Tracy Chevalier's 'Remarkable' Real-Life Heroine Remarkable Creatures, the new novel by Tracy Chevalier, focuses on the life and work of 19th century fossil hunter Mary Anning, and how her discoveries helped change scientific understanding of the world. Chevalier is the author of Girl with a Pearl Earring.

Tracy Chevalier's 'Remarkable' Real-Life Heroine

Tracy Chevalier's 'Remarkable' Real-Life Heroine

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'Remarkable Creatures'
Remarkable Creatures
By Tracy Chevalier
Hardcover, 320 pages
Dutton Adult
List price: $26.95

Read An Excerpt

Novelist Tracy Chevalier has made a career of bringing history to life. She has written books set in medieval France, 18th century London and 17th century Holland — specifically, in the home of painter Johannes Vermeer.

That book, her most famous, tells the story of a Dutch teenager who became a maid in the Vermeer household — and the subject, as Chevalier imagined it, of one of his most famous works, Girl with a Pearl Earring.

Chevalier's newest novel is called Remarkable Creatures. At its center is a pioneering 19th century fossil hunter named Mary Anning, whom Chevalier first encountered one day while visiting a small museum about dinosaurs.

"I had never heard of her," Chevalier tells Mary Louise Kelly. "I learned from the display that she was a working-class girl who had lived in Lyme Regis, which is on the south coast of England, and had been fossil hunting with her father, and one day she and her brother discovered a huge specimen of what turned out to be an icthyosaur, an ancient marine reptile about 200 million years old. [She] had no idea what it was — thought it was a crocodile — and went on to discover another ancient marine reptile called a plesiosaur."

Despite her amateur beginnings, Anning became an important figure in the world of paleontology.

"She was really quite an amazing woman," Chevalier continues. "She was completely self-taught, never had any formal education, was very poor [and] found these things for a living."

Chevalier says that she knew she had to write the novel when she discovered an incident from Anning's childhood: "Maybe most important to me as a novelist, she was struck by lightning as a baby and survived it and lived to tell the tale."

(Read the opening of Remarkable Creatures, in which Anning describes the lightning strike.)

Washington, D.C., native Tracy Chevalier's novel Girl with a Pearl Earring was published in 1999 and made into a movie of the same name in 2003. Sven Arnstein hide caption

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Sven Arnstein

Washington, D.C., native Tracy Chevalier's novel Girl with a Pearl Earring was published in 1999 and made into a movie of the same name in 2003.

Sven Arnstein

Making Anning's story all the more remarkable is the fact that her discoveries took place nearly 50 years before Charles Darwin wrote On the Origin of Species, during an era when scientists were still trying to figure out what a fossil was.

"It was prime Jane Austen territory," Chevalier says. "It was early 19th century. Most people believed that the world was 6,000 years old and had been created by God in six days and set to run and if you looked around it was exactly as God had made it. They took the Bible as literal history. And scientists were very slowly starting to examine that. And when Mary discovered this specimen of an animal that clearly didn't exist now — at first they called it a crocodile, but they really quickly realized it couldn't be because it has this huge bulbous eye like a doughnut, and it has paddles rather than claws and legs — they quickly figured out that it was extinct. And that was like setting off a little bomb in this cozy idea that the world was 6,000 years old, because suddenly people realized, actually the world isn't just as God made it."

The fact that Anning made all her discoveries in spite of her lack of education made room in the story for another important point of view, says Chevalier. She got a little gift, she says, when she discovered a friend of Anning's named Elizabeth Philpot.

"They used to go out fossil hunting on the beach every day," Chevalier says. "Elizabeth was 20 years older than Mary, a middle-class woman who had moved with two sisters down to Lyme Regis from London in 1805. And they never married, any of them, and they became quite interested in fossils."

Chevalier says that because of Anning's limited point of view, she needed someone who could stand in for the reader, who would understand and comment on Anning's discoveries. In Chevalier's telling, Philpot narrates sections of the story.

"It's a book that becomes more about their developing relationship. It's about fossils but it's also about friendship. And in a way this book tries to answer that question, 'What do women do who don't find the Mr. Darcy of the Jane Austen novels?' "

Though Anning may not be as familiar to contemporary audiences as Mr. Darcy or Elizabeth Bennet, she may have inspired at least one well-known cultural trinket.

