Quirk of Nature: Janacek's 'Cunning Little Vixen'
The Vixen (Isabel Bayrakdarian) sows seeds of discontent among the barnyard animals. New Press Photo Firenze/Maggio Musicale Fiorentino hide caption
The Vixen (Isabel Bayrakdarian) sows seeds of discontent among the barnyard animals.
New Press Photo Firenze/Maggio Musicale FiorentinoThe Hit Single
In Act Two, the Vixen (soprano Isabel Bayrakdarian) encounters a handsome, male Fox (soprano Lauren Curnow) who clearly finds her striking. At first she's cautious, but as their duet ends the two make an intimate retreat into the privacy of her burrow.
Duet: The Vixen Falls in Love
The B Side
Janacek filled his opera with short but evocative orchestral interludes. One of the best takes place in the last act. As the Vixen lies dying, the scene changes back to the human world, which seems to have changed forever with the Vixen gone.
Interlude: The Vixen's Death
In the four centuries or so since the first operas were written, operatic stories have been inspired by an astonishing array of literary sources -- from Nordic legends and Greek classics, to romance novels and historical fiction.
Still, there's one composer who may win the prize for operas based on wide-ranging sources. In 1920, Leos Janacek turned to science fiction for his opera The Excursions of Mr. Broucek, setting one of its scenes on the moon, where the local residents turn out to be fussy, art aficionados. Another of his operas, The Makropulos Case, is a sort time travel story, in which a magic formula lets the main character live for hundreds of years. But when it comes to unorthodox subject matter, Janacek may have outdone even himself with The Cunning Little Vixen, basing it on what was essentially a comic strip.
These days, with Hollywood churning out big budget movies based on comic book characters such as Iron Man, the Silver Surfer and the Incredible Hulk, a comics-based opera about a cute little fox may sound a bit tame. But in its day, Janacek's opera did stick out as something different -- and actually, it still is.
The composer got the idea for his Vixen from a serialized newspaper story, with drawings, detailing the adventures of a clever fox cub. She's captured by the local Forester, grows up on his farm, and then escapes back to the woods to raise a family. It sounds simple but Janáček, who wrote his own text, has much to say about the connections between people and animals, and the cyclical nature of life and death.
So, instead of regal kings and consumptive heroines, this opera stars badgers, dogs, chickens and frogs, with bit parts for a flurry of other curious critters -- and even a handful of humans. Along the way they tell a gently cautionary tale that's charming, frightening, tragic -- and in the end, life-affirming.
On World of Opera, Lisa Simeone presents Janacek's The Cunning Little Vixen in a production from the Maggio Musicale in Florence, led by conductor Seiji Ozawa. The stars include soprano Isabel Bayrakdarian as the Vixen, baritone Quinn Kelsey as the Forester and soprano Lauren Curnow as the Fox.
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