Music Reviews
"My War Blues" finds guitarist Cian Nugent drawing on Black Flag as a new source for American standards. Cait Fahey hide caption
'My War Blues' by Cian Nugent
Though marked by whistling, buoyant keys and an unconventional beat, Fenster's "Oh Canyon" has a sinister quality. Maxime Ballesteros hide caption
With his growling vocals, Howlin' Wolf fought his way to the top of the cutthroat Chicago blues scene. Frank Driggs Collection hide caption
In "Zero Dark Thirty," rapper Aesop Rock returns from a long hiatus, still armed with propulsion and pessimism. Chrissy Piper hide caption
'Zero Dark Thirty' by Aesop Rock
Eccentric Soul: A Red Black Green Production (the cover detail of the album is above) revisits the influence of producer Robert Williams on the 1970s soul scene in Washington, D.C. Courtesy of the artist hide caption
Conceived in Santa Fe and Scandinavia, Glacier Face's "Fahrenheit" is a gorgeous wanderer's ode to the world's connectedness. Courtesy of the artist hide caption
'Fahrenheit' by Glacier Face
Einojuhani Rautavaara, the elder statetsman of Finnish composers, has written a dynamic percussion concerto for Colin Currie. Sakari Viika/Ondine Records hide caption
Kenny Garrett's "Welcome Earth Song" conjures the spirit of Pharoah Sanders — and a soul-stirring church service. Courtesy of the artist hide caption
Welcome Earth Song
Ryan Shaw covers 1967's "You Don't Know Nothing About Love" with tenderness and pyrotechnics. Carol Friedman hide caption
Real Love
Recalling '80s British heavy metal, Christian Mistress' "Haunted Hunted" is set apart by Christine Davis' smoky vocals. Courtesy of the artist hide caption
Haunted Hunted
Former Grateful Dead drummer Mickey Hart incorporates sampled sounds of the cosmos in "Who Stole the Show?" John Werner hide caption
Who Stole the Show?
Jenny Scheinman's (left) quartet represents players raised on and used to playing all kinds of music. Michael Gross hide caption