The songs Waxahatchee brought to the NPR Music offices aren't just stripped down for this Tiny Desk Concert. This is Katie Crutchfield as Waxahatchee, spare and exposed; this is what she does. This is intimate music, perfectly suited for an intimate setting.
The soul singer retains the easygoing grace of a performer fit for any stage — even a tiny one. Here, Legend performs two songs from his album Love in the Future, as well as "Move," one of his contributions to the 12 Years a Slave soundtrack.
The creator of the Hindustani slide guitar draws on a good deal of North Indian classical music, but you can also hear the blues pouring out of his stunning work. Here, Bhattacharya performs with his brother and daughter.
The orchestral folk-pop band's music bursts with ambition and extreme joy, and its self-titled debut is charged with great storytelling and rich vocals. Then there are the arrangements: little gems that turn these the songs into cinematic vignettes using trumpet, sax, keyboard, violin, guitar and drums.
The dozen members of this Portland, Ore. band crammed behind the Tiny Desk for a transcendent set. See them perform songs from their latest album, White Lighter — the best arranged and most compelling of Typhoon's nearly 10-year run.
In all three of these sad, searing songs, singer Elena Tonra showcases a remarkable gift for coolly but approachably dishing out weary words that resonate and devastate. Achingly pretty and melancholy, the London band's music conjures a pitch-perfect mix of gloom, desire and hostility.
Chicago bassist Matt Ulery writes beautiful music in an unpretentious way. It's intricate stuff, with interlocking parts and multiple sections, but it comes out sounding folky and simple. His small group, featuring bass clarinet and accordion, has it down pat.
The band performs three songs from The Silver Gymnasium, a record inspired by the childhood of 37-year-old singer-songwriter Will Sheff. He grew up a bespectacled, crooked-toothed redhead in the small New Hampshire town of Meriden, and the songs here reflect those experiences.
Short of seeing her live and in person, this is the best way to encounter June's heartfelt sound. A singular performer with an array of singing styles, she sometimes channels an old male voice; at other times, she channels a younger woman or even a child.
Watch the venerable North Carolina band translate its electric sound to acoustic instruments in an intimate way. Superchunk bookends this set in the NPR Music offices with songs from the new I Hate Music, and throws in two selections from earlier in its catalog.
With a supple, strong, high-flying voice that can negotiate the tightest hairpin turns with grace and elegance, Lawrence Brownlee has conquered the world's great opera houses. But for this performance, the tenor circles back to his roots as a singer of spirituals.