Charlie Worsham Wants To Tell You The Truth A consummate country musician, Worsham plays multiple instruments and writes witty lyrics. After a stab at a commercial debut, he's now trying to reach a wider audience just by being himself.
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Charlie Worsham Wants To Tell You The Truth

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Charlie Worsham Wants To Tell You The Truth

Charlie Worsham Wants To Tell You The Truth

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Nashville has no shortage of country acts hoping for a break, and Charlie Worsham is one of them. The few who heard his debut album four years ago know that the singer-songwriter and guitarist can really do it all. And now with album two, Worsham has got more fans in Nashville rooting for him. Jewly Hight of member station WPLN has this profile.

JEWLY HIGHT, BYLINE: Charlie Worsham is preparing to head out on tour and introduce live audiences to his new album, "The Beginning Of Things," as a one-man band.

CHARLIE WORSHAM: So this is not the fully realized loop situation, but it's great practice.

HIGHT: In the living room of the bungalow he rents in East Nashville, the 31-year-old grabs a guitar and starts tapping out a rhythm on its body.


HIGHT: Then he presses a looping pedal.


HIGHT: Over that, he layer's a couple of guitar parts.


HIGHT: Last comes the singing.

WORSHAM: (Singing) It's not that I don't ever wonder where you been, whose roof you been under. I can never cross my mind, happens every day.

HIGHT: Worsham's surrounded by music gear, records and mementos. Hanging proudly on the wall in the hallway is the key to his hometown of Grenada, Miss.

WORSHAM: They gave it to me, and I just kept thinking, good Lord, y'all. We've got Army veterans and teachers who change lives and nurses who save lives. And here I am still trying to be a permanent part of the music business (laughter).


WORSHAM: (Singing) It's not that I don't ever wonder how you been, whose roof you've been under. I can never cross my mind, happens every day.

HIGHT: Still, Worsham is one of Grenada's biggest claims to fame. He left home to study at Berklee College of Music, then got recruited by a band in Nashville. There he became the consummate student, showing up for gigs and sessions, watching, listening and learning from some of the city's most accomplished musicians. One of those he admired most was Country star Vince Gill.

VINCE GILL: He can play anything, and he can play it well. He's got great ears, and he'll find an audience that'll want to go with him. It may take him a while, but he's pretty undeniable once you hear him once you get the opportunity.

HIGHT: Worsham eventually got the opportunity to launch a solo career on a major label.


WORSHAM: (Singing) Oh, the way I'm feeling now - it's worth sticking around to see. Is this love, or could it be?

HIGHT: But his debut album, "Rubberband," just wasn't delivering the downhome revelry that country radio favored four years ago.

WORSHAM: And I really know now I couldn't blame myself for trying to be me. But it sure felt like that's where the problem was.

HIGHT: So Worsham bought himself a pack of notebooks while he was on tour.

WORSHAM: And I went back to my hotel room, and I scrawled tell the truth and the Roman numeral I on the cover, and I promised myself I would fill up a page every day, and it wouldn't matter how terrible the writing was or how crazy it was. The only rule was it had to come from a place of truth. It had to come from what I was feeling that day, that moment.


WORSHAM: (Singing) From now on, I'll be choosing based on what I feel. You can't win for losing. If unanimous appeal is the target you're shooting for, you might as well give your pistol back. Please people, please people, please - you can't please people, please people, please. You can beg so pretty from your knees, but you can't please people, please people.

HIGHT: Back in Nashville, Worsham booked a series of shows at small clubs to escape the pressure of expectations and experiment with whimsical ideas.


WORSHAM: (Singing) I got out of bed, put on my shoes, headed out the door. I turned around, went back inside, took off my shoes and put on my pants.

HIGHT: Worsham handed his new stuff over to producers Frank Liddell and Eric Masse. After recording what Worsham thought were scratch tracks with a rhythm section, he showed up at the studio ready to perform for real.

WORSHAM: And they said, well, wait a second, and they hit play. And the more I listened, the more I thought, golly, I'll never beat that. That was me not thinking about it. That was me getting out of my own way. And I would not have been able to consciously do that had they not fooled me into doing it.

HIGHT: Producer Frank Liddell thought the sneakiness was justified by the results.

FRANK LIDDELL: He had transformed from a person desperate to make everybody happy, you know, from us, his record label, his parents, you know, his fans, to all of a sudden just adamant that this was his record. It was going to turn out the way he wanted it, and he would start here.


WORSHAM: (Singing) I ain't goin' nowhere. I ain't goin' nowhere. Well, give me your best. Give me your worst. Don't hold back even if it hurts. I ain't goin' nowhere.

HIGHT: To finished album veers from hot picking to pop crooning, serious storytelling and silliness. The way Worsham sees it, he's giving people options.

WORSHAM: People are going to connect with my music for whatever reason they might. And if it's how I play instruments, awesome. If it isn't, awesome. They - they're still here. I understand that being a commercial country music artist - that's a different itch to scratch.

HIGHT: Basically, Charlie Worsham is figuring out how to please big crowds just by being himself. For NPR News, I'm Jewly Hight in Nashville.


WORSHAM: (Singing) Don't matter who let you down before, walked right out of your door.

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