The Blue Note 7 On JazzSet To mark 70 years in business, the Blue Note record label put together an all-star ensemble and commissioned arrangements of key compositions. Hear the burning-down-the-house highlights of The Blue Note 7's performance at the Kennedy Center.

The Blue Note 7 On JazzSet

The Blue Note 7 in Concert on JazzSet 4/5/09

  • <iframe src="https://www.npr.org/player/embed/104132787/130069775" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

From left to right, The Blue Note 7: Ravi Coltrane, Lewis Nash, Bill Charlap, Peter Bernstein, Nicholas Payton, Peter Washington, Steve Wilson. Jimmy Katz hide caption

toggle caption
Jimmy Katz

Web-Only Concert Picks

The Blue Note 7 in Concert on JazzSet 4/5/09

  • <iframe src="https://www.npr.org/player/embed/104132787/104129977" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

From the 1967 album The Real McCoy by McCoy Tyner; arr. Renee Rosnes.

The Blue Note 7 in Concert on JazzSet 4/5/09

  • <iframe src="https://www.npr.org/player/embed/104132787/104130525" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

From the 1967 album The Procrastinator by Lee Morgan.

Set List

  • "Inner Urge" (first appeared on the 1964 album Inner Urge by Joe Henderson; arr. Nicholas Payton)
  • "Dolphin Dance" (first appeared on the 1965 album Maiden Voyage by Herbie Hancock; arr. Renee Rosnes)
  • "United" (first appeared on the 1961 Art Blakey album Roots and Herbs by Wayne Shorter; arr. Renee Rosnes)
  • "Mosaic" (first appeared on the 1961 Art Blakey album Mosaic by Cedar Walton; arr. Lewis Nash)

Ever since it was founded in 1939, Blue Note Records has had a profound, lasting influence on jazz. A pantheon of legends recorded groundbreaking LPs on Blue Note, while the label's distinctive album design and cover art helped define the "Blue Note style." To commemorate its 70th anniversary, Blue Note put together an all-star ensemble to re-interpret music from its most memorable albums. Led by musical director and pianist Bill Charlap, the group recorded a CD called Mosaic and embarked on a 50-city tour. On Apr. 5, 2009, JazzSet recorded the burning-down-the-house highlights of the Blue Note 7 at the Kennedy Center.

Charlap has saluted George Gershwin and Leonard Bernstein on recent Blue Note CDs. His bassist for the past decade has been Peter Washington, an alumnus of that great Blue Note crucible of talent, Art Blakey's Jazz Messengers, as is trumpeter Nicholas Payton. From New Orleans, Payton is a "young lion" of the 1990s who's unafraid to experiment with elements of hip-hop and electronica in his music.

Ravi Coltrane is the son of the legendary saxophonist John and harpist Alice Coltrane. His father's Blue Note album Blue Train inspired Ravi to pick up the sax and develop his own sound. Steve Wilson is a native Virginian, much in demand for his skills on alto and soprano sax and flute, often heard on JazzSet. Guitarist Peter Bernstein got his start with a longtime member of the Blue Note family, saxophonist Lou Donaldson, who's still going strong. And drummer Lewis Nash made his name during extended tenures with vocalist Betty Carter and pianist Tommy Flanagan.

In "Mosaic," Nash takes charge with a crisp introduction and climactic solo full of energy, variety and direction. Before that song, there's a title that sums up the spirit of every great band on the Blue Note label for 70 years: "United."

This segment originally ran May 14, 2009.

Credits: Thanks to tour producer Danny Melnick, Kennedy Center Artistic Director Dr. Billy Taylor, Director of Jazz Programming Kevin Struthers with Jean Thill at the Kennedy Center. Music recording and Surround Sound remix by Duke Markos with Big Mo Recording. Writer Mark Schramm, producer Becca Pulliam.

Web Resources