Take A Moment And Listen To What Sound Without Human-Made Noise Is Like
AILSA CHANG, HOST:
We're going to do something unusual for a moment. We're going to stop talking. And in those few seconds, I want you to focus on what you hear around you starting now. Maybe you heard the hum of an air conditioner or cars, probably some kind of human-made sound. Humans have altered the environment in profound ways. And one way that's easy to overlook is what we've done to our sound environment. All this week we've been on a road trip, our summer collaboration with the website tracking hidden wonders, Atlas Obscura. Today in our final installment, the site's co-founder Dylan Thuras brings us his search for silence.
DYLAN THURAS, BYLINE: We've traveled an incredible, exhausting, noisy 2,200 miles up the west coast in search of hidden wonders. Today I'm leaving the highway behind and heading into the Hoh Rain Forest in northern Washington, looking for something increasingly rare. My guide is Matt Mikkelsen, but his friends call him Sasquatch.
MATT MIKKELSEN: Everyone, control your breathing if possible.
THURAS: That's Matt. Matt's 24 years old. He's tall, slender with a big bushy beard. It's 4:30 in the morning. We're standing just outside of the Hoh Rain Forest listening to the birds.
MIKKELSEN: When we talk about silence, really we're just talking about the lack of human-created noise. I've been to many naturally silent places that are incredibly loud.
THURAS: Matt's part of an organization called the One Square Inch of Silence. It's dedicated to preserving the natural sounds of the Hoh River valley.
MIKKELSEN: It truly is one of the last great quiet places that we have not only in the United States but on the planet.
THURAS: The project started by trying to protect a single square inch of the park from human-made noise. That's what Matt is trying to protect, just 1 square inch of silence. It's not just an idea. It's an actual place about a 3 1/2-mile hike into the rainforest. It's not affiliated with the national park. There's no signage pointing it out. But today Matt's guiding us there. As we hike into the rain forest, we're immediately enveloped by this fairytale environment. We're standing before this gigantic tree that is just overflowing with moss.
MIKKELSEN: I mean, they call a bigleaf maple because the size - it's like a dinner-plate-sized leaf. It's like you could almost curl up on one and take a nap.
THURAS: But not long after we start our hike, we hear our first combustion engine.
MIKKELSEN: So the first time we've been out here all day that a plane has passed over. It's a single engine, like a - you know, just a little prop plane, someone probably sightseeing, which is fine.
THURAS: It's a small reminder that naturally quiet spaces are rapidly disappearing.
MIKKELSEN: Looking at the continental U.S., I'd say we have under 10 places left that would be considered, you know, really, truly quiet places with a noise-free interval of more than 15 minutes. And 10 is probably an overestimation.
THURAS: That's what counts as a silent place - 15 minutes where you can listen and hear only the sounds of nature. But even the One Square Inch of Silence, chosen for its remoteness from flight paths and roads, is under threat. Navy Growler jets, among the loudest jets in the world, are flying over the park with increasing regularity. There's currently a court case attempting to stop the flights.
MIKKELSEN: Because of the way that sound travels, if we can get jets to avoid flying over Olympic National Park, it's preserving this whole ecosystem by doing that.
THURAS: Matt records the sounds of nature for a living. In fact, he recorded many of the natural sounds in this piece. To get the best sounds, he uses specialized audio gear. Today he's got this foam head-shaped microphone with him.
MIKKELSEN: So this is Fritz. And Fritz is the main microphone that I do most of my recording with and listening with.
THURAS: Fritz is meant to record sound the same way a human being hears it. That means replicating the way sound reflects off of a human head. Fritz has a nose, a mouth, eye sockets, and on the sides of the head are molded skin-density ears, each with a sensitive microphone inside of it.
MIKKELSEN: My dream is to one day get molds of my ears put onto Fritz so that way Fritz has my ears for the rest of his life. I think that'd be a weird cool thing.
THURAS: As we continue hiking, we round a curve, and suddenly the soundscape completely changes. We're looking out over the Hoh River at the Olympic Mountains. They're huge and snowcapped. Matt explains that the glacier is slowly, pebble by pebble, washing the mountains out to sea.
MIKKELSEN: And when you listen underwater to this river, you can hear the stones moving downstream. It's very musical.
(SOUNDBITE OF RIVER GURGLING)
THURAS: The act of listening goes far beyond just Matt's professional calling. It's his philosophy, one with obvious parallels to meditation and Buddhism. At the core of that philosophy is helping people listen to hear what they may not even realize they're losing - a landscape devoid of human noise.
MIKKELSEN: And only another about quarter mile or so to go until we're at One Square Inch of Silence.
THURAS: The entrance to the One Square Inch of Silence is marked by a kind of doorway formed by the arched roots of an enormous tree.
MIKKELSEN: Once we pass through this kind of opening in the roots of this Sitka spruce tree, we're going to not speak to each other. We're going to as quietly as we can walk to the designated spot of One Square Inch. Don't expect anything necessarily. You know, you just kind of got to be there and see what happens.
THURAS: And so we go in. I walk the small, winding paths over the fallen trees and across the little streams. I find the small red pebble that marks the One Square Inch of Silence and sit. After a while, Matt leaves me on my own, and I listen.
(SONDBITE OF BIRDS CHIRPING)
THURAS: After nearly an hour, I walk back out.
MIKKELSEN: His eyes are so wide. I didn't know if you were ever going to come out.
THURAS: I could have stayed in there for a really long time. I could have stayed in there for a long time. It was really amazing. It was actually very moving for me.
I was surprised by my reaction. I'd recently lost a loved one, and I hadn't had much time to contemplate it. But alone in nature, with the only goal to listen, I was overcome.
It's actually so - it's unbelievably refreshing to just listen, to force yourself to listen and to listen to such a beautiful landscape and a beautiful place. It's like a real gift.
MIKKELSEN: You're definitely not the first person who I've brought out here who comes out in tears, myself included. It often ends that way, and not in a bad way.
THURAS: It's an incredible space.
MIKKELSEN: Give me a hug, bud.
In a lot of ways, the One Square Inch of Silence is arbitrary. You can move it somewhere else in the park or maybe even somewhere else in the world if you could actually find a square inch of silence. But it's the idea of saving spaces of natural sound that matters, places where people can seek silence and truly listen.
(SOUNDBITE OF BIRDS CHIRPING)
CHANG: That was Dylan Thuras, co-founder of Atlas Obscura. ALL THINGS CONSIDERED teamed up with him for a road trip up the west coast of the U.S. For more about the places we went this week, visit npr.org.
(SOUNDBITE OF BIRDS CHIRPING)
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