Rosebush Inside Singer/songwriter Sean Hayes found inspiration in the story of Moreese Bickham who served more than 40 years in Angola Prison. By writing a song, Hayes would change Moreese's story...

Rosebush Inside

Rosebush Inside

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Singer/songwriter Sean Hayes found inspiration in the story of Moreese Bickham who served more than 40 years in Angola Prison. By writing a song, Hayes would change Moreese's story...

GLYNN WASHINGTON, HOST:

Now then, SNAP JUDGMENT Stephanie Foo - she spoke to singer-songwriter Sean Hayes. You may know him for his song "Powerful Stuff."

(SOUNDBITE OF SONG, "POWER STUFF")

SEAN HAYES: (Singing) Powerful, powerful, powerful, powerful - powerful, powerful.

WASHINGTON: But Sean's story does not start with his music. It starts with a book that was given to him as a present.

(MUSIC)

HAYES: And inside the book there was a bunch of different stories. And one of the stories was taken from a radio program called Tossing Away The Keys, which was about men who had been serving death-row sentences in Angola Prison.

(MUSIC)

HAYES: A lot of the men are afraid they're going to be forgotten in jail. When they had interviewed several of these men, the one that stuck out was named Moreese Bickham, who had been in Angola Prison, I think, for 40-some years. And 14 of those years was on death row in solitary confinement. Here's the tape from Tossing Away The Keys.

MOREESE BICKHAM: My name is Moreese Bickham. My number's 75251. And I'm 72 years old. I've been in prison ever since 1958. Thirty-one years later and I'm still locked up. My crime is murder.

(MUSIC)

HAYES: In 1958, he had been in a fight with his girlfriend and the police showed up. And he got into an argument with them. And supposedly they were Dragon Klans members. They said they were going to come back and get him later that night to kill him. And he went home. And then later that night, they did show up.

(SOUNDBITE OF KNOCKING AND GUN SHOT)

HAYES: They shot at him, and he got shot. And he shot both of those police officers. He was a black man living in a white neighborhood. And, of course, nobody came forward to witness what they had saw in his neighborhood. So he was put on trial and sentenced to death and spent 14 years in solitary confinement before the death penalty was abolished in Louisiana. So then he served out life without parole. One of the things that he talked about in the story was tending these rosebushes, and how they gave him hope and extra meaning serving his sentence.

BICKHAM: Come over here. I want to introduce you to the beautiful rosebush in the whole yard. This is one here - is my favorite. I named it after my wife Ernestine. It's a beautiful pink rose. In some way or another, I keep it trimmed and uniform. I call it my beauty. I know it sounds funny but these are my company keepers. I enjoy these bushes. See, it it weren't for these bushes, I wouldn't have nothing to do. So these bushes have come to be close, close - very close to me.

(MUSIC)

HAYES: What really stuck out to me was this man who had such dignity in his voice and his outlook. Even though he had spent all of these years in prison and really had no hope of getting out, he still did have hope. And he's just - he didn't have any blame in his voice for his situation. And so it stuck with me. And then I wrote a song called "Rosebush Inside." And in the song, I just wanted to remind myself to be grateful for what I have - just kind of an everyday little mantra to sing to yourself sometimes when you're waiting in traffic and getting angry about silly things.

(SOUNDBITE OF SONG, "ROSEBUSH INSIDE")

HAYES: (Singing) He was wrongly accused 40 years and still survived. Don't you know never a moment no. You think the world owes you. She don't owe you anything.

HAYES: I wanted people to know about his story and that's why beside the title I put Moreese Bickham. But then, one of the letters in his name on the record had gotten misspelled. So then I re-blogged about it after I put the record out just to let people know and point people towards his story.

I never did write him. I thought about it, but, you know, in the back of my head, I was thinking he probably already had passed away. And then wasn't until years after that that I got a most strange email. And I opened it and it said dear Mr. Hayes, I was listening to your song "Rosebush," which was from me when I was in Angola. And it's my great desire to visit your performance at the Rickshaw Stop in January 2009.

BICKHAM: If it was possible, it would be a pleasure for you to make it available for me and my family and friends to come and see you perform and meet you in person. Thank you and God bless you. My name is Moreese Bickham. God bless America, home sweet home, and I'm glad to be in it.

HAYES: Moreese had survived 37 years in prison and always retained his faith that he would get out.

