'New Yorker' Artist Shares His Cover Stories Barry Blitt's new book features some of the cartoonist's most memorable and merciless work, including his 2008 drawing of Barack and Michelle Obama fist-bumping in the Oval Office.
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'I'm Just Trying To Make Myself Laugh': 'New Yorker' Artist Shares His Cover Stories

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'I'm Just Trying To Make Myself Laugh': 'New Yorker' Artist Shares His Cover Stories

'I'm Just Trying To Make Myself Laugh': 'New Yorker' Artist Shares His Cover Stories

'I'm Just Trying To Make Myself Laugh': 'New Yorker' Artist Shares His Cover Stories

  • Download
  • <iframe src="https://www.npr.org/player/embed/558777025/559113269" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript

Blitt's 2008 New Yorker cover, "Fistbump: The Politics of Fear," was inspired by the rumors that circulated about the Obamas during that year's presidential campaign. The New Yorker via motherjones.com hide caption

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The New Yorker via motherjones.com

Barry Blitt drew his first New Yorker cover back in 1992. Ever since, he has been skewering politicians of all stripes. In 2008, he drew Barack and Michelle Obama fist-bumping in the Oval Office, and in 2016, he drew Donald Trump in a tiara and a women's bathing suit.

"I have a sketchbook open and I'm just trying to make myself laugh," Blitt says.

His new book, simply titled Blitt, features some of the cartoonist's most memorable and merciless work.


Interview Highlights

On "Fistbump: The Politics of Fear," his 2008 New Yorker cover of the Obamas

We all remember the campaign of 2008. When Obama was running for president, there was a lot of stuff being said about him and Michelle. It was whispered and insinuated ... that he was a terrorist, that Michelle was some kind of Black Panther or something. There [were] rumors of a video of her saying, "Kill whitey."

I mean, I just scribbled in a sketchbook all of it in one picture, and I threw in a burning American flag and a portrait of Osama bin Laden on the wall of the Oval Office. ... I had Michelle dressed as, you know, she had a gun on her back and she was sort of like a, I don't know, a fictional Black Panther. It was a ridiculous picture and I hoped it would be seen as such. I thought it was obviously satire, but not everyone felt that way. I mean, the picture still makes me laugh. I don't regret it.

On the backlash to the Obama cover

One of the main criticisms of it was that people would say, "Oh, I get it, but what are those other people going to think?" which, you know, seems kind of condescending to me. Barack Obama was interviewed about it and was disgusted, and so was John McCain. You know, Rush Limbaugh.

Couple of days in, Jon Stewart on The Daily Show talked about it, about how ridiculous the reaction was. And it seemed to turn to love after that. I think people took a breath and realized this wasn't going to cost anybody the election and it was just a cartoon.

This week’s cover, “The Big Short,” by Barry Blitt. Read between the (palm) lines on newyorker.com. #TNYcovers

A post shared by The New Yorker (@newyorkermag) on

On "The Big Short," his 2016 New Yorker cover showing a palm chart of Trump's hand

Obviously that came from Spy magazine — they started calling him the "short-fingered vulgarian." It seemed like a nice way to not only taunt him, you know, and say he has short fingers, but I used a palm chart so I could write stuff about him onto the palm. So it's got stuff like, on his lifeline, "Gonna live a long time. LONG. Very, very healthy." And line of intellect: "Fantastic. Continues onto back of hand." And, of course, "Beautiful singing voice (you'd be surprised)." So it was sort of funny to write in his voice, so to speak. ... I mean I learned a whole bunch about palmistry by doing this.

On a cartoon of his that didn't make the cut

I tried something with a couple of would-be terrorists on an airplane, and one of them has a can of Diet Coke and the other one has some Mentos, and he's slipping the Mentos to the guy with the Diet Coke. And I guess not everyone gets that reference. ... It didn't run, but it got some laughs. And really, what more can we ask?

Blitt says his cartoon of two would-be terrorists with Mentos and Diet Coke didn't make it into the magazine, "but it got some laughs." Barry Blitt/Courtesy of Riverhead Books hide caption

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Barry Blitt/Courtesy of Riverhead Books

Blitt says his cartoon of two would-be terrorists with Mentos and Diet Coke didn't make it into the magazine, "but it got some laughs."

Barry Blitt/Courtesy of Riverhead Books

Melissa Gray and Jolie Myers produced and edited this interview for broadcast, and Nicole Cohen adapted it for the Web.