The Hills Are Alive for Suzan-Lori Parks Writer Suzan-Lori Parks has won acclaim for depictions of African-American life. The author of Topdog/Underdog discusses two of her favorite dramatic scenes, from The Sound of Music and Taxi Driver.

The Hills Are Alive for Suzan-Lori Parks

The Hills Are Alive for Suzan-Lori Parks

  • Download
  • <iframe src="https://www.npr.org/player/embed/4191707/4192073" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

Stage successes led Suzan-Lori Parks to write stories and novels. Random House hide caption

toggle caption
Random House

Suzan-Lori Parks lists scenes from The Sound of Music and Taxi Driver among her favorites. 20th Century Fox, Columbia/TriStar hide caption

toggle caption
20th Century Fox, Columbia/TriStar

Novelist and playwright Suzan-Lori Parks has won acclaim for her depictions of modern African-American life.

After receiving a MacArthur "Genius Grant" award in 2001, Parks won the 2002 Pulitzer Prize in drama for Topdog/Underdog), the story of two con men — also brothers — searching for ways to succeed. In the world of movies, filmmaker Spike Lee directed her first feature film, Girl 6.

For the ongoing series Scenes I Wish I Had Written, NPR's Susan Stamberg spoke with the playwright about her favorite dramatic pieces. The writer known for putting colorful dialogue into cleverly structured plots chose two dissimilar sketches: the opening of The Sound of Music, along with a bit of Taxi Driver.

Parks, who lives in California, is currently working on both a new play and a novel.

Topdog/Underdog
By Suzan-Lori Parks

Buy Featured Book

Title
Topdog/Underdog
Author
Suzan-Lori Parks

Your purchase helps support NPR programming. How?

Getting Mother's Body
By Suzan-Lori Parks

Buy Featured Book

Title
Getting Mother's Body
Author
Suzan-Lori Parks

Your purchase helps support NPR programming. How?

Correction Nov. 10, 2005

The screenplay for 'The Great Debaters' film project mentioned in an earlier version of this report was written by Robert Eisele from a story by Eisele and Jeffrey Porro.