Anthony Horowitz On Singular Spies: James Bond 007 And Alex Rider M16 Author Anthony Horowitz loves nothing more than when a young fan asks him to sign a battered copy of a book in his Alex Rider series — young adult fiction featuring a skateboard-riding teen spy. When it comes to his favorite thriller, he recommends Ian Fleming's "Crime de la Crime" in Goldfinger.

Singular Spies: James Bond 007 And Alex Rider MI6

Singular Spies: James Bond 007 And Alex Rider MI6

  • Download
  • <iframe src="" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript

Anthony Horowitz is a screenwriter for television and film, a playwright, and the author of the bestselling Alex Rider novels. Scorpia Rising, the ninth and final installment, will be published in April 2011. He lives in London. Des Wilie hide caption

toggle caption
Des Wilie

In our series Thrilled to Death, suspense writers talk with us about their work, and then recommend the books they love.

Author Anthony Horowitz loves nothing more than when a young fan asks him to sign a battered copy of a book in his Alex Rider series -- young adult fiction featuring a skateboard-riding teen spy. The series' ninth and final novel, Scorpia Rising, will be published in April 2011.

The series is full of suspense and can even be a bit spooky for its young readers. Finding the balance between too scary and not scary enough is one of Horowitz's biggest challenges. He says the suspense comes from the reader knowing more than the character they're reading about. There is violence in his stories, but it is always followed by a happy resolution and the good guy winning. As the series continues, the books become more demanding -- Horowitz says he hopes that his readers have grown with him.

Horowitz talks with NPR's Michele Norris about the appeal of gadgets, his sons' cameos in the Alex Rider series, and why it's important for a children's author to end with hope.

You can hear their conversation by clicking the "Listen" link at the top of the page. Below, read Horowitz's recommendation of Ian Fleming's Goldfinger.

By Ian Fleming
Paperback, 272 pages
List price: $14

Read An Excerpt

Recommended Thriller: 'Goldfinger' by Ian Fleming

By Anthony Horowitz

I've never made a secret of how much I admire Ian Fleming. When I created Alex Rider, my 14-year-old spy, Bond was a large part of my inspiration -- so it's only natural that I should have chosen my favorite Bond novel as my favorite thriller -- and that's Goldfinger (also, incidentally, my favorite Bond movie.) In the welter of gadgets and girls, Conneries and Moores, chases and special effects, people have forgotten just how well written these books are. But when author Anthony Burgess drew up his list of the 100 greatest novels ever written, Goldfinger was on it, deservedly so.

Goldfinger is not perfect. The main plot, which Fleming delightfully refers to as the "Crime de la Crime," isn't actually introduced until chapter 16 and there's a huge flaw at the heart of it all. Why does Goldfinger let Bond live when he's so obviously dangerous? Hiring him as a sort of personal assistant-cum-secretary is patently absurd. But you can forgive almost anything when there are so many pleasures to be found between the covers.

Where to begin? First of all it has two of Fleming's most iconic villains -- Goldfinger, the squat, ginger-haired master criminal of the title, and, of course, his accomplice, the bowler-hatted Oddjob. It has the best set pieces; the game of Canasta in which Bond exposes Goldfinger as a cheat, the round of golf at Royal St Marks which turns into a mortal duel, the wonderful torture scene with the rotating saw (it was an industrial laser in the movie), and the fantastic climax at Fort Knox. It has Pussy Galore and with a name like that what more do you need to know about her? And it has one of the most memorable deaths in all of crime fiction, the girl painted gold and left to suffocate.

And of course, it has Bond himself, tired and cynical after a dirty assignment at the start of the book. The sequence at Miami airport as he watches the sun set and considers the vicissitudes of fate is writing of the highest order. A few years ago, the Fleming estate commissioned Sebastian Faulks to recreate Bond, but for me he never caught the terse, laconic style of the originals -- "snobbery with violence" as one critic memorably termed it -- and as Jeffery Deaver prepares to write the next, I fear I look forward with a certain sense of dread.

