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The New Yorker Radio Hour The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.
The New Yorker Radio Hour

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The New Yorker Radio Hour

The New Yorker Radio Hour

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The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.

Most Recent Episodes

Rose McGowan on Harvey Weinstein's Guilty Verdict, and Neuroscience on the Campaign Trail

After a Manhattan jury found Harvey Weinstein guilty of two of the sex crimes he was charged with, Ronan Farrow sat down with the actress Rose McGowan, one of the women to speak out against the movie producer, whom she has said raped her in 1997, at a film festival. McGowan tweeted about the assault in 2016, not naming Weinstein but leaving no doubt as to whom she was accusing. "Could you have imagined at that point," Farrow asks her, that "we'd be sitting here talking about Harvey Weinstein getting convicted?" McGowan takes a long pause. "No. But I did think there could be a massive cultural shift. That I knew." McGowan later went on the record for Farrow's reporting on the Weinstein case, which received a Pulitzer Prize and helped to launch the #MeToo movement. "It's been an odyssey for both of us," she said. Plus, using E.E.G. sensors and heart-rate monitors, a company investigates how political candidates engage our attention and emotions.

Rose McGowan on Harvey Weinstein's Guilty Verdict, and Neuroscience on the Campaign Trail

Listen · 29:31

Rolling the Dice with Russia, and a Conversation with Pam Grier

The complexity of world events can't be modelled by a flow chart or even the most sophisticated algorithms. Instead, military officers, diplomats, and policy analysts sometimes turn to an old but sophisticated set of tools: war games. Simon Parkin observed officials playing one in order to predict and contain a potential geopolitical conflict. And Michael Schulman speaks with Pam Grier, the pioneering star of blaxploitation films like "Coffy" and "Foxy Brown," about her singular career in Hollywood.

Stephen Miller, the Architect of Trump's Immigration Plan

Donald Trump began his Presidential bid, in 2015, with an infamous speech, at Trump Tower, in which he said of Mexican immigrants, "They're bringing drugs. They're bringing crime. They're rapists." But it was not until a former aide to Jeff Sessions joined Trump's campaign that the nativist rhetoric coalesced into a policy platform—including the separation of children from their families at the border. Jonathan Blitzer, who writes about immigration for The New Yorker, has been reporting on Stephen Miller's sway in the Trump Administration and his remarkable success in advancing an extremist agenda. "There has never been an American President who built his campaign around the issue of immigration and later won on that campaign on immigration. Trump was the first and only President really ever to do it," Blitzer tells David Remnick. Despite this influence, Miller remains largely behind the scenes. Blitzer explains why: "He knows that the kiss of death in this Administration is to be identified as the brains behind the man. He can't let on that he's the one who effectively is manipulating Trump on these issues."

Bernie Sanders Ascends, and a High School Simulates the Election

Bernie Sanders's win in New Hampshire has established him as the Democratic Presidential front-runner. Centrist Democrats regard him not as a challenge but more like an existential threat: they assume that only a moderate—and certainly not a democratic socialist—can sway critical swing voters and win in November. Are they right? David Remnick speaks with Keith Ellison, the Minnesota Attorney General who served as co-chair of the Democratic National Committee after that organization infamously tried to spike Sanders's candidacy in 2016. Ellison says that the clarity of Sanders's mission and his appeal to economic problems can win over struggling voters in both parties. Then Nathaniel Rakich, a pollster for FiveThirtyEight, presents what the data indicates about Sanders's chances. Plus, a civics project goes off the rails when high-school students run a simulation of the 2020 primaries.

Gish Jen's "The Resisters"

In the near future, the Internet is sentient and her name is Aunt Nettie. Gish Jen's novel "The Resisters" imagines a dystopian world with two classes: the "netted" (people who work) and the "surplus" (people who merely consume). The book follows Gwen, a terrific baseball pitcher from a surplus family that's politically active. When her pitching attracts the attention of Aunt Nettie, she must choose between realizing her talents or staying with her family and being a resister. Baseball, for Jen, epitomizes the magic of chance and natural talent. "I wanted to write about our times," she tells Katy Waldman. "But, to write in a realistic mode about our times and everything that's happening, we would have nothing but shock and anger." "The Resisters" was published on February 4th.

