreign language spoken)
ROY: Through her blessing, the bandit becomes the sage Valmiki who then writes the Hindu epic, the Ramayana. Now this "Sound of Music" in prison story has inspired a Bengali feature film - "Muktodhara" - the flow of freedom.
(SOUNDBITE OF MOVIE, "MUKTODHARA")
UNIDENTIFIED WOMAN #2: (Foreign language spoken)
(SOUNDBITE OF SINGING)
ROY: A dancer comes into a prison, much like Alokananda. And Nigel himself plays a convict whose life she turns around. He's been out of prison since 2009. But he says the gala premieres and standing ovations don't mean it's easy to find a second chance.
AKKARA: People come up to me and tell me that, you know, I'll give you a job, take my number. And when I call them, they call me to their house and, you know, they tell me that you clean my doorstep, then go. Don't come into the house.
ROY: So he started his own company giving ex-convicts jobs as cleaners, pest control, even security guards.
Thinking of the prisoners' struggles, Alokananda Roy says she reminds the cheering audiences that the concert is not the feel-good end of this story.
(SOUNDBITE OF CROWD CHATTER)
ROY: I always speak and I say let this acceptance not end this evening. People ask me are they really reformed? I say, are we?
ROY: And then she softly sings a few lines - about liberation.
ROY: (Sung in foreign language)
MONTAGNE: Commentator Sandip Roy is the culture editor of Firstpost.com in Calcutta, India. You can comment on his story at npr.org.
(SOUNDBITE OF MUSIC)
MONTAGNE: You're listening to NPR News.
NPR transcripts are created on a rush deadline by a contractor for NPR, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of NPR’s programming is the audio.