But if these new realizations drive a modern audience back to the original books, they will have done their job. We may be shocked by their old-fashioned attitudes -- the casual anti-Semitism, the misogyny, the unhealthy lifestyle. But the power of the story-telling has never diminished. I read the books and re-read them. And I enjoy them every time.

Thrilled to Death is produced and edited by Ellen Silva with help from Gabe O'Conner, Chelsea Jones and Miriam Krule.

Excerpt: 'Goldfinger'

By Ian Fleming
Paperback, 272 pages
List price: $14

James Bond, with two double bourbons inside him, sat in the final departure lounge of Miami Airport and thought about life and death.

It was part of his profession to kill people. He had never liked doing it and when he had to kill he did it as well as he knew how and forgot about it. As a secret agent who held the rare double-0 prefix -- the licence to kill in the Secret Service - it was his duty to be as cool about death as a surgeon. If it happened, it happened. Regret was unprofessional -- worse, it was death watch beetle in the soul.

And yet there had been something curiously impressive about the death of the Mexican. It wasn't that he hadn't deserved to die. He was an evil man, a man they call in Mexico a capungo. A capungo is a bandit who will kill for as little as forty pesos, which is about twenty-five shillings -- though probably he had been paid more to attempt the killing of Bond -- and, from the look of him, he had been an instrument of pain and misery all his life. Yes, it had certainly been time for him to die; but when Bond had killed him, less than twenty-four hours before, life had gone out of the body so quickly, so utterly, that Bond had almost seen it come out of his mouth as it does, in the shape of a bird, in Haitian primitives.

What an extraordinary difference there was between a body full of person and a body that was empty! Now there is someone, now there is no one. This had been a Mexican with a name and an address, an employment card and perhaps a driving licence. Then something had gone out of him, out of the envelope of flesh and cheap clothes, and had left him an empty paper bag waiting for the dustcart. And the difference, the thing that had gone out of the stinking Mexican bandit, was greater than all Mexico.

Bond looked down at the weapon that had done it. The cutting edge of his right hand was red and swollen. It would soon show a bruise. Bond flexed the hand, kneading it with his left. He had been doing the same thing at intervals through the quick plane trip that had got him away. It was a painful process, but if he kept the circulation moving the hand would heal more quickly. One couldn't tell how soon the weapon would be needed again. Cynicism gathered at the corners of Bond's mouth.

'National Airlines, Airline of the Stars', announces the departure of their flight NA 106 to La Guardia Field, New York. Will all passengers please proceed to gate number seven. All aboard, please.'

The Tannoy switched off with an echoing click. Bond glanced at his watch. At least another ten minutes before Transamerica would be called. He signalled to a waitress and ordered another double bourbon on the rocks. When the wide, chunky glass came, he swirled the liquor round for the ice to blunt it down and swallowed half of it. He stubbed out the butt of his cigarette and sat, his chin resting on his left hand, and gazed moodily across the twinkling tarmac to where the last half of the sun was slipping gloriously into the Gulf.

The death of the Mexican had been the finishing touch to a bad assignment, one of the worst -- squalid, dangerous and without any redeeming feature except that it had got him away from headquarters.

