A Beguiling Bluegrass Classic: 'Ruby' Singer Amber Collins got her start singing at church, but she found her calling in bluegrass. As part of our occasional series "What's in a Song," Collins explains what attracted her to the bluegrass classic "Ruby."

A Beguiling Bluegrass Classic: 'Ruby'

A Beguiling Bluegrass Classic: 'Ruby'

  • Download
  • <iframe src="https://www.npr.org/player/embed/19315174/19291330" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript

Singer Amber Collins got her start singing at church, but she found her calling in bluegrass. As part of our occasional series "What's in a Song," Collins explains what attracted her to the bluegrass classic "Ruby."

Hear the Song

No Speed Limit performs 'Ruby'

  • <iframe src="https://www.npr.org/player/embed/19315174/29599288" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

Amber Collins is a founding member of No Speed Limit. hide caption

toggle caption

LIANE HANSEN, host:

Amber Collins is only 18 years old but she's narrowed her career choices down to two possibilities: a singer or, her backup, a cosmetologist. But she's faring well as a vocalist so far. She's been performing ever since childhood, though she says it wasn't until she discovered bluegrass music that she found her true voice. Amber says the bluegrass classic, "Ruby," allows her and her band, No Speed Limit, to strut their stuff.

Ruby, therefore, is the subject of today's segment in our What's In a Song series from the Western Folk Life Center.

(Soundbite of music)

Ms. AMBER COLLINS (Singer): I'm Amber Collins from Saltville, Virginia, 18 years old. And I play with the bluegrass band No Speed Limit. I hope to be doing this for a long, long time.

(Soundbite of sing, "Ruby")

Ms. COLLINS: (Singing) Oh Ruby, Ruby. Honey, are you mad at your man?

I started singing when I was about 2. I just sang in church and things like that until I was about 8. And then I started travel in competitions and things like that until I was about 14 or 15.

(Soundbite of song, "Ruby")

Ms. COLLINS: (Singing) …shovel with my spade, stick it in the Brown Coal Mine…

My parents really pushed me. You know, it was something I wanted to do, but at one point I sang in a different church every Saturday and Sunday. We went everywhere.

(Soundbite of song, "Ruby")

Ms. COLLINS: (Singing) Ruby, Ruby. Honey, are you mad at your man?

And then I went to a bluegrass jam. Didn't think I liked the music until I got there and it thrilled me and I took to it. So many different things you can do with a song, even a gospel song, in bluegrass and it's accepted.

(Soundbite of song, "Ruby")

Ms. COLLINS: (Singing) I've done all I can do…

There's yodeling and there's the notes that you hold out. You can do anything.

(Soundbite of song, "Ruby")

Ms. COLLINS: (Singing) …to get along with you. Still you're not satisfied…

I feel that song so much. I love that song. I'd say that that's one of my favorite songs that we do just because you can be free with it and it's not wrong. So I guess I'm just the kind of person any kind of song you give me I can find something that'll relate to it.

(Soundbite of song, "Ruby")

Ms. COLLINS: (Singing) Ruby, honey, are you mad at your man?

I'd like to think cosmetology. Other than that, I have no skills besides singing. I mean, that's all I've done in my - almost my entire life. I feel that's what I'm meant to do, whether it be in a church on Sunday morning every week or out here on the road like I'm on now. This is where I'm supposed to be going.

(Soundbite of song, "Ruby")

Ms. COLLINS: (Singing) Ruby…

HANSEN: What's in a Song is produced by Hal Cannon and Taki Telonidis of the Western Folk Life Center.

(Soundbite of music)

HANSEN: This is NPR's WEEKEND EDITION

(Soundbite of credits)

HANSEN: I'm Liane Hansen.

Copyright © 2008 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.