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Percival Everett by Virgil Russell

by Percival L. Everett

Paperback, 227 pages, Farrar Straus & Giroux, List Price: $15 |


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NPR Summary

In this story inside a story inside a story, shifting narrators and plot lines explore the relationship between fathers and sons.

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Note: Book excerpts are provided by the publisher and may contain language some find offensive.

Excerpt: Percival Everett by Virgil Russell

Let me tell you about my dream, my father said. Two black men walk into a bar and the rosy-faced white barkeep says we don't serve niggers in here and one of the men points to the other and says but he's the president and the barkeep says that's his problem. So the president walks over and gives the barkeep a box and says these are Chilmark chocolates and the barkeep says thank you and reaches over to shake the president's hand. The president jumps back, says what's that? And the barkeep says it's a hand buzzer, a gag, get used to it, asshole.

And that was your dream? I asked him.

As best I can remember. And I've written something for you. He looked at my face. Not to you, but for you. It's sort of something you would write, if you wrote. Here it is:

And yet I continue to live. That was how my father put it, sitting in his wheelchair, the one he could not move around by himself, his right arm useless in his lap, his left nearly so, held up slightly just under his sternum, his new black Velcro-shut shoes uneven on the metal rests, this side of his face, the side near me, the left side, sagging visibly, his voice somewhere between his throat and the back of his tongue. And yet I continue to live. I had suggested that the salt my mother was sprinkling liberally over his food might not be the best thing for his high blood pressure, even though at his age, in his condition, who could really deny the man the simple pleasure of too much salt, but my mother snapped at me, saying, I've been taking care of him for a long time. My first thought was how true that was in so many good and bad ways. That was when my father spoke, making a joke and a comment and reminding me that in the vessel that looked something like him there was still the man I knew. And yet I continue to live, the right side of his mouth turning up in as much of a smile as his nerve-starved face would allow, and I laughed with him. My mother had not heard what he had said and even if she had, it would have been lost on her, but she reacted to our laughter, and that reaction was what it would have been if she had heard his comment and had understood, it would have made no difference, none at all, as she became angry, insecure, and jealous that we were sharing anything.

My father was depressed, it took no genius to see that, sitting there all day long in that room in what they call an assisted living facility, pressing his button and waiting for the orderly to come hook him up to a lift to take him to the toilet, pressing his button because the nurses were late getting him ready for bed and he was falling asleep in his chair, pressing his button because there was nothing else to do but press the damn button. I was depressed too, seeing him that way, then leaving to live my own life far away, knowing his condition, knowing his sadness, knowing his boredom, and depressed because I could for days on end live my life without feeling the horror of his daily existence. What I didn't know was how he could continue to live, sitting there day after day, seeming so weak, feeling so little through his body and feeling so much through his mind, his hand shaking, a crooked finger in the air when he was trying to tell me something, I could even see it when we were on the phone. How, like this, at seventy-nine could he still be alive? Then during one of my useless visits, visits that I made because I felt I ought to, visits I made because I loved him, though I always seemed to make him sadder, he said, his crooked finger resting peacefully on the back of his right hand, What do you think of this? His voice was clearer that it had been in years, the words finding the full theater of his mouth, his eyes sharp on me. I think it's awful, I told him, because he asked for very little and deserved the truth. You should love your father more, I think he said, the voice again retreating. I asked if he thought I didn't visit enough and he shook his head, a gesture I didn't know how to read and left me wondering if he meant that I did not visit enough or that I did. Do you want me to visit more? I asked and he looked at me with the eyes I had always known and even though now they were milky and red and weak, they became his again and he said, Just one more time.

I flew away from Philadelphia feeling that I understood all too well and tried not to understand anything, tried not see anything. There was an animated in-flight movie that I watched without sound and I was struck by just how realistic the whole thing was, the talking animals and stretched faces seeming to make perfect sense. I missed my daughter and was glad to be flying home, found some light in the thought that she would be peacefully sleeping when I walked into the house and that I would peek into her room and see her face in the glow of her night-light. And I resolved that I would never put her in the position that I was now in, that I would not let my body fail me to the point that I could not control my own time and space and direction. It had all sneaked up on my father and on me as well, thinking, he and my brother and I, that he would turn a corner and be new in some way, but that corner turned out to be a steep hill and gravity turned out to be as inevitable as we all know it is. And as quickly as the thought of my daughter had brought me back to some happiness, my love for her returned me to a rather selfish consideration of my own future, however cloaked in that fake veil of concern for what she would face, and finally back to the matter at hand, the question put to me, the request made by my father. But how?

You don't live in Philadelphia, I told him. Dad, we're both here in California.

It's called fiction, son. This is the story you would be writing if you were a fiction writer.

It's depressing.

You're damn right it's depressing. You're not very bright, are you?

What am I supposed to do with this?

Finish it.

From Percival Everett by Virgil Russell, by Percival Everett. Copyright 2013 by Percival Everett. Excerpted by permission of Graywolf Press.