This salsa-fied Beethoven video has been making the rounds lately -- a very spicy arrangement of the opening movement of the Fifth Symphony.
But Sverre Indris Joner and company certainly aren't the first to put an uncommon twist (an infectious mix of mambo and son rhythms) on Beethoven's famous symphony, or the classical canon in general for that matter.
Back in 1837, Franz Liszt got a hold of the 5th symphony and scaled it down for solo piano. Fast forward about 100 years and you've got a swinging jazz version of the symphony by singer Dolly Dawn and her Dawn Patrol orchestra. And who could forget Beethoven in a lime green leisure suite -- Walter Murphy's disco edition, called "A Fifth of Beethoven," was a number one single in 1976.
And Beethoven is just the beginning. From "Bach on Wood" (a marimba, that is) and Vivaldi on the Japanese Koto, to Schubert on a wood-cutting saw and Wagner on power tools, dozens of classical composers have been subjected to strange arrangements.
Below are a couple more interesting transformations. Have your own favorite wacky take on classical music? Tell us all about it in the comments section.
Beethoven: 'Moonlight Sonata'
- Song: Sonata in C-Sharp Minor ("Moonlight"), Op. 27, No. 2
- from The Art of the Toy Piano
- by Margaret Leng Tan
This is a case of Beethoven defanged. The experimental pianist Margaret Leng Tan takes the "Moonlight Sonata" down a notch by performing it on a toy piano. Yet some of the mystery still remains, as if Beethoven's sonata were coming from a ramshackle music box on it last legs.
Debussy: 'Golliwog's Cakewalk'
- Song: Golliwog's Ca
- from Tomita's Greatest Hits CD
- by Tomita
This is just off-the-charts goofy. I know, the music is part of Debussy's "Children's Corner Suite," and we should give Tomita a pass, but all the sonic curlicues and frog-like blips are enough to curdle your chocolate milk.
- Song: My Reverie
- from I Can't Help It
- by Betty Carter
In this recording (now sadly out of print), Claude Debussy's "Reverie," a solo piano piece from 1890, gets a sweeping, almost unrecognizable retooling by the great jazz singer. I especially love the syncopated rhythms, and Betty's deep, rich lower register.