10 More Tiny Desk Contest Entries We Loved

Their community has experienced its share of hurt in recent months, but the members of Chicago's So Chi Voices work to stitch up those wounds by channeling the pain into the original gospel anthem "See Another Day." Rashida Olayiwola's verses project defiant resilience ("When you rain on us, our trees grow roots / And then our 'hoods grow strong, and then our seeds bear fruit."), while Rashawn Nadine Scott leads the collective in the joyous chorus that brings the song home. On top of it all, this is a group that gives back: So Chi Voices has promised to donate half of the proceeds from this single to local youth charities. —RH

In a house in Minnesota, Gwen Austin sang her heart out. Accompanied by the oceanic strums of guitarist Russell Marshall, Austin sang the song "Child" from her feminist folk opera about the nativity story. She lays her voice gently on the song, drawing the notes out long and heavy in the chorus.

Judge Son Little was especially captivated. "I chuckled at the start of the backlit, lo-fi video that she used for the Tiny Desk Contest, only to be instantly taken captive as soon as she began to sing — at first gently, like a female Roy Orbison, rising to an insistent, bone-chilling whine, and then even softer than at the start," he wrote. "'Child' is one of the most sadly beautiful sounds I've heard in a long time." —BNH

"Sancocho" is named after a hearty stew popular in several Latin American countries, but La Misa Negra's performance doesn't leave much room even to catch your breath, let alone chew. The eight members of the cumbia-loving band from Oakland, Calif., light a fire under the metaphorical soup kettle with this thrillingly frenetic, percussion-heavy concoction. (It was no surprise that our colleagues at Alt.Latino loved La Misa Negra, too! Check out more of the Latin bands of the Tiny Desk Contest in their podcast.) —RH

What possessed Tutlie to jam a full harp under a staircase, we will never know. It befits the group to pack big instruments in small spaces, though — the song builds its billowing sound out of layers of airtight arrangement. This Pennsylvania group's bewitching song, "The Bison," featured some of the most ethereal instrumentation we heard, complimented well by the band's immaculate and dense harmonies. —BNH

Double-bassist and singer-songwriter Scott Mulvahill stunned us with "Begin Againers," a song that muses on and celebrates all the possibilities afforded by starting over with a clean slate. It's a theme that the Nashville musician's spare phrasing and impeccable bass tone — inviting as a fresh notebook page — illustrate beautifully. —RH

It was early on in the contest when we saw Andrea von Kampen, and we were completely blown away. Her guitar has an appealing, organic tone, but her voice is overpowering and dynamic. She modulates from wistful heartbreak to forceful reproach. "Let Me Down Easy" is a well-constructed break-up song and Nebraska's von Kampen ably conveys the ins-and-outs and ups-and-downs of emotional vulnerability. —BNH

The name of the song is "Movers and Shakers." The name of the band is Hazard To Ya Booty. If those two hints aren't enough to get you to leap from your seat and boogie down, this groove should seal the deal. It's clear that the seven-piece St. Louis band, which also serves as the house band for local late-night comedy show STL Up Late, doesn't take itself too seriously. But lead singer Ryan Stewart and bassist Pat Alexander's mock-talk-show opening and goofy dance moves belie an old-school soul beat that's definitely no joke. Hear Stewart and Alexander talk about making the video for St. Louis Public Radio. —RH

Rossonian's entry, "Love In A Wasteland," was unique from basically every angle. Everything about lead singer Seth Evans' pants is superlative. The band's cosmic R&B is delightfully strange. And it even managed to play behind an exceptionally tiny desk. Yet perhaps the most singular element of this entry happens off-screen and takes less than a second. They recorded at Blue Silo in Colorado near the train tracks, and you can hear a train rush past at 1:04. It's the only thing that grounds this extraterrestrial band firmly in our earthly realm. —BNH

Recorded at the Sunflower Theatre in Cortez, Colo., "Roadrunner" is a collaboration between Albuquerque rapper Def-i (given name: Christopher Bidtah) and a jazz trio led by trumpeter Delbert Anderson. Def-i and Anderson's trio each count indigenous music of the American Southwest among their influences, but that's not the only reason this project melds together so well; "Roadrunner" makes it evident that these artists also share a forward-thinking restlessness and a refusal to be parceled into neat boxes. —RH

Cactus Tractor's purple desk proves to be a magician's hat of sorts. Out of its depths emerge guitarists, back-up singers, a fisherman and members of the Albuquerque Aerialist Collective who round out this spectacle — all filmed at The Kosmos at Factory on 5th Art Space in New Mexico. "Jelly Donut" is the best sort of nonsense song — one that knows how to be catchy, evocative and fun all at the same time. It's a testament to the song that this beautifully-shot video doesn't distract from the music in the least. —BNH