The Bad Plus: The Band That Never Stops For a group that has always stood for musical collectivism, the substitution of pianist Orrin Evans for Ethan Iverson was a shakeup of existential proportions.

The Bad Plus: The Band That Never Stops

  • <iframe src="https://www.npr.org/player/embed/610006858/610028780" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

It isn't typically news when a jazz group makes a change in personnel. But The Bad Plus isn't a typical jazz group, and its announcement, this time last year, landed like a bombshell. In short: Ethan Iverson, the band's pianist, would be leaving to pursue his own projects. Orrin Evans, an esteemed peer, would be stepping in. For a group that has always stood for musical collectivism — and never accepted any substitutions — this was a shakeup of existential proportions.

Jazz Night in America kept up with The Bad Plus as it made this momentous transition: at Orrin Evans' home in Philadelphia, where he raced to get up to speed; in a Brooklyn studio, during sessions for its album Never Stop II; and at Jazz at the Bistro in St. Louis, Mo., where Evans made his public debut with the band.

In this show we'll hear music from that explosive set, and reflections from Evans as well as the remaining founders of The Bad Plus, bassist Reid Anderson and drummer Dave King.

All three members of the band, as it now stands, open up about the challenges of preserving a group identity while reinventing the dimensions of the group. "I'm not adjusting to a new Bad Plus; I'm just adjusting," is how King puts it. "This is The Bad Plus now." Join us in making their acquaintance.

[+] read more[-] less

More From Jazz

This episode of Jazz Night in America features tenor saxophonist Charles Lloyd. Dorothy Darr/Courtesy of the artist hide caption

toggle caption Dorothy Darr/Courtesy of the artist

At 80, Saxophonist Charles Lloyd Finds Enlightenment in the Groove

WBGO and Jazz At Lincoln Center

In this episode of Jazz Night in America, we get a taste of Lloyd's collaboration with Lucinda Williams, along with choice moments from his recent appearances at Lincoln Center.

At 80, Saxophonist Charles Lloyd Finds Enlightenment in the Groove

  • <iframe src="https://www.npr.org/player/embed/673799006/674218582" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
Nico van der Stam/Octave Music

Into the Vault: Erroll Garner Uncovered

WBGO and Jazz At Lincoln Center

Take an essential and unprecedented glimpse into the music and life of the groundbreaking pianist-composer.

Into the Vault: Erroll Garner Uncovered

  • <iframe src="https://www.npr.org/player/embed/656189856/656604367" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

Pat Metheny. Courtesy of the artist hide caption

toggle caption Courtesy of the artist

Pat Metheny On Piano Jazz

On this episode, The Pat Metheny Trio, which includes bassist Christian McBride and drummer Antonio Sanchez, performs an exclusive version of "Go Get It" and "Bright Size Life."

Pat Metheny On Piano Jazz

  • <iframe src="https://www.npr.org/player/embed/649963580/649988817" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
Ingrid Hertfelder/Courtesy of the artist

Michel Camilo On Piano Jazz

Hear Grammy-winning pianist, composer and bandleader Michel Camilo demonstrate his whirlwind approach to music, technical brilliance and post-bop Latin rhythms.

Michel Camilo On Piano Jazz

  • <iframe src="https://www.npr.org/player/embed/647914078/647930411" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

Soprano Eileen Farrell Erich Auerbach/Getty Images hide caption

toggle caption Erich Auerbach/Getty Images

Eileen Farrell On Piano Jazz

On this episode of Piano Jazz from 1993, she shares her tremendous vocal range on "How High the Moon" and "In the Wee Small Hours of the Morning."

Eileen Farrell On Piano Jazz

  • <iframe src="https://www.npr.org/player/embed/645639983/645646714" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
Peter Symes/Redferns

Gene Harris On Piano Jazz

On this 1988 Piano Jazz episode, Harris opens with a slow and easy "Black and Blue," then McPartland joins him on "Bag's Groove."

Gene Harris On Piano Jazz

  • <iframe src="https://www.npr.org/player/embed/643301657/643308374" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
Back To Top