A big man in Mexico had some poppy fields. The flowers were not for decoration. They were broken down for opium, which was sold quickly and comparatively cheaply by the waiters at a small cafe in Mexico City called the 'Madre de Cacao'. The Madre de Cacao had plenty of protection. If you needed opium you walked in and ordered what you wanted with your drink. You paid for your drink at the caisse and the man at the caisse told you how many noughts to add to your bill. It was an orderly commerce of no concern to anyone outside Mexico. Then, far away in England, the Government, urged on by the United Nations' drive against drug smuggling, announced that heroin would be banned in Britain. There was alarm in Soho and also among respectable doctors who wanted to save their patients agony. Prohibition is the trigger of crime. Very soon the routine smuggling channels from China, Turkey and Italy were run almost dry by the illicit stockpiling in England. In Mexico City, a pleasant-spoken Import and Export merchant called Blackwell had a sister in England who was a heroin addict. He loved her and was sorry for her and, when she wrote that she would die if someone didn't help, he believed that she wrote the truth and set about investigating the illicit dope traffic in Mexico. In due course, through friends and friends of friends, he got to the Madre de Cacao and on from there to the big Mexican grower. In the process, he came to know about the economics of the trade, and he decided that if he could make a fortune and at the same time help suffering humanity he had found the Secret of Life. Blackwell's business was in fertilisers. He had a warehouse and a small plant and a staff of three for soil testing and plant research. It was easy to persuade the big Mexican that, behind this respectable front, Blackwell's team could busy itself extracting heroin from opium. Carriage to England was swiftly arranged by the Mexican. For the equivalent of a thousand pounds a trip, every month one of the diplomatic couriers of the Ministry of Foreign Affairs carried an extra suitcase to London. The price was reasonable. The contents of the suitcase, after the Mexican had deposited it at the Victoria Station left-luggage office and had mailed the ticket to a man called Schwab, c/o Boox-an-Pix, Ltd, WCI, were worth twenty thousand pounds.

Unfortunately Schwab was a bad man, unconcerned with suffering humanity. He had the idea that if American juvenile delinquents could consume millions of dollars' worth of heroin every year, so could their Teddy boy and girl cousins. In two rooms in Pimlico, his staff watered the heroin with stomach powder and sent it on its way to the dance halls and amusement arcades.

Schwab had already made a fortune when the CID Ghost Squad got on to him. Scotland Yard decided to let him make a little more money while they investigated the source of his supply. They put a close tail on Schwab and in due course were led to Victoria Station and thence to the Mexican courier. At that stage, since a foreign country was concerned, the Secret Service had had to be called in and Bond was ordered to find out where the courier got his supplies and to destroy the channel at source.

Bond did as he was told. He flew to Mexico City and quickly got to the Madre de Cacao. Thence, posing as a buyer for the London traffic, he got back to the big Mexican. The Mexican received him amiably and referred him to Blackwell. Bond had rather taken to Blackwell. He knew nothing about Blackwell's sister, but the man was obviously an amateur and his bitterness about the heroin ban in England rang true. Bond broke into his warehouse one night and left a thermite bomb. He then went and sat in a cafe a mile away and watched the flames leap above the horizon of rooftops and listened to the silver cascade of the fire-brigade bells. The next morning he telephoned Blackwell. He stretched a handkerchief across the mouthpiece and spoke through it.

'Sorry you lost your business last night. I'm afraid your insurance won't cover those stocks of soil you were researching.'

'Who's that? Who's speaking?' 'I'm from England. That stuff of yours has killed quite a lot of young people over there. Damaged a lot of others. Santos won't be coming to England any more with his diplomatic bag. Schwab will be in jail by tonight. That fellow Bond you've been seeing, he won't get out of the net either. The police are after him now.'

Frightened words came back down the line.

'All right, but just don't do it again. Stick to fertilisers.'

Bond hung up.

Blackwell wouldn't have had the wits. It was obviously the big Mexican who had seen through the false trail. Bond had taken the precaution to move his hotel, but that night, as he walked home after a last drink at the Copacabana, a man suddenly stood in his way. The man wore a dirty white linen suit and a chauffeur's white cap that was too big for his head. There were deep blue shadows under Aztec cheekbones. In one corner of the slash of a mouth there was a toothpick and in the other a cigarette. The eyes were bright pin-pricks of marihuana.

'You like woman? Make jigajig?'


'Coloured girl? Fine jungle tail?'


'Mebbe pictures?'

The gesture of the hand slipping into the coat was so well known to Bond, so full of old dangers that when the hand flashed out and the long silver finger went for his throat. Bond was on balance and ready for it.

