Ann Powers Ann Powers is NPR Music's critic and correspondent.
Ann Powers
Stories By

Ann Powers

Ann Powers

Critic and Correspondent, NPR Music

Ann Powers is NPR Music's critic and correspondent. She writes for NPR.org and she can be heard on NPR's newsmagazines and music podcasts.

One of the nation's most notable music critics, Powers has been writing for NPR Music since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond the web, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

Story Archive

Monday

Taylor Swift Mert Alas & Marcus Piggott hide caption

toggle caption
Mert Alas & Marcus Piggott

Taylor Swift's new album is The Life Of A Showgirl. Mert Alas and Marcus Piggott hide caption

toggle caption
Mert Alas and Marcus Piggott

Friday

Taylor Swift sounds like she's having fun all over her 12th album, The Life of a Showgirl, even as her lyrics paint a picture of a star chasing the spotlight and trapped by it. Mert Alas & Marcus Piggott hide caption

toggle caption
Mert Alas & Marcus Piggott

On 'The Life of a Showgirl,' Taylor Swift feels love's glow and the spotlight's glare

Transcript
  • Download
  • <iframe src="https://www.npr.org/player/embed/nx-s1-5558007/nx-s1-9477611" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript

Monday

Tuesday

Monday

The never-ending egg hunt is a big part of what non-Swifties find exhausting about her rollouts. It does something else, too: It trains fans to appreciate art in a particular way. Erika Goldring/TAS24/Getty Images for TAS Rights Management hide caption

toggle caption
Erika Goldring/TAS24/Getty Images for TAS Rights Management

Wednesday

Louisville-based musician Ryan Davis played in bands like State Champion for a dozen years before initiating a solo projoect in the 2020s. The latest album by Ryan Davis & the Roadhouse Band, New Threats From The Soul, builds on the loose charms of that earlier work. Justin Murphy hide caption

toggle caption
Justin Murphy

Friday

In the latest version of Superman, Lois Lane (Rachel Brosnahan, at left) and the Man of Steel (David Corenswet) bond, and quarrel, over their status as outsiders. Jessica Miglio/Warner Bros. Entertainment hide caption

toggle caption
Jessica Miglio/Warner Bros. Entertainment

Wednesday

Brian Wilson in 1965. Michael Ochs Archives/Getty Images hide caption

toggle caption
Michael Ochs Archives/Getty Images

WILSON, BRIAN

Transcript
  • Download
  • <iframe src="https://www.npr.org/player/embed/834510037/nx-s1-5490848-1" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript

Sunday

Jarvis Cocker formed Pulp in Sheffield, England, in 1978, when he was a teenager. After two decades, the band took an extended break, but it has returned with its old formula applied to a new phase of life. "I've always loved pop songs and I like the way [they make] you feel," Cocker says. "But I always wanted to try and put something that is slightly inappropriate in the lyrics." Tom Jackson hide caption

toggle caption
Tom Jackson

Thursday

Thursday

Taylor Swift fans in Melbourne, Australia take photos of tickets to a concert during the singer's record-breaking Eras Tour in 2024. Asanka Ratnayake/Getty Images hide caption

toggle caption
Asanka Ratnayake/Getty Images

Tuesday

Deftones performing at SXSW in 2016 Adam Kissick for NPR hide caption

toggle caption
Adam Kissick for NPR

Saying 'goodbye' to SXSW Music

  • Download
  • <iframe src="https://www.npr.org/player/embed/1240671742/1268364786" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

Monday

Saturday

The coronavirus pandemic reordered almost everything about the music industry, from touring to streaming, interrupting careers and stealing lives. Illustration by Jackie Lay. Photos by Frazer Harrison / Stephen Shugerman / Matt Winkelmeyer / Clive Brunskill / Pascal Le Segretain/Getty Images hide caption

toggle caption
Illustration by Jackie Lay. Photos by Frazer Harrison / Stephen Shugerman / Matt Winkelmeyer / Clive Brunskill / Pascal Le Segretain/Getty Images

Thursday

Wednesday

Lady Gaga's new album Mayhem is out now. Frank Lebon hide caption

toggle caption
Frank Lebon

Monday

Early in her career, Lady Gaga's antagonistic, transgressive pop sometimes took on political overtones. Early songs from her latest album, Mayhem, seem to capture some of that era's intensity. Frank LeBon hide caption

toggle caption
Frank LeBon

Tuesday

Paul McCartney plays at the Bowery Ballroom, a small club in New York City. Last week, he surprised audiences by playing three shows at the club, which usually plays host to up-and-coming indie rock bands. Photographer: MJ Kim/© MPL Communications Ltd hide caption

toggle caption
Photographer: MJ Kim/© MPL Communications Ltd

Monday

Benson Boone does a flip off the piano while performing his hit "Beautiful Things" at the Grammy Awards in Los Angeles on Feb. 2, 2025. Boone was one of several rising artists who made their Grammy debuts this year with far more adeptness than most rookies. Kevin Winter/Getty Images hide caption

toggle caption
Kevin Winter/Getty Images

Gen Z conquers the Grammys

Transcript
  • Download
  • <iframe src="https://www.npr.org/player/embed/nx-s1-5285269/nx-s1-5349391-1" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
  • Transcript

Friday

Tuesday

Japanese Breakfast (Michelle Zauner) is back with the song, "Orlando in Love," from the upcoming For Melancholy Brunettes (& sad women). Pak Bae/Courtesy of the artist hide caption

toggle caption
Pak Bae/Courtesy of the artist

The Contenders, Vol. 2: The songs we can't stop playing this week

  • Download
  • <iframe src="https://www.npr.org/player/embed/1224682725/1264721855" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

Friday

In a year filled with great albums by singer-songwriters, Haley Heynderickx's Seed of a Seed stood out for its dense arrangements as well as its depiction of the struggle to look up from our screens at the world around us. Evan Benally Atwood/Courtesy of the artist hide caption

toggle caption
Evan Benally Atwood/Courtesy of the artist

Friday