"She sells seashells by the seashore," recites Chevalier. The tongue twister, she believes, was created in 1908 as a tribute to Mary Anning, even though Anning sold mostly fossils.

"But she did indeed sell seashells by the seashore," Chevalier says. "The funny thing was, I was originally gonna name the book She Sells Seashells, and then I thought there's no way I'm gonna do that because I'll have to say it so many times."

The large audience that will come to Remarkable Creatures following the success of Girl with a Pearl Earring makes Chevalier protective of her newest heroine.

"I'll tell you, what I feel pressure most is getting things right," she says. "Most people aren't going to read a biography of Mary Anning or read scientific books about her. They're going to read this book and think it's exactly how it happened. I had that feeling after I wrote Girl with a Pearl Earring, people took it as that's exactly how it happened with Vermeer the painter, when actually I made most of that up."

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Excerpt: 'Remarkable Creatures'

'Remarkable Creatures' Cover
Remarkable Creatures
By Tracy Chevalier
Hardcover, 320 pages
Dutton Adult
List price: $26.95

Different from all the rocks on the beach

Lightning has struck me all my life. Just once was it real. I shouldn't remember it, for I was little more than a baby. But I do remember. I was in a field, where there were horses and riders performing tricks. Then a storm blew in, and a woman — not Mam — picked me up and brought me under a tree. As she held me tight I looked up and saw the pattern of black leaves against a white sky.

Then there was a noise, like all the trees falling down round me, and a bright, bright light, which was like looking at the sun. A buzz run right through me. It was as if I'd touched a hot coal, and I could smell singed flesh and sense there was pain, yet it weren't painful. I felt like a stocking turned inside out.

Others begun pulling at me and calling, but I couldn't make a sound. I was carried somewhere, then there was warmth all round, not a blanket, but wet. I knew where I was because it was water and I knew water — our house was close to the sea, I could see it from our windows. Then I opened my eyes, and it feels like they haven't been shut since.

The lightning killed the woman holding me and two girls standing next to her, but I survived. They say I was a quiet, sickly child before the storm, but after it I grew up lively and alert. I cannot say if they're right, but the memory of that lightning still runs through me like a shiver. It marks powerful moments of my life: seeing the first crocodile skull Joe found, and finding its body myself; discovering other monsters on the beach; meeting Colonel Birch. Other times I'll feel the lightning strike and wonder why it's come. Sometimes I don't understand, but accept what the lightning tells me, for the lightning is me. It entered me when I was a baby and never left.

I feel an echo of the lightning each time I find a fossil, a little jolt that says, "Yes, Mary Anning, you are different from all the rocks on the beach." That is why I am a hunter: to feel that bolt of lightning, and that difference, every day.

An unladylike pursuit, dirty and mysterious

Mary Anning leads with her eyes. That was clear even the first time we met, when she was but a girl. Her eyes are button brown and bright, and she has a fossil hunter's tendency always to be looking for something, even when on the street or in a house where there is no possibility of finding anything of interest. It makes her appear vigorous, even when she is still. I have been told by my sisters that I too glance about rather than hold a steady gaze, yet they do not mean it as a compliment as I do with Mary.

I have long noted that people tend to lead with one particular feature, a part of the face or body. My brother, John, for instance, leads with his eyebrows. It is not just that they form prominent tufts above his eyes, but they are the part of his face that moves the most, tracing the course of his thoughts as his brow furrows and clears. He is the second eldest of the five Philpot siblings, and the only son, which made him responsible for four sisters after our parents' death. Such circumstances will move anyone's eyebrows, though even as a boy he was serious.

My youngest sister, Margaret, leads with her hands. Though small, their fingers are proportionately long and elegant, and she plays the piano better than the rest of us. She is given to waving her hands about as she dances, and when she sleeps she throws her arms above her head, even when the room is cold.

Frances has been the only Philpot sister to marry, and leads with her bosom — which I suppose explains that. We Philpots are not known for our beauty. Our frames are bony, our features strong. Moreover, there was really only family money enough for one sister to marry with ease, and Frances won the race, leaving Red Lion Square to become the wife of an Essex merchant.

