Mike Reed: The World That I'm In In 2009, drummer Mike Reed had a close encounter with a racist mob while on tour in Europe. He turned the experience into art with Flesh & Bone.

Mike Reed: The World That I'm In

  • <iframe src="https://www.npr.org/player/embed/582395685/582487087" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

Some experiences stick with you. They cry out for reflection, for the transfigurative potential of an artistic response. That was the case for Mike Reed, the intrepid Chicago drummer and bandleader, after his harrowing encounter with white supremacists in 2009.

Reed was on tour in Eastern Europe with his flagship band, People, Places & Things. While passing through the Czech Republic by train, they were menaced by a gaggle of neo-Nazi skinheads, narrowly escaping harm through the intervention of riot police. Later, mulling over these events, Reed decided to create a suite called Flesh & Bone. After its concert premiere at the Art Institute of Chicago in 2015, it was released as an album last year, and captured by Jazz Night in America at Reed's venue, Constellation, in Chicago.

Jazz Night in America asked Reed to recount that instigating flare of racial tension, which hasn't lost any of its relevance in the years since. "It's not that I want to sensationalize this thing that happened," he says. "I believe the greatest things that we can make [are] derived from our own experiences, or our ability to look at experiences."

[+] read more[-] less

More From Jazz

Bassist Dave Holland and tabla player Zakir Hussain perform as part of Crosscurrents at Jazz at Lincoln Center in New York City. Lawrence Sumulong/Jazz at Lincoln Center hide caption

toggle caption Lawrence Sumulong/Jazz at Lincoln Center

Crosscurrents: Converging Jazz And Indian Classical Music

WBGO and Jazz At Lincoln Center

Explore the influence of Indian music on the jazz and rock scenes of the '60s with tabla virtuoso Zakir Hussain, prolific bassist Dave Holland and their international ensemble, Crosscurrents.

Harold Mabern Alan Nahigian/Courtesy of the artist hide caption

toggle caption Alan Nahigian/Courtesy of the artist

At The Helm: Harold Mabern, Stalwart Accompanist, At 82

WBGO and Jazz At Lincoln Center

Harold Mabern has been one of jazz's most consistent accompanists over the last 60 years. In this episode of Jazz Night in America, we explore some of that history with him.

At The Helm: Harold Mabern, Stalwart Accompanist, At 82

  • <iframe src="https://www.npr.org/player/embed/614517884/614520719" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

Barbara Cook performs at the 2014 New York Festival of Song at Carnegie Hall on April 28, 2014 in New York City. Laura Cavanaugh/Getty Images hide caption

toggle caption Laura Cavanaugh/Getty Images

Barbara Cook On Piano Jazz

This week's Piano Jazz from 1998 remembers lyric soprano Barbara Cook, a Broadway star, staple of the New York cabaret scene and favorite of audiences around the world.

Barbara Cook On Piano Jazz

  • <iframe src="https://www.npr.org/player/embed/614380119/614428595" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

American jazz trumpeter Harry 'Sweets' Edison performs in 1991. David Redfern/Getty Images hide caption

toggle caption David Redfern/Getty Images

Harry 'Sweets' Edison On Piano Jazz

On this episode of Piano Jazz from 1999, broadcast just months before Edison died, the legendary jazz trumpeter joins Marian McPartland for a few classics and an original.

Harry 'Sweets' Edison On Piano Jazz

  • <iframe src="https://www.npr.org/player/embed/612283249/612285662" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
George Kopp/Courtesy of the artist

Virginia Mayhew On Piano Jazz

Saxophonist, composer and bandleader Virginia Mayhew joins forces with Marian McPartland to perform "All the Things You Are" and "Body and Soul" on this 1998 episode of Piano Jazz.

Virginia Mayhew On Piano Jazz

  • <iframe src="https://www.npr.org/player/embed/610083723/610086310" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

Joanne Brackeen and Jason Moran at NPR's Studio One in Washington, D.C. Eric Lee/NPR hide caption

toggle caption Eric Lee/NPR

Jazz Giants Take The Stage At The NEA Jazz Masters Listening Party

WBGO and Jazz At Lincoln Center

Jason Moran sat down with the NEA Jazz Masters to talk about their careers and listen to music that played important roles in their lives.

Jazz Giants Take The Stage At The NEA Jazz Masters Listening Party

  • <iframe src="https://www.npr.org/player/embed/608093895/608239849" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

This 1988 episode of Piano Jazz features Brazilian pianist, composer, and vocalist Eliane Elias. Courtesy of the artist hide caption

toggle caption Courtesy of the artist

Eliane Elias On Piano Jazz

Brazilian pianist, composer, and vocalist Eliane Elias is a renowned artist in her home country and in the American jazz scene. Hear her first Piano Jazz performance from 1988.

Eliane Elias On Piano Jazz

  • <iframe src="https://www.npr.org/player/embed/607421826/607450646" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

Willie Pickens On Piano Jazz

Chicago jazz mainstay Willie Pickens died this past December at age 86. Revisit his performance with McPartland in this 1997 episode of Piano Jazz.

Willie Pickens On Piano Jazz

  • <iframe src="https://www.npr.org/player/embed/604342537/604343909" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

Cleo Brown on the cover of Here Comes Cleo. Courtesy of the artist hide caption

toggle caption Courtesy of the artist

Cleo Brown On Piano Jazz

Cleo Brown makes a rare appearance to perform her greatest hit, "Pinetop's Boogie-Woogie," and to recall the style's heyday in the 1930s.

Cleo Brown On Piano Jazz

  • <iframe src="https://www.npr.org/player/embed/602133644/602133663" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
Back To Top