Almost automatically, Bond went into the 'Parry Defence against Underhand Thrust' out of the book. His right arm cut across, his body swivelling with it. The two forearms met mid-way between the two bodies, banging the Mexican's knife arm off target and opening his guard for a crashing short-arm chin jab with Bond's left. Bond's stiff, locked wrist had not travelled far, perhaps two feet, but the heel of his palm, with fingers spread for rigidity, had come up and under the man's chin with terrific force. The blow almost lifted the man off the sidewalk. Perhaps it had been that blow that had killed the Mexican, broken his neck, but as he staggered back on his way to the ground, Bond had drawn back his right hand and slashed sideways at the taut, offered throat. It was the deadly hand-edge blow to the Adam's apple, delivered with the fingers locked into a blade, that had been the standby of the Commandos. If the Mexican was still alive, he was certainly dead before he hit the ground.

Bond stood for a moment, his chest heaving, and looked at the crumpled pile of cheap clothes flung down in the dust. He glanced up and down the street. There was no one. Some cars passed. Others had perhaps passed during the fight, but it had been in the shadows. Bond knelt down beside the body. There was no pulse. Already the eyes that had been so bright with marihuana were glazing. The house in which the Mexican had lived was empty. The tenant had left.

Bond picked up the body and laid it against a wall in deeper shadow. He brushed his hands down his clothes, felt to see if his tie was straight and went on to his hotel.

At dawn Bond had got up and shaved and driven to the airport where he took the first plane out of Mexico. It happened to be going to Caracas. Bond flew to Caracas and hung about in the transit lounge until there was a plane for Miami, a Transamerica Constellation that would take him on that same evening to New York.

Again the Tannoy buzzed and echoed.' Transamerica regrets to announce a delay on their flight TR 618 to New York due to a mechanical defect. The new departure time will be at eight am. Will all passengers please report to the Transamerica ticket counter where arrangements for their overnight accommodation will be made. Thank you.'

So! That too! Should he transfer to another flight or spend the night in Miami? Bond had forgotten his drink. He picked it up and, tilting his head back, swallowed the bourbon to the last drop. The ice tinkled cheerfully against his teeth. That was it. That was an idea. He would spend the night in Miami and get drunk, stinking drunk so that he would have to be carried to bed by whatever tart he had picked up. He hadn't been drunk for years. It was high time. This extra night, thrown at him out of the blue, was a spare night, a gone night. He would put it to good purpose. It was time he let himself go. He was too tense, too introspective. What the hell was he doing, glooming about this Mexican, this capungo who had been sent to kill him? It had been kill or get killed. Anyway, people were killing other people all the time, all over the world. People were using their motor cars to kill with. They were carrying infectious diseases around, blowing microbes in other people's faces, leaving gas jets turned on in kitchens, pumping out carbon monoxide in closed garages. How many people, for instance, were involved in manufacturing H-bombs, from the miners who mined the uranium to the shareholders who owned the mining shares? Was there any person in the world who wasn't somehow, perhaps only statistically, involved in killing his neighbour?

The last light of the day had gone. Below the indigo sky the flare paths twinkled green and yellow and threw tiny reflections off the oily skin of the tarmac. With a shattering roar a DC 7 hurtled down the main green lane. The windows in the transit lounge rattled softly. People got up to watch. Bond tried to read their expressions. Did they hope the plane would crash -- give them something to watch, something to talk about, something to fill their empty lives? Or did they wish it well? Which way were they willing the sixty passengers? To live or to die?

Bond's lips turned down. Cut it out. Stop being so damned morbid. All this is just reaction from a dirty assignment. You're stale, tired of having to be tough. You want a change. You've seen too much death. You want a slice of life -- easy, soft, high.

Bond was conscious of steps approaching. They stopped at his side. Bond looked up. It was a clean, rich-looking, middle-aged man. His expression was embarrassed, deprecating. 'Pardon me, but surely it's Mr Bond ... Mr -- er -- James Bond?'

Excerpted from Goldfinger by Ian Fleming. Copyright 2002 by Ian Fleming. Excerpted by permission of Penguin a member of Penguin Group (USA) Inc. All rights reserved.