I have always admired most those who lead with their eyes, like Mary Anning, for they seem more aware of the world and its workings. That is why I get on best with my eldest sister, Louise. She has gray eyes, like all the Philpots, and says little, but when her eyes fix on you, you take notice.

I have always wanted to lead with my eyes as well, but I have not been so fortunate. I have a prominent jaw, and when I grit my teeth — more often than I ought, for the world frustrates me — it tenses and sharpens like an axe blade. At a ball once I overheard a potential suitor say he did not dare ask me to dance for fear of cutting himself on my face. I have never really recovered from that remark. It explains why I am a spinster, and why I dance so seldom.

I have longed to move from jaw to eye, but I have noticed that people do not change which feature they lead with, any more than they change in character. And so I am stuck with my strong jaw that puts people off, set in stone like the fossils I collect. Or so I have thought.

I met Mary Anning in Lyme Regis, where she has lived all her life. It was certainly not where I expected to live. London was, of course, specifically Red Lion Square, where we Philpots grew up. Though I had heard of Lyme, as one does of seaside resorts when they become fashionable, we had never visited. We usually went to Sussex towns such as Brighton or Hastings during the summer. When she was alive our mother was keen for us to breathe the fresh air and bathe in the sea, for she subscribed to the views of Dr. Richard Russell, who had written a dissertation about the benefit of seawater, to bathe in and to drink as well. I refused to drink seawater, but I did swim sometimes. I was at home by the sea, though I never thought that would become a literal truth.

Two years after our parents' death, however, my brother announced at dinner one evening his engagement to the daughter of one of our late father's solicitor friends. We kissed and congratulated John, and Margaret played a celebratory waltz on the piano. But in bed that night I wept, as I suspected my sisters did as well, for our London lives as we knew them were over. Once our brother married there would be neither the place nor the money for us all to live at Red Lion Square. The new Mrs. Philpot would of course want to be mistress of her own home, and fill the house with children. Three sisters was a surfeit, especially when we were unlikely to marry. For Louise and I both knew we were destined to remain spinsters. Because we had little money, our looks and characters were meant to attract husbands, yet ours were too irregular to help us. Though her eyes lifted and brightened her face, Louise was very tall — far taller than most men could manage — and had large hands and feet. Moreover, she was so quiet that suitors were unnerved by her, thinking she was judging them. She probably was. As for me, I was small and bony and plain, and I could not flirt, but would try to talk about serious things, and that drove the men away too.

We were to be moved on, then, like sheep shifted from one cropped field to another. And John must be our shepherd.

The next morning he laid on the breakfast table a book he had borrowed from a friend. "I thought for your summer holiday you might like to go somewhere new rather than visit our aunt and uncle in Brighton again," he suggested. "A little tour, if you like, along the south coast. With the war with France cutting off travel to the Continent, so many more coastal resorts are springing up. There may be places you will like even more than Brighton. Eastbourne, perhaps, or Worthing. Or further afield, to Lymington, or the Dorset coast: Weymouth or Lyme Regis." John was reciting these places as if going down a list in his head, placing a little tick beside each one as he named it. That was how his tidy solicitor's mind worked. He had clearly thought through where he wanted us to go, though he would herd us there gently. "Have a look to see what you fancy." John tapped the book. Although he said nothing, we all knew we were looking not simply for a holiday destination, but for a new home, where we could live in gently diminished circumstances rather than as London paupers.

When he had gone out to his chambers, I picked up the book. "'A Guide to All the Watering and Sea-Bathing Places for 1804,'" I read out, for Louise's and Margaret's benefit. Flipping through it, I found entries on English towns in alphabetical order. Fashionable Bath had the longest entry, of course — forty-nine pages, along with a large map and a pull out panoramic view of the city, with its even, elegant facades cupped by surrounding hills. Our beloved Brighton had twenty-three pages and a glowing report. I looked up the towns our brother had mentioned, some of which were little more than glorified fishing villages, warranting only two pages of indifferent platitudes. John had made a dot in the margin of each. I expect he had read every entry in the book and chosen those that suited best. He had done his research.

"What's wrong with Brighton?" Margaret demanded.

I was reading about Lyme Regis then and grimaced. "Here is your answer." I handed her the guide. "Look at what John has marked."

