ROBERT SIEGEL, HOST:
Later this week, we'll mark the 50th anniversary of Martin Luther King's "I Have a Dream" speech. Well, in this part of today's program, we're going hear about something else that happened on August 28th, 1963. It was a horrible crime, a shocking double murder that shared front page space in the New York papers with the March on Washington. It led to a terrible case of injustice.
But in the end, it contributed to a re-definition of our liberties. And the coincidence of it happening on the same day as the March on Washington actually had a lot to do with that. The case also gave us a hugely popular TV show.
No one knows this story better than Selwyn Raab, who's now retired from The New York Times, where he covered organized crime. Raab was a young reporter for the now long-defunct New York World Telegram and Sun in 1963, at the time of the so-called Career Girl murders. The savagely stabbed bodies of Janice Wylie and Emily Hoffert were found in their apartment on the Upper East Side of Manhattan.
SELWYN RAAB: This was a, to put it mildly, a sensational case because they were two young women from prestigious families. It became dubbed as the Career Girls murders because it was - it seemed a threat to young women living alone, presumably in safe, prestigious neighborhoods. And also because of the way the two women were carved, virtually disemboweled. So it appeared that there was a mad killer loose.
SIEGEL: For many weeks, no arrest was made in the case. And then, in Brooklyn, a man was found - a young man was found and detectives identified him as the killer.
RAAB: Yes. The case looks like a cold case, despite all the intensive investigations. Hundreds of detectives were pulled off their regular beats from all the boroughs in the city of New York to participate. And there seemed to be no solution. Except suddenly, out of nowhere, in an area quite different from the Upper East Side, in Brownsville, the police suddenly announced they had solved the Wylie-Hoffert case.
SIEGEL: The man arrested in Brownsville, Brooklyn and charged with the crime was George Whitmore, Junior. He was 19 and black. Several years earlier, he had dropped out of school in Wildwood, New Jersey. The day of his arrest he'd been in Brooklyn looking for work. For many years to come, Whitmore would routinely be described as being of sub-average intelligence. Selwyn Raab came to know him and says he wasn't that at all. Vanity had kept him from wearing glasses, so he had trouble reading in school.
Whitmore was picked up for another assault, an attempted rape, for which he would ultimately be exonerated. He was taken to the 73rd Precinct in Brooklyn. He was held for 24 hours and he was questioned round the clock.
RAAB: And during those 24 four hours, according to the Brooklyn and Manhattan detectives, he confessed to the attempted rape. And then they said he confessed to a murder nearby in Brooklyn. And then, lo and behold, they said he confessed to the Wylie-Hoffert case. And they said the reason they questioned George Whitmore was because in his wallet he had a photographed of the white, blond woman. And according to this detective, it resembled, or he was sure it was, Janice Wylie.
Based on that, he began questioning Whitmore. And Whitmore easily confessed, giving details only the killer could know. And it was a 63-page confession.
SIEGEL: Whitmore was charged with the most notorious double murder New York had seen in years. He'd confessed to it. But he didn't do it, nor did he commit the other murder or the attempted rape. And the photo wasn't Janice Wylie. It was a girl from New Jersey. In fact, the case against Whitmore had never made much sense. Why did he go the Upper East Side? Why did he choose that apartment?
The police in Brooklyn made him out to be an insane, crazed killer. So they sent him off to New York's Bellevue Hospital for a psych evaluation.
RAAB: Another inmate in the psychiatric ward with him, told him, why don't you tell your side of the story. And this person got Whitmore to write his - what he called a diary of what happened to him. And this other inmate, when he got out, he brought the diary to me. It was the first time I saw anything about Whitmore's version of what happened in that 73rd Precinct in Brooklyn during those 24 hours.
He said, in essence, he had been coerced, words had been put into his mouth. He had been threatened. And that he was in such a mental state, he wasn't sure what he was saying. He also mentioned there was no way he could have been in New York on the date of the Wylie-Hoffert murders, August 28th, 1963, because he remembered it vividly. He had spent the entire day in Wildwood. There were other friends. They were in restaurants and in clubs watching the demonstration in Washington.
SIEGEL: Selwyn Raab went to see Whitmore's mother, who told him she knew he was in Wildwood on that memorable day. She, too, remembered it for the King speech and she gave Raab the names of people there who would remember it, too.
RAAB: I went to Wildwood. I found the people she had given me. They also verified and corroborated where George had been on that date. I also went to see one of the police officers in Wildwood who had befriended George when he was there. And George was known as somebody who wasn't a combatant. He wasn't somebody who got into trouble. Usually, the other way around. He was a very meek character.
People were picking on him. And this police officer said, funny, New York detectives had been there several weeks before and they had shown him a photograph of a white, young woman and he knew exactly who that was. Whitmore had always said he had found that photograph in a garbage dump where he worked with his father in Wildwood. And to impress his buddies and his friends that he had a white girlfriend, he had put the photo in his wallet.
SIEGEL: Selwyn Raab would later piece together what had happened. The Manhattan district attorney had been tipped off about another man, a drug addict, named Richard Robles who had told a friend about committing the crime. The friend was trying to get lenient treatment in an unrelated murder case against him, so he agreed to secretly record Robles describing the Wylie-Hoffert killings.
The Manhattan DA, a living legend among prosecutors in those days, Frank Hogan, had decided that a public exoneration of Whitmore would tip-off Robles. So even having heard what Raab heard in Wildwood, he let the victim of the coercive interrogation twist in the wind. Robles was finally arrested and charged with the murders in January 1965. It was evidently a burglary gone wrong.
One of the women said she could identify him and rather than flee, Robles killed them both. When all this came out, New Yorkers were left with a disturbing horror story of bad police work. An innocent man could be made to confess to murder. And as Selwyn Raab recalls, it was not incidental that the innocent man was black.
RAAB: The was one detective who was essentially responsible for coercing George and manufacturing that confession. His name was Edward Bulger and it turned out later that Bulger claimed that he could tell when a black lied because he could see his stomach churn. So there was no question that the confessions and the arrest and the interrogation of George were racially inspired.
SIEGEL: George Whitmore died last year. His story had an impact on the law and on the country. His coerced confession was cited in the legislative debate when New York outlawed the death penalty. It was footnoted in the Supreme Court's Miranda ruling, which required suspects to be told their rights, including the right to a lawyer. For Whitmore, vindication came slowly.
By the time he was finally exonerated of all the crimes he had confessed to in that Brooklyn station house, he had been in and out of prison for nine years. Selwyn Raab wrote a book about the case, "Justice In The Back Room," and he wrote the pilot for a TV show that was based on it. Raab says the television people couldn't see a reporter as a hero, so for the two-hour program, the "Marcus-Nelson Murders," they invented a heroic detective.
He was played by actor Telly Savalas and was named "Kojak." The show ran for five years in the 1970s.