Alex Ross weaves a tale of the 20th century through its music in his new book, The Rest Is Noise.
Now that we're comfortably settled into the 21st century, critic Alex Ross has taken a look (and a listen) backward, to the classical music spanning the previous 100 years. His new book, The Rest Is Noise: Listening to the Twentieth Century, explores how modern composers forged new techniques, found inspiration in jazz and pop, and forced us to hear music in new ways.
Ross makes a case for some of the century's most demanding pieces and visionary composers, from early modernists such as Arnold Schoenberg to revered minimalists such as Steve Reich.
From the vast array of music Ross traces in his book, he's chosen a Top 5 list he thinks is essential for anyone curious about modern music.
Ross is best known for his insightful music criticism in The New Yorker — and on his blog, The Rest Is Noise.
Click here for Ross' list of the Top 5 Pop Albums for Classical Listeners.
Rite of Spring -- 'Sacrificial Dance'
Stravinsky's riot-causing ballet of pagan sacrifice expounds on a new science of rhythm.
Esa-Pekka Salonen conducts the Los Angeles Philharmonic (DG 477 6198)
Quartet for the End of Time: 8th mvt.
In a German POW camp during WWII, Messiaen heard sounds of eternity.
Members of Chamber Music Northwest (Delos 3043)
Song of the Children (excerpt)
Stockhausen's electronic classic, a cauldron of sound centered on a choirboy singing "Praise the Lord," set a standard for far-out music that no psychedelic band surpassed.
Morton Feldman: Rothko Chapel; Why Patterns?
In the noisiest century in history, the American avant-garde master Morton Feldman wrote music that trembled at the edge of silence.
UC-Berkeley Chamber Chorus; David Abel, viola; William Winant, percussion. (New Albion NA039)
The minimalist masterpiece hypnotized the likes of Brian Eno and David Bowie when it first appeared in 1976, and rock fans have been falling for it ever since.
Steve Reich Ensemble (Nonesuch 79448)