Ideas & Issues : Deceptive CadenceThere is no shortage of triumph and turmoil in the classical music world these days, from financially strapped orchestras to fresh innovations. Track the trends that shape the current classical climate, and join discussions on a variety of musical viewpoints.
Alan Gilbert (center) with the New York Philharmonic at Carnegie Hall. He has left that orchestra and announced his new position as chief conductor of the NDR Elbphiharmonie, in Hamburg, Germany.
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From left to right: Aria Mason (Rosalia), Ebonee Davis (Piquita) and Kenya Lawrence Jackson (La Flamenca) star in OperaCréole's production of La Flamenca.
Cedric A. Ellsworth/Courtesy of OperaCréole
Aubrey Allicock (right) portrays boxing champ Emile Griffith in his prime, along with Andrew McLaughlin, in Terence Blanchard's Champion, at Washington National Opera.
Scott Suchman/Washington National Opera
Don Giovanni (Gerald Finley, left) is pulled down to hell by the ghost of the Commendatore (Alastair Mills) in a Glyndebourne production of Mozart's Don Giovanni.
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Pulitzer Prize-winning composer and celebrated critic Virgil Thomson, photographed in 1972. The Library of America has brought out a second volume of his writings on music.
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