DAVE DAVIES, HOST:
The film adaptation of John Green's best-selling young-adult novel, "The Fault In Our Stars", is among the year's most eagerly awaited movies. The love story about two teens with cancer stars Shailene Woodley and Ansel Elgort. Film critic David Edelstein has this review.
DAVID EDELSTEIN: I know people who cried at the trailer of the romantic teen cancer movie "The Fault In Our Stars." At the movie they'll need a life preserver to keep from drowning in a flood of tears. Me, I didn't cry. Though at times my tear ducts tingled. I was on the verge. The film is a little slick for my taste - too engineered. But it's gently directed by Josh Boone and beautifully acted. Whatever the faults, it's not in the stars. Shailene Woodley plays 16-year-old Hazel Grace Lancaster, whose life was saved by an experimental drug but who remains in stage four cancer. She has to cart around an oxygen tank connected with a tube to her nose. Hazel is a nihilist. She projects her terminal illness onto the world. She says humankind will eventually perish and no one will remember Mozart - let alone someone like her. Enter handsome high school ex-basketball star Augustus Waters played by Ansel Elgort. Who lost part of a leg to cancer but is now in remission. Augustus falls for Hazel on site. He literally gawks at her at 18 cancer support group and goes on in his witty winsome way to argue against her worldview. The film, like John Greene's novel, is a debate on the subject of - what's the point? Oblivion says the Augustus is not a design for living or dying. I found Augustus too good to be true - but hey, it's a young adult romance. A little wish fulfillment is just what the doctor ordered. The character did test my patience in his first scene with Hazel when he sticks a cigarette in his mouth.
(SOUNDBITE OF MOVIE, "THE FAULT IN OUR STARS")
ANSEL ELGORT: (As Augustus) Let's go watch a movie.
SHAILENE WOODLEY: (As Hazel Grace) Okay. (Laughing) I'm free later this week.
ELGORT: (As Augustus) No, I mean now.
WOODLEY: (As Hazel Grace) You could be an ax murderer.
ELGORT: (As Augustus) There's always that possibility. Come on Hazel Grace take a risk.
WOODLEY: (As Hazel Grace) I don't - really? That is disgusting.
ELGORT: (As Augustus) What?
WOODLEY: (As Hazel Grace) What do you think that that's cool or something? You just ruined this whole thing.
ELGORT: (As Augustus) The whole thing?
WOODLEY: (As Hazel Grace) Yes, this whole thing.
ELGORT: (As Augustus) Oh, man.
WOODLEY: (As Hazel Grace) Even though you had freaking cancer, you're willing to give money to a corporation for the chance to acquire even more cancer? Let me just tell you that not being able to breathe sucks.
ELGORT: (As Augustus) Hazel Grace, they don't actually hurt you unless you light them.
WOODLEY: (As Hazel Grace) Hm?
ELGORT: (As Augustus) I never lit one. It's a metaphor, see? You put the thing that does the killing right between your teeth. But you never give it the power to kill you. A metaphor.
EDELSTEIN: The constant association between tobacco and death is a good thing for teens to see, though I still think Augustus looks to glamorous waving that cancer stick around. At any case, Hazel is plainly smitten but tells Augustus, she wants to stay just friends. She doesn't want to die in break his heart. Even if he says, it would be a privilege to have his heart broken by her. To elevate "The Fault In Our Stars" to the level of myth - the film sends the couple on a trip to Amsterdam and Odyssey to meet the reclusive author of a novel Hazel loves about a girl with cancer - a novel that cuts off in mid-sentence at the moment of the character's death. Hazel needs to know what happens to the surviving characters. And obvious extension of her need to know what will happen to her loved ones in a world without her in it. The subplot offers a welcome change of scene and gives Willem Dafoe a good part as the author, who turns out to be a mean booze hound. That said, it's a might tacky when Hazel and Augustus are moved, finally, to a climactic clinch in that most aphrodisiacal of settings - the attic of the Anne Frank house. Whatever reservations I have about the film, I have none about Shailene Woodley - a young actress without a smidgen of actressness. Her pale skin is near translucent you read her emotions in her coloring. She is believable as the daughter of the wonderful, emotionally overflowing Laura Dern whose squiggly mouth opens even wider than usual. I don't think I am spoiling anything when I say the central question, will anything in their lives endure, is answered hopefully. Love such as Hazel and Augustus's is likened in the movie to mathematics - where between two fixed points there can be, well, a kind of infinity. That's an unexpectedly high flown idea - even a cynic like me can respect it. The title, of course, is from Julius Caesar - from caches, exhortation, to action - the fault, dear Brutus, is not in our stars but in ourselves that we are underlings. Here though the fault does seem to be in the stars in an unjust universe - what else to blame for kids getting terminal cancer? But as Hazel and Augustus prove, we never have to be underlings.
DAVIES: David Edelstein is film critic for New York Magazine. For Terry Gross I'm Dave Davies.
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