" 'Lyme is frequented principally by persons in the middle class of life,' " Margaret read aloud, " 'who go there, not always in search of their lost health, but as frequently perhaps to heal their wounded fortunes, or to replenish their exhausted revenues.' " She let the book drop in her lap. "Brighton is too expensive for the Philpot sisters, then, is it?"

"You could stay here with John and his wife," I suggested in a burst of generosity. "They could manage one of us, I expect. We may as well not all be banished to the coast."

"Nonsense, Elizabeth, we shan't be separated," Margaret declared with a loyalty that made me hug her.

That summer we toured the coast as John had suggested, accompanied by our aunt and uncle, our future sister-in-law and her mother, and John when he could manage it. Our companions made comments like "What glorious gardens! I envy those who live here all year round and can walk in them anytime they like"; or "This circulating library is so well stocked you would think you were in London"; or "Isn't the air here so soft and fresh? I wish I could breathe this every day of the year." It was galling to have others judge our future so casually, especially our sister-in-law, who would be taking over the Philpot house and didn't seriously have to consider living in Worthing or Hastings. Her comments became so irritating that Louise began excusing herself from group outings, and I made more and more tetchy remarks. Only Margaret enjoyed the novelty of the new places, even if only to laugh at the mud at Lymington or the rustic theater at Eastbourne. She liked Weymouth best, for King George's love of the town made it more popular than the others, with several coaches a day from London and Bath, and a constant influx of fashionable people.

As for myself, I was out of sorts throughout much of the tour. Knowing you may be forced to move somewhere can ruin it as a place for a holiday. It was difficult to view a resort as anything but inferior to London. Even Brighton and Hastings, places that previously I had loved to visit, seemed lacking in spirit and grace.

By the time we reached Lyme Regis, only Louise, Margaret, and I were left: John had had to return to his chambers, and had taken his fiancee and her mother back with him, and our uncle's gout had caught up with him, sending him and our aunt limping back to Brighton. We were escorted to Lyme by a family we'd met in Weymouth, who accompanied us on the coach and helped us to get settled at lodgings in Broad Street, the town's main thoroughfare.

Of all the places we visited that summer, I found Lyme the most appealing. It was September by then, which is a lovely month anywhere. With its mildness and golden light it will soften even the grimmest resort. We were blessed with good weather, and with freedom from the expectations of our family. At last I could form my own opinion of where we might live.

Lyme Regis is a town that has submitted to its geography rather than forced the land to submit to it. The hills into town are so steep that coaches cannot travel down them — passengers are left at the Queen's Arms at Charmouth or the crossroads at Uplyme and brought down in carts. The narrow road leads down to the shore, and then quickly turns its back on the sea and heads uphill again, as if it wants merely to glimpse the waves before fleeing. The bottom, where the tiny River Lym pours into the sea, forms the square in the center of town. The Three Cups — the main inn — is there, across from the Customs House and from the Assembly Rooms that, while modest, boast three glass chandeliers and a fine bay window overlooking the shore. Houses spread out from the center, along the coast and up the river, and shops and the Shambles market stalls march up Broad Street. It is not planned, like Bath or Cheltenham or Brighton, but wriggles this way and that, as if trying to escape the hills and sea, and failing.

But that is not all there is to Lyme. It is as if there are two villages side by side, connected by a small sandy beach, where the bathing machines are lined up, awaiting an influx of visitors. The other Lyme, at the west end of the beach, doesn't shun, but embraces the sea. It is dominated by the Cobb, a long gray stone wall that curves like a finger out into the water and shelters the shore, creating a tranquil harbor for the fishing boats and the trading ships that come from all over. The Cobb is several feet high, and wide enough for three to walk along arm in arm, which many visitors do, for it gives a fine view back to the town and the dramatic shoreline beyond of rolling hills and cliffs in green, gray, and brown.

Bath and Brighton are beautiful despite their surroundings, the even buildings with their smooth stone creating an artifice that pleases the eye. Lyme is beautiful because of its surroundings, and despite its indifferent houses. It appealed to me immediately.

