Actors, Married For 35 Years, Enrich Their Lives With Others' Words
Actors, Married For 35 Years, Enrich Their Lives With Others' Words
Plays are often so intense that actors fall in love. It was 35 years ago, Nance Williamson and Kurt Rhoads were cast opposite each other in Shakespeare's As You Like It and their showmance continues.
DAVID GREENE, HOST:
So rehearsals and performances for plays can be so intense that actors and actresses sometimes fall in love. There's even a term for this - the showmance. One couple has kept their showmance going for 35 years. They're members of the Hudson Valley Shakespeare Festival, and they spoke about their life as married actors in a garden outside the Tent Theater in Garrison, N.Y.
KURT RHOADS: My name's Kurt Rhoads.
NANCE WILLIAMSON: And I'm Nance Williamson.
(SOUNDBITE OF THE SHAKESPEARE'S GLOBE THEATRE COMPANY, LONDON'S "ENTR'ACTE: THE GOD OF LOVE (GENTIL MADONNA) (ANON ITALY 16C)")
RHOADS: We met in Dallas, Texas. We got cast as Orlando and Rosalind, "As You Like It." The director told us we didn't have any chemistry, so I remember we went out and...
WILLIAMSON: Climbed trees.
RHOADS: ...Climbed trees and did our lines up in trees.
WILLIAMSON: Six months later, we were married.
RHOADS: Right.
WILLIAMSON: Kind of fell in love using Rosalind and Orlando in the Forest of Arden as our wooing fields.
(SOUNDBITE OF THE SHAKESPEARE'S GLOBE THEATRE COMPANY, LONDON'S "ENTR'ACTE: THE GOD OF LOVE (GENTIL MADONNA) (ANON ITALY 16C)")
WILLIAMSON: It's like no other theater because there is this backdrop of the Hudson River Valley. It's always breathtaking.
RHOADS: Every night has its own unique experience.
WILLIAMSON: Not to mention weather and rain and bugs and all that. There's been little skunks that have come up this year.
RHOADS: Yeah. This year, there's a mother with seven babies.
WILLIAMSON: They never get too close to the tent, but they sort of nibble on the crumbs of the picnickers beforehand. So it's just (laughter).
RHOADS: I've been here 21 years.
WILLIAMSON: And I think this is my 18th.
RHOADS: I think it's 19th now.
WILLIAMSON: Is it 19th?
RHOADS: I think you're two behind.
WILLIAMSON: Oh, gosh.
RHOADS: Antony is probably my favorite role ever.
WILLIAMSON: Is it?
RHOADS: I think there's such great language and a lot of dysfunction and a lot of egos involved, but it's my favorite.
WILLIAMSON: Well, it's such a sexy play. And it's so funny. And it's so familiar, even though it's Antony and Cleopatra. Their banter back and forth is recognizable to all married people (laughter).
(As Cleopatra) Antony, Antony. Let's draw him hither.
RHOADS: (As Antony) I am dying, Egypt, dying. Only I here importune death awhile, until of many thousand kisses the poor last I lay upon thy lips.
WILLIAMSON: (As Cleopatra) Oh, come, come, come. And welcome, welcome. Die when thou has lived, quickened with kissing. Had my lips that power, thus would I wear them out.
RHOADS: (As Antony) I am dying, Egypt, dying.
(SOUNDBITE OF THE SHAKESPEARE'S GLOBE THEATRE COMPANY, LONDON'S "ENTR'ACTE: THE GOD OF LOVE (GENTIL MADONNA) (ANON ITALY 16C)")
WILLIAMSON: I feel so lucky that we have been able to kind of weather not only 35 years together but able to enrich a married life by using other people's lines and other people's words. There's something that kind of fleshes everything out beyond, did you let the cat in, you know, at the end of the day.
RHOADS: Well, 65 plays together, you know, I'm proud of that. That's such a huge number. I think part of the key is to make the work very important and to make the marriage very important, and they don't have to negate each other.
WILLIAMSON: Right.
(SOUNDBITE OF THE SHAKESPEARE'S GLOBE THEATRE COMPANY, LONDON'S "ENTR'ACTE: THE GOD OF LOVE (GENTIL MADONNA) (ANON ITALY 16C)")
GREENE: Kurt Rhoads and Nance Williamson, members of the acting company at the The Hudson Valley Shakespeare Festival. Jeff Lunden produced that postcard.
Copyright © 2018 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.
NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.