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The Story Of A New Name

by Elena Ferrante

Paperback, 471 pages, Penguin Group USA, List Price: $18 |


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Elena Ferrante

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Book Summary

Lila is imprisoned by marriage, while Elena continues her journey of self-discovery, until their friendship, which is at the center of their emotional lives, forces them both to mature into women. Translated by Ann Goldstein.

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Awards and Recognition

7 weeks on NPR Paperback Fiction Bestseller List

NPR stories about The Story Of A New Name

Female Friendship Puts 'New' Angle On Italian Classism And Machismo

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Note: Book excerpts are provided by the publisher and may contain language some find offensive.

Excerpt: The Story Of A New Name

We disembarked on the island the second Sunday in July, Stefano and Lila, Rino and Pinuccia, Nunzia and I. The two men, loaded down with bags, were apprehensive, like ancient heroes in an unknown land, uneasy without the armor of their cars, unhappy that they had had to rise early and forgo the neighborhood leisureliness of their day off. The wives, dressed in their Sunday best, were annoyed with them but in different ways: Pinuccia because Rino was too encumbered to pay attention to her, Lila because Stefano pretended to know what he was doing and where he was going, when it was clear that he didn't. As for Nunzia, she had the appearance of someone who feels that she is barely tolerated, and she was careful not to say anything inappropriate that might annoy the young people. The only one who was truly content was me, with a bag over my shoulder that held my few things, excited by the smells of Ischia, the sounds, the colors that, as soon as I got off the boat, corresponded precisely to the memories of that earlier vacation.

We arranged ourselves in two mini cabs, jammed-in bodies, sweat, luggage. The house, rented in a hurry with the help of a salumi supplier of Ischian origin, was on the road that led to a place called Cuotto. It was a simple structure and belonged to a cousin of the supplier, a thin woman, over sixty, unmarried, who greeted us with brusque efficiency. Stefano and Rino dragged the suitcases up a narrow staircase, joking but also cursing because of the effort. The owner led us into shadowy rooms stuffed with sacred images and small, glowing lamps. But when we opened the windows we saw, beyond the road, beyond the vineyards, beyond the palms and pine trees, a long strip of the sea. Or rather: the bedrooms that Pinuccia and Lila took — after some friction of the yours is bigger; no, yours is bigger type — faced the sea, while the room that fell to Nunzia had a sort of porthole, high up, so that we never discovered what was outside it, and mine, which was very small, and barely had space for the bed, looked out on a chicken coop sheltered by a forest of reeds.

There was nothing to eat in the house. On the advice of the owner we went to a trattoria, which was dark and had no other customers. We sat down dubiously, just to get fed, but in the end even Nunzia, who was distrustful of all cooking that was not her own, found that it was good and wanted to take something home so that she could prepare dinner that evening. Stefano didn't make the slightest move to ask for the check, and, after a mute hesitation, Rino resigned himself to paying for everyone. At that point we girls proposed going to see the beach, but the two men resisted, yawned, said they were tired. We insisted, especially Lila. "We ate too much," she said, "it'll do us good to walk, the beach is right here, do you feel like it, Mamma?" Nunzia sided with the men, and we returned to the house.

After a bored stroll through the rooms, both Stefano and Rino, almost in unison, said that they wanted to have a little nap. They laughed, whispered to each other, laughed again, and then nodded at their wives, who followed them unwillingly into the bedrooms. Nunzia and I remained alone for a couple of hours. We inspected the state of the kitchen, and found it dirty, which led Nunzia to start washing everything carefully: plates, glasses, silverware, pots. It was a struggle to get her to let me help. She asked me to keep track of a number of urgent requests for the owner, and when she herself lost count of the things that were needed, she marveled that I was able to remember everything, saying, "That's why you're so clever at school."

Finally the two couples reappeared, first Stefano and Lila, then Rino and Pinuccia. I again proposed going to see the beach, but there was coffee, joking, chatting, and Nunzia who began to cook, and Pinuccia who was clinging to Rino, making him feel her stomach, murmuring, stay, leave tomorrow morning, and so the time flew and yet again we did nothing. In the end the men had to rush, afraid of missing the ferry, and, cursing because they hadn't brought their cars, had to find someone to take them to the Port. They disappeared almost without saying goodbye. Pinuccia burst into tears.

In silence we girls began to unpack the bags, to arrange our things, while Nunzia insisted on making the bathroom shine. Only when we were sure that the men had not missed the ferry and would not return, did we relax, begin to joke. We had ahead of us a long week and only ourselves to worry about. Pinuccia said she was afraid of being alone in her room — there was an image of a grieving Madonna with knives in her heart that sparkled in the lamplight — and went to sleep with Lila. I shut myself in my little room to enjoy my secret: Nino was in Forio, not far away, and maybe even the next day I would meet him on the beach. I felt wild, reckless, but I was glad about it. There was a part of me that was sick of being a sensible person.

It was hot, I opened the window. I listened to the chickens pecking, the rustle of the reeds, then I became aware of the mosquitoes. I closed the window quickly and spent at least an hour going after them and crushing them with one of the books that Professor Galiani had lent me, Complete Plays, by a writer named Samuel Beckett. I didn't want Nino to see me on the beach with red spots on my face and body; I didn't want him to catch me with a book of plays — for one thing, I had never set foot in a theater. I put aside Beckett, stained by the black or bloody silhouettes of the mosquitoes, and began to read a very complicated text on the idea of nationhood. I fell asleep reading.

Copyright 2012 by Edizioni E/O. Translation copyright 2013 by Europa Editions.