Serengeti National Park, Tanzania, Day to Night, 2015. Courtesy of Stephen Wilkes/National Geographic hide caption
Photography
Friday
Thursday
A man passes a baby through the fence at the Serbia/Hungary border in Röszke, Hungary, 28 August 2015. Warren Richardson via World Press Photo hide caption
Wednesday
A Japanese woman in the door of her living quarters in San Bruno, Calif. Dorothea Lange/Courtesy of the Bancroft Library, University of California, Berkeley hide caption
Monday
Rice University's FlatCam is thinner than a dime. Jeff Fitlow/Rice University hide caption
Wednesday
Guillermo & Joaquin, 2013. Catherine Opie/Courtesy of Regen Projects, Los Angeles hide caption
'I Do Like To Stare': Catherine Opie On Her Portraits Of Modern America
Wednesday
Finding spaces to shoot is often challenging for The Tenth in ways that it isn't for more mainstream publication. Rakeem Cunningham hide caption
Wednesday
Three photographs in Leila Alaoui's project titled "The Moroccans." Leila Alaoui/Courtesy of Art Factum Gallery hide caption
Saturday
Holi, a festival that welcomes spring, is celebrated with public spraying of colorful powders. Rajasthan, India, 1996. Steve McCurry/Courtesy of Phaidon hide caption
Wednesday
A daguerreotype of Jack-Be-Little Squash, an heirloom variety from plant conservationist Amy Goldman's farm in New York's Hudson Valley. Jerry Spagnoli hide caption
"Mischief Makers," 1915 Harry Whittier Frees/Library of Congress hide caption
Sunday
Mame, 2014 by Omar Victor Diop. Omar Victor Diop/Courtesy Magnin-A Gallery, Paris hide caption
Monday
The two control cabs at the Stockholm Arlanda Airport symbolize two ravens from Nordic mythology that were tasked with watching over the earth. Carolyn Russo/National Air and Space Museum, Smithsonian Institution hide caption
Prepare For Takeoff: Smithsonian Celebrates The Art Of The Airport Tower
Sunday
Pindar Van Arman in his studio with paintings created by his bitPaintr portrait-painting robot. Craig Hudson hide caption
Saturday
The photographer brings a surreal touch to the epidemic that struck West Africa in photos titled "Le Temps Ebola." The suits worn by the people portraying health professionals evoke carnival masks and animal masks. The question the photographer ponders: "Are these figures here to protect the people or to harm them?," reflecting mistrust of medical workers in the early stages of the outbreak. Courtesy of Bakary Emmanuel Daou hide caption