Scott Tobias Scott Tobias is the film editor of The A.V. Club, the arts and entertainment section of The Onion, where he's worked as a staff writer for over a decade.

Scott Tobias

Scott Tobias is the film editor of The A.V. Club, the arts and entertainment section of The Onion, where he's worked as a staff writer for over a decade. His reviews have also appeared in Time Out New York, City Pages, The Village Voice, The Nashville Scene, and The Hollywood Reporter. Along with other members of the A.V. Club staff, he co-authored the 2002 interview anthology The Tenacity Of the Cockroach and the new book Inventory, a collection of pop-culture lists.

Though Tobias received a formal education at the University Of Georgia and the University Of Miami, his film education was mostly extracurricular. As a child, he would draw pictures on strips of construction paper and run them through the slats on the saloon doors separating the dining room from the kitchen. As an undergraduate, he would rearrange his class schedule in order to spend long afternoons watching classic films on the 7th floor of the UGA library. He cut his teeth writing review for student newspapers (first review: a pan of the Burt Reynolds comedy Cop and a Half) and started freelancing for the A.V. Club in early 1999.

Tobias currently resides in Chicago, where he shares a too-small apartment with his wife, his daughter, two warring cats and the pug who agitates them.

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Story Archive

68 Kill stars Matthew Gray Gubler as Chip, a hapless schmo who gets more than he bargained for after he and his girlfriend plan to steal $68,000. Alfonso Bresciani /IFC Midnight hide caption

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Alfonso Bresciani /IFC Midnight

Sisterhood on parade (L to R): Sasha (Queen Latifah), Ryan (Regina Hall), Lisa (Jada Pinkett Smith) and Dina (Tiffany Haddish) step out in Girls Night. Michele K. Short /Universal Pictures hide caption

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Michele K. Short /Universal Pictures

Surprised by her new group home's unusual rules, Ellen (Lily Collins) has to discover how to confront her addiction and arrive at self-acceptance. Gilles Mingasson/Netflix hide caption

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Gilles Mingasson/Netflix