'Parker Looks Up': A 2-Year-Old Shares A Moment With Michelle Obama In 2018, a photo of Parker Curry looking at a portrait of Michelle Obama went viral. Within a week, she got to meet the first lady. Parker tells the story in a new book she co-authored with her mom.

In 'Parker Looks Up,' A 2-Year-Old Shares A Moment With Michelle Obama

In 'Parker Looks Up,' A 2-Year-Old Shares A Moment With Michelle Obama

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Parker Curry, 4, takes in Amy Sherald's painting of Michelle Obama in the National Portrait Gallery in Washington, D.C. Parker has co-authored a book with her mom called Parker Looks Up: An Extraordinary Moment. Mhari Shaw/NPR hide caption

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Mhari Shaw/NPR

Parker Curry, 4, takes in Amy Sherald's painting of Michelle Obama in the National Portrait Gallery in Washington, D.C. Parker has co-authored a book with her mom called Parker Looks Up: An Extraordinary Moment.

Mhari Shaw/NPR

In the spring of 2018, 2-year-old Parker Curry visited the National Portrait Gallery in Washington, D.C., with her mom, her sister and her best friend. They saw a lot of artwork that day — but it was Amy Sherald's portrait of first lady Michelle Obama that made Parker stop in her tracks and look up in awe.

Parker Looks Up
By Parker Curry, Jessica Curry, Brittany Jackson

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"The portrait of the first lady Michelle Obama loomed before me," Parker recalls. Now 4, Parker says the painting made her feel inspired. Also, she adds, Michelle Obama is now her friend.

That's because Parker became a viral sensation when a fellow museum-goer took a picture of her standing there, spellbound. Less than a week later, Parker got to meet – and dance — with Obama.

The experience has inspired a picture book — Parker Looks Up — written by Parker and her mom, Jessica Curry Morton, and illustrated by Brittany Jackson.

"It's fun working with my mommy!" Parker says.

"It's fun working with you, too," Curry Morton replies.

In Parker Looks Up, Jackson depicted a number of the Portrait Gallery's famous paintings. She says it was a challenge to translate these artworks into a book for kids.

"Naturally I want to do everything justice and show respect to Amy Sherald ..." Jackson says. "I just drew it in my style which is just a little bit cartoonized or more playful."

An illustration of two girls approaching the Portrait Gallery in Washington, D.C., from the children's book Parker Looks Up.
Brittany Jackson/Simon & Schuster

Jackson depicts Parker's journey through the museum in vivid colors. And there was one other technique she used to add "a little extra character" to the book.

"Whenever Parker is spellbound, or she sees something that is inspiring to her, you see these sparkles, and these little confetti pieces," Jackson says. Attentive readers will notice that the pieces of confetti match the colors from Michelle Obama's dress.

An illustration of two girls looking up at a portrait of Michelle Obama from the children's book Parker Looks Up.
Brittany Jackson/Simon & Schuster

These illustrations "make the story," Curry Morton says. She remembers watching 2-year-old Parker looking up at Sherald's portrait of Obama and says Jackson's images bring "the magic of that moment back to life again."

Jackson is familiar with that stop-in-your-tracks, spellbound feeling.

"I know what it feels like to be young and to see something that inspires you," she says. "That's part of the reason why I got into doing illustrations is because I was awestruck by other artists' work."

"When I look at that picture today I smile and get teary eyed," Curry Morton says. "Because it's a moment that will hopefully inspire children and people for many, many generations."

Jessica Curry Morton holds her daughter Parker outside of the National Portrait Gallery. This was their first time being back to the gallery since the book published in October. Mhari Shaw/NPR hide caption

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Jessica Curry Morton holds her daughter Parker outside of the National Portrait Gallery. This was their first time being back to the gallery since the book published in October.

Mhari Shaw/NPR

Barrie Hardymon edited this interview for broadcast. Beth Novey adapted it for the Web.