Louis C.K.'s Return to the Stage

Louis C.K. is touring comedy clubs for the first time since accusations of sexual misconduct seemed to end his career, in 2017. Several women charged that C.K. had exposed himself and masturbated in front of them. (Louis says that he believed he had their consent.) The New Yorker staff writer Hilton Als saw C.K.'s show at Yuk Yuk's comedy club, in Niagara Falls, hoping to see him address the issues through his comedy. "I really wanted him to describe himself," Als tells David Remnick. "To be Louis that I loved, the person who would have described what those situations were like . . . what his compulsion was, where did it start? Why was it important for him to masturbate and not be alone? Was it a performance? Did he want [the women] to like him?" Instead, with an audience of bros in a small club, Louis dismissed what he called "the thing" as quickly as possible. Plus, a small group of one-per-centers argues that the wealth gap has grown too large, and that it will hurt economic growth. The solution? They want to raise their own taxes.

The Black Vote in 2020

The last time a Democrat won the White House, he had enormous support from black voters; lower support from black voters was one of many reasons Hillary Clinton lost in 2016. Marcus Ferrell, a political organizer from Atlanta, tells Radio Hour about the importance of turning out "unlikely voters" in order to win an election, which, for him, means black men. Jelani Cobb, a New Yorker staff writer and historian, points out that the four Democratic front-runners, all of whom are white, may struggle to get the turnout they need. Cobb tells David Remnick that Joe Biden's strong lead may begin to fall after his weak showing among largely white voters in Iowa; Pete Buttigieg has very low support among South Carolina voters, and even faces opposition from black constituents in his home town, South Bend. But Bernie Sanders, Cobb says, seems to have made inroads with at least younger black voters since 2016. Plus, a New Yorker staffer picks three favorites.

N. K. Jemisin on H. P. Lovecraft

N. K. Jemisin is one of the most celebrated authors in science fiction's history; the novels of her "Broken Earth" trilogy won the Hugo Award for three consecutive years, a unique achievement. Yet her work has also engendered an ugly backlash from a faction of readers who feel that the recognition of women and authors of color within the industry has been undeserving. Racism in science fiction and fantasy goes back to the origins of the genre, Jemisin explains to Raffi Khatchadourian. Her new novel, "The City We Became," explicitly addresses the legacy of H. P. Lovecraft, an early and influential writer who helped to invent the genre. Lovecraft was also a virulent, impassioned racist, even by the standards of the early twentieth century. It's not possible, Jemisin says, to separate Lovecraft's ideology from his greatness as a fantasy writer: his view of non-white peoples as monstrous informed the way he wrote about monsters. Rather than try to ignore or cancel Lovecraft, Jemisin says, she felt compelled to engage with him.

A Tumultuous Week in Impeachment, and Jill Lepore on Democracy in Peril

The Washington correspondent Susan Glasser has been covering the scene in the Capitol as Republicans rush to contain the damage of the John Bolton manuscript leak. Senator Chris Coons, Democrat of Delaware, told Glasser that "if a Republican makes the argument that removing the President this close to an election isn't the right response, [that] we should trust the American electorate to make the decision, then you have to support [calling for] more witness and more documents" in order for the electorate to make an informed decision. Glasser also spoke with Zoe Lofgren who is one of the House impeachment managers prosecuting the case against the President. Lofgren is an expert on the subject: she was on the House Judiciary Committee in 1998 during the Clinton impeachment, and, in 1974, as a law student, she helped to draft charges against Richard Nixon. Nixon, she points out, was far more forthcoming than Trump with Congress, directing his staff to appear for questions without a subpoena. If the Senate votes to acquit, endorsing a campaign of stonewalling by the executive branch, Lofgren says, "It will forever change the relationship between the branches of government." Plus, the historian and staff writer Jill Lepore talks with David Remnick about how Americans rallied to save democracy in the nineteen-thirties, and how we might apply those lessons to a time when our own democracy has weakened.

An Alternative Oscars Ceremony, and Ezra Klein on Why We're Polarized

It's time for the most anticipated of all awards shows: the Brodys, in which The New Yorker's Richard Brody shares the best films of the year, according to Richard Brody. And the political commentator Ezra Klein explains why he thinks politics have gotten as polarized as they are: we care too much about party identity and not enough about policy.

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