"Let it go/Let it go..." In Arctic, Mads Mikkelsen gets stranded without a map; but it's the cold that really bothers him, anyway. Stefano Baroni/Bleeker Street Media hide caption
Movie Reviews
Gina Rodriguez is Gloria, a young woman drawn against her will into crime and violence by a skeezy drug kingpin, in Miss Bala. Columbia hide caption
Rhodora (Rene Russo) and Morf (Jake Gyllenhaal) gaze into the abyss in Dan Gilroy's Velvet Buzzsaw. Claudette Barius/Netflix hide caption
Invisibles Greenwich Entertainment hide caption
Godard's imagery is distorted, his meaning malleable, but he seems to be implicating, among other things, how Western culture depicts the East, in The Image Book. Kino Lorber hide caption
From left: Terry (Jim Broadbent), Billy (Ray Winstone) and Basil (Charlie Cox) display vaulting ambition in King of Thieves. Saban Films hide caption
Matthew McConaughey, looking none too serene, plays Baker Dill — no, seriously — in Serenity. Graham Bartholomew /Aviron Pictures hide caption
Louis Ashbourne Serkis plays a spirited 12-year-old sucked into a fantastical quest in The Kid Who Would Be King. Kerry Brown/20th Century Fox hide caption
'Kid Who Would Be King' Is A Delightful Riff On The Legend Of King Arthur
'Ask Dr. Ruth,' And 'Late Night' Expected To Be Sundance Favorites
Movie Review: Can M. Night Shyamalan's 'Glass' Make Its Trilogy Connection Clear?
M. Night Shyamalan's Superhero Thriller 'Glass' Overflows With Preposterousness
Howie (Brendan Meyer) and Odessa (Jemima Kirke) contemplate mass transit in the treacly All These Small Moments. Adam Bricker/Orion Classics hide caption
Festival attendees wound up dragging their luggage to tents — and that's only one of the indignities documented in the Netflix film Fyre. Netflix hide caption
Chela (Ana Brun) undergoes a major life change in The Heiresses. LUXBOX Films hide caption
Who Will Write Our History employs reenactors to tell its stories, including that of (l to r) Ora Lewin (Roberta Grossman), Abraham Lewin (Wojciech Zielinski) and Marta Lewin (Julia Lewenfisz-Gorka). Anna Wloch/Abramorama hide caption