From Tahrir To Tiananmen, 'City Squares' Can't Escape Their History Governments have tried to erase the evidence of some squares' troubled pasts, but that doesn't mean they've been forgotten. A new book gathers writers' thoughts about famous squares around the world.
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From Tahrir To Tiananmen, 'City Squares' Can't Escape Their History

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From Tahrir To Tiananmen, 'City Squares' Can't Escape Their History

From Tahrir To Tiananmen, 'City Squares' Can't Escape Their History

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MICHEL MARTIN, HOST:

We're going to take a few minutes to talk about urban planning, starting with the heart of many big cities - the public square. From Tiananmen in China to the Piazza Navona in Italy, public squares can be one of the most beloved parts of city life. After visiting Italy some years ago, writer Catie Marron began thinking about the different roles of public squares as, say, tourist hubs or protest settings. Marron asked well-known writers to share their thoughts about famous squares around the world, gathering their essays in a new book "City Squares." NPR's Lynn Neary talked to some of those writers.

LYNN NEARY, BYLINE: A public square, says Michael Kimmelman, doesn't have to be square.

MICHAEL KIMMELMAN: Some squares are actually square, but most of them aren't.

NEARY: What's important, Kimmelman says, is that a square draws people into it like a magnet because unlike a park, where people go to retreat, a square is all about mingling with a crowd. It is, says Kimmelman, like a living organism in the heart of a city.

KIMMELMAN: For me, a square is about a notion that we have of what an urban life can be and why we go to cities, what we look for in cities. And it has to do with a sense of community, a sense of shared values, a sense of creative possibilities, a sense of humanity.

NEARY: Kimmelman is the architecture critic for The New York Times. But he says the building that surround a square really aren't that important. Look at the squares of Rome, he says.

KIMMELMAN: There's the Piazza Navona, an incredibly beautiful square with these great buildings by Borromini and sculptures by Bernini. But just a block or so away is the Campo de' Fiori. And there's really nothing particularly distinguished about the buildings that surround that square but it's a hub of life, and it speaks as much to what makes Rome a beautiful city and why people love it, as does the Piazza Navona.

NEARY: Those Roman squares are places where people gather for pleasure - to shop at vegetable and flower stores, to eat at nearby restaurants, to sit on the side of a fountain and talk with a friend. Other squares are not so peaceful.

(SOUNDBITE OF ARCHIVED RECORDING)

UNIDENTIFIED REPORTER: On the streets leading down to the main road to Tiananmen Square, furious people stared in disbelief at the glow in the sky, listening to the sound of shots.

NEARY: On June 4, 1989, Chinese troops opened fire and demonstrators gathered in Tiananmen Square in Beijing. Seven years later, when New Yorker writer Evan Osnos went to China for the first time as a student, he headed straight to Tiananmen Square.

EVAN OSNOS: In some ways for me it was almost inescapable. That was the only place I could go first. I had to go to Tiananmen Square if I wanted to understand what China was and where it was trying to go.

NEARY: But Osnos was disappointed by what he found. China's government had thoroughly reclaimed the space once occupied by protesters.

OSNOS: Remember, at one point there were a million people in the streets of Beijing, in and around Tiananmen Square. But then when I came to the place itself, any trace of those events had really been erased to the point that in fact, the government had taken away whatever benches or shade trees there used to be around the edge because they really didn't want people collecting in Tiananmen Square anymore. And so there was a strange emptiness about it.

NEARY: Tiananmen, Osnos discovered, could not tell him where China would be going. It was forever linked to the past, to an event people still talk about in whispers and that the government still wants its citizens to forget. But the square itself remains a constant reminder of what happened there.

CATIE MARRON: Squares retain their history. They really can't escape that.

NEARY: Catie Marron is the editor of CitySquares. In recent years, Marron says, social movements have gotten their start on the Internet - the virtual square. But they quickly moved out into the streets.

MARRON: Social media announced what was going on. It brought people to the square, it gave people information. But where people made their protests, where they made their voices heard, was not on the Internet. It was in the physical square.

NEARY: Social media spread the word about the anti-government demonstration in Cairo's Tahrir Square in 2011. But when the government blocked Facebook and Twitter, says Jehane Noujaim, even more people came to the square to find out what was happening. Noujaim made an Oscar-nominated documentary about the protest called "The Square."

JEHANE NOUJAIM: I grew up 10 minutes away from the square, and I had never experienced Egypt in the same way that I did when I went to that square.

(SOUNDBITE OF DOCUMENTARY, "THE SQUARE")

UNIDENTIFIED CROWD: (Chanting in Arabic).

NOUJAIM: You had people chanting around you saying, hold your head up high, you're Egyptian. And it had this kind of spontaneous energy to it where people would come - come with a tent, come with a blanket - join. And you didn't know how long it would last.

NEARY: That energy has given way to harsh political realities in Egypt. Tahrir Square is still meaningful to her, says Noujaim, but now it's a beautifully manicured sterile space. And if there's one thing that the writers in this book make clear, it's that squares are always changing, like the people who inhabit them. Lynn Neary, NPR News, Washington.

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