My sisters were also pleased with Lyme, for different reasons. For Margaret it was simple: She was the belle of Lyme's balls. At eighteen she was fresh and lively, and as pretty as a Philpot was ever going to be. She had lovely ringlets of dark hair and long arms she liked to hold aloft so that people could admire their graceful lines. If her face was a little long, her mouth a little thin, and the tendons in her neck a little prominent, that did not matter when she was eighteen. It would matter later. At least she didn't have my hatchet jaw or Louise's unfortunate height. There were few to match her in Lyme that summer, and the gentlemen gave her more attention than at Weymouth or Brighton, where she had more competitors. Margaret was happy to live from ball to ball, filling the days in between with cards and tea at the Assembly Rooms, bathing in the sea, and strolling up and down the Cobb with the new friends she had made.

Louise did not care about balls and cards, but early on she discovered an area near the cliffs to the west of town with surprising flora and wild, secluded paths shaped by fallen rock and covered with ivy and moss. This pleased both her botanical interest and her retiring nature.

As for myself, I found my Lyme pursuit on a walk one morning along Monmouth Beach, to the west of the Cobb. We had joined our Weymouth friends the Durhams to search out a peculiar stone ledge along the beach called the Snakes' Graveyard, which was only uncovered at low tide. It was farther than we'd thought, and the stony beach was difficult to walk on in thin pumps. I had to keep my eyes cast down so as not to trip on the rocks. As I stepped between two stones, I noticed an odd pebble decorated with a striped pattern. I bent over and picked it up — the first of thousands of times I would do so in my life. It was spiral-shaped, with ridges at even intervals around the spine, and it looked like a snake curled in on itself, the tip of the tail in the center. Its regular pattern was so pleasing to the eye that I felt I must keep it, though I had no idea what it was. I only knew that it could not be a pebble.

I showed it to Louise and Margaret, and then to the Weymouth family. "Ah, that is a snakestone," Mr. Durham declared.

I almost dropped it, despite logic telling me the snake could not be alive. It could not be just a stone, though. Then I realized. "It is a — fossil, isn't it?" I used the word hesitantly, for I wasn't sure the Weymouth family would be familiar with it. Of course I had read about fossils, and seen some displayed in a cabinet at the British Museum, but I didn't know they could be found so easily on the beach.

"I expect so," Mr. Durham said. "People often find such things here. Some of the locals sell them as curiosities. They call them curies."

"Where is its head?" Margaret asked. "It looks as if it's been chopped off."

"Perhaps it has fallen off," Miss Durham suggested. "Where did you find the snakestone, Miss Philpot?"

I pointed out the spot, and we all looked but couldn't see the head of a snake lying about. Soon the others lost interest and walked on. I searched a little longer, then followed the party, opening my hand now and then to gaze at this, my first specimen of what I would learn to call an ammonite. It was odd to be holding the body of a creature, whatever it was, and yet it pleased me too. Gripping its solid form was a comfort, like holding on to a walking stick or a staircase banister.

At the end of Monmouth Beach, just before Seven Rocks Point, where the shoreline turned out of sight, we found the Snakes' Graveyard. It was a smooth ledge of limestone in which there were spiral impressions, white lines against the gray stone, of hundreds of creatures like that which I held, except that they were enormous, each the size of a dinner plate. It was such a strange, bleak sight that we all stared in silence.

"Those must be boa constrictors, don't you think?" Margaret said. "They're enormous!"

"But boa constrictors don't live in England," Miss Durham said. "How did they get here?"

"Perhaps they did live here, a few hundred years ago," Mrs. Durham suggested.

"Or even a thousand years ago, or five thousand," Mr. Durham ventured. "They could be that old. Perhaps the boa constrictors then migrated to other parts."

They did not look like snakes to me, or any other animal I knew of. I walked out onto the ledge, stepping with care so as not to tread on the creatures, even if they were clearly long dead and not so much corporeal bodies but sketches in the rock. It was difficult to imagine them as alive once. They looked permanent, as if they'd always been in the stone.

If we lived here, I could come and see this whenever I liked, I thought. And find smaller snakestones, and other fossils as well, on the beach. It was something. It was enough, for me.

From Remarkable Creatures by Tracy Chevalier. Copyright 2009 by Tracy Chevalier. Published by Dutton Adult. Used by permission of the publisher. All rights reserved.