BICKHAM: I had strong hopes of getting out. I locked up on a Saturday morning. Monday night I asked - I said, Lord, I'm in trouble. I want to know if I'm going to get out of here. Funny, I don't know if it was in a dream or vision or what, but my grandmother come back to put me to bed and talk with me just like I'm talking with you.

HAYES: A vision of family members that had passed came and said he would make it through this.

BICKHAM: So grandmama said go do help others all you can. I said, I'm going to start right now. And that's what I did - doing everything I could to help others and I kept my record straight.

HAYES: I think his straight record is actually what saved him. The producer who made the radio piece, David Isay, started a campaign to free Moreese. So a judge commuted his sentence to 37.5 years on good behavior, miraculously.

BICKHAM: My lawyer says to me, Bickham, you stayed in 37 years. What you going to be when you get out? I said just a plain ol' Bickham walking down the street. I got out in January 10, 1996. I never will forget that date. It was the happiest day of my life.

(MUSIC)

BICKHAM: Oh, it was one Wednesday morning. It was kind of amazing. And the warden, when we walked to the front gate, he said to me, Bickham, what you thinking about? I said, I'm thinking about them seven times you all given me a death sentence. At 12:01 - now tonight at 12:01, I'm signing myself out. He shook my hand and said have good luck. I said that's all I can have. And I walked out, kneeled on the ground, picked up some of that dirt, kissed it, put it back there. And here I am today.

(MUSIC)

BICKHAM: My being locked up was a wonderful experience and a blessing to me. And people say what? How could it be a blessing? Well, I let fate call. And if I had been out, (unintelligible). I'd have been dead. You know, God shaped me, put me in a place and took care of me. I'm out now. And anybody driving a little over the speed limit, I know I wouldn't. Being free is being able to make your own decisions. You have bear your own burdens that comes out of your own decisions.

HAYES: Now Maurice is 95 and his dignity and his joy for life to find me and to come out and go to a rock 'n' roll show late at night and show up, he's just living so much more fully than so my people who are 20 even with no anger, even though he's been through something none of us could imagine.

(SOUNDBITE OF SHOW)

HAYES: He showed up to the show in a limousine with his friend. And they were both dressed full on to the nines. Came in - got to meet him and talked to him for a while. He was mystified at where I heard the story. And he had wondered if I'd maybe spent time in prison with him.

(APPLAUSE)

HAYES: I played the song, you know, right away. I wanted to introduce it. It was such a strange story to try to tell an audience full of people. People are understanding this in a much bigger way.

(SOUNDBITE OF SONG, "ROSEBUSH INSIDE")

HAYES: (Singing) There's a man doing time keeping a rosebush alive. He was wrongly accused 40 years and still survived.

BICKHAM: Oh, boy, it was beautiful. Everybody was dancing. Well, he had some songs that I really loved. But the one about the rosebush, he had kind of brought back memories, you know? It made me feel that the thing that I longed for had come to be reality. Like that I'd be sitting under that bush hoping that I'd be out some day - now I'm out and it feels good to know that somebody still remembers me.

(APPLAUSE)

HAYES: And now the responsibility and the understanding of how stories work is more being revealed to me. You can't help but change the story by telling a story - that you actually become part of the story. So it's a strange responsibility to be aware of.

(SOUNDBITE OF SONG, "ROSEBUSH INSIDE")

HAYES: (Singing) Don't you know you got water, sunshine? Not for a moment, no. You got water, sunshine. You think the world owes you. You got water sunshine

She don't owe you a thing. You got water, sunshine.

WASHINGTON: Thank you so much to David Isay, the founder of StoryCorps. He produced Tossing Away The Keys. And we thank him for letting us use his tape on our show. Thanks as well to Sean Hayes. He made all the music in this piece. And finally, thank you, thank you, thank you, thank you, Moreese Bickham, for sharing your story with SNAP.

BICKHAM: SNAP JUDGMENT - it's good sometimes to think a matter over before you make decisions. I don't make no swift decisions no more. I see it like this. If it's too important to rest overnight on, well, I don't have much to do with it, you know?

WASHINGTON: All right, Moreese, we will definitely take that into consideration. You're listening to SNAP JUDGMENT, the Gratitude Special. And when we return, SNAP JUDGMENT'S Anna Sussman searches for something she will never find. It's an amazing story right after the break. Stay tuned.

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