Juana Molina won an audience far beyond the borders of her native Argentina by crossing the streams of singer/songwriter reflection, pop tunefulness, and electronic burble and drone. In this episode, she muses on her childhood impressions of music, enduring the artistic scrutiny of her parents, and having her mind blown by Raymond Scott.
Guy Picciotto was a founding member of numerous DC bands of the 80's that made an impact on the direction of American rock music, but none more so than Fugazi, the band led by him and fellow DC punk legend Ian MacKaye. After the band went on hiatus in 2003, Picciotto took a very different path, playing extensively with singer-songwriter Vic Chesnutt until Chesnutt's death in 2009. In this episode, Picciotto talks about the three songs that changed him: a Baroque pop tune from an iconic British group, a brutal proto-punk single, and an extremely under-the-radar song from an unclassifiable Irish band.
Experimental composer Sarah Davachi has constructed her own soundworld out of sustained tones and drones, using instruments both electronic and medieval. In this episode, she discusses music by Todd Rundgren, Soft Machine, and Ennio Morricone.
Baltimore duo Wume draws on the motorik pulse and cosmic synths of vintage Krautrock, but update them with mesmerizing patterns of complex rhythm and a wide-eyed sense of exploration. In this episode, Al Schatz and April Camlin discuss three tunes that pointed the way to their sound.
Steve Reich long ago transcended the "minimalist" tag to stand as one of America's greatest and most influential living composers. In this episode, he details the effects that the music of Stravinsky, Perotin, and John Coltrane had on some of his seminal pieces.
For 25 years, Mimi Parkerâ€™s minimalist drumming and angelic voice have helped provide the spine, and the soul, of Low, the brooding trio from Duluth, Minn. Just before the release of their mold-breaking new album, Double Negative, Parker discussed her tough upbringing, discovering music beyond classic rock, and the indie band that launched a thousand other indie bands.
Though he emerged from Washington, D.C.â€™s post punk scene with the band Smart Went Crazy, Chad Clark has expanded his musical palette with Beauty Pill, an omnivorous band that makes the most of his vivid melodies and wry lyrics.In this episode, he discusses Paul Simon, a jazz tragedy, and "The Story of O.J."
Emily Flake went from running her Lulu Eightball comic in altweeklies to drawing cartoons for The New Yorker and publishing books about her experiences with quitting smoking and raising her daughter. In this episode, she talks about the youthful impact of the Descendents, Jawbreaker, and the Replacements.
Irmin Schmidt and his cohorts in the group Can not only formed one of the central pillars of so-called krautrock, they created a body of work that influenced generations of rock, electronic, and experimental musicians.In this episode, he discusses the three epochal classics that shaped his music.
Baltimore quartet Horse Lords have become an underground sensation on the back of their trance-inducing polyrhythmic rock attack. In this episode, guitarist Owen Gardner traces his sound back to Africa, to an almost forgotten folk tradition, and to hunting down the avant-garde while